templar engraving, masonic knights, templar seal

The new age of Masonic Expression and the continued excellence of David Naughton-Shires

David Naughton-ShiresWhen I first started expressing myself in Freemasonry the medium that I used was the one which all the great old Masters of Masonic scholarship used – the word, the printed word.  So I wrote many words, words of explaining, of informing, of changing, of reform – so many words.  Isn’t that what every Masonic author does – conveying his or her messages in many words?

stephen dafoe, compass and the cross, book, legend of the knight templarThen along came Stephen Dafoe who, within Freemasonry, decided words are nice, they are the very bread and butter of every author, but they are not the totality of an integrated work of scholarship.  What an author’s work needs, proposed Dafoe, was proper illustration and artwork.  So Dafoe was meticulous about the covers to his books and the magazines he published.  He hired Steve McKim to produce some beautiful artwork for his covers and some for the inside pages.  Dafoe would always add many illustrations and pictures to his work and if you take a look at Nobly Born and The Compasses and the Cross you can see the development of this style to its utmost perfection. You can’t read a Dafoe work today with just words, or let’s say not very often anyway.

Then along came Greg Stewart.  He wasn’t writing books but he was still in the profession of Masonic scholarship.  Stewart is very good with words but he is also an excellent graphic designer and an originator of some of his own Masonic artwork. Stewart immediately saw the need in online Masonic websites for a marriage of the printed word and the visual.  Right from the start on his websites you could actually visualize what he was also writing, culminating in his remake of Freemason Information into a consortium of Masonic writers where with the expertise of Dean Kennedy he crafted a website using word, pictures & artwork and video.

Words without pictures leaves little to the imagination and often allows no room for personalization of the message.  The author is leading the reader in a direction he wants to take him/her only utilizing the printed word. The journey is well structured but if the reader becomes claustrophobic or fails to connect with the intent of the author the two will part company.

Pictures without words allows the observer’s imagination to wander off in a hundred different directions at once.  There is not enough structure for the artist to be sure that the receiver understands the message that he wishes to convey.

When words and pictures are used together the mind can be brought back into a narrower focus on what the author is trying to convey, yet there is room for the reader to personalize the message and through the powers of imagination carry it into his or her own life experiences.

5612_109646175977_519860977_2266747_2870014_nWhich leads us to symbols.  Symbols are a representation of a concept.  They are drawings with a definite purpose in mind. Whether it is the Cross, the Golden Arches or the Square and Compasses, they are a picture with unspoken words attached.  That is why they are so powerful; they can do double duty simultaneously. And that is why multi talented creators like Dafoe & Stewart who can turn a good word while at the same time provide great visual effects that enhance their work are so successful at what they do.  Now put them in a setting where the use of symbols runs strong and you provide them with the ultimate opportunity to unleash their creativity.  Add to that the fact that both men are excellent speakers and have produced Masonic radio shows to compliment the rest of their work and you have two artists who have the ability to present their work using many different avenues of perception.

Nobody knows this better than David Naughton-Shires.  He may be the newcomer to the scene but he is following in the footsteps of Dafoe and Stewart. He understands, as they do, how important the use of all the human senses is in the creation of the work of an artist. He realizes that in order to get one’s work recognized, a creator has to appeal to the observer in many different ways. It is my humble opinion that Naughton-Shires is no newcomer to the knowledge of these facts nor is he new to the ability to produce such integrated work but that it has been his involvement with Freemasonry that is new to him and that has unleashed his creativity and ability into actual great creations and enabled his work to be noticed.  And that is because, in my opinion, the power of the symbolism of Freemasonry is so great, so strong and so conducive to the creative artist being able to express himself that it just opens an artist’s creative juices to full flow.  Freemasonry is the best platform from which to create great works because of its great symbolism, its long history spanning centuries, and its message of passion for nobleness, righteousness and equality.  There are very few other settings that are as conducive to opening up the greatness of an artist.

templar engraving, masonic knights, templar sealNauthton-Shires is carrying the New Age Of Masonic Expression into its next phase.  He has a little twist on the applications of Dafoe and Stewart.  Rather than producing words with enhancing visual effects, he is producing the visual, artwork, enhanced by words. This removes Masonic scholarship even further away from the bookshelves.  Soon applications such as Power Point presentations which can be shown almost like movies will be a Masonic creative specialty and I have no doubt that a man like Naughton-Shires will be leading the pack in taking Masonic expression into deeper and unexplored waters.

blood_cross-242x300That being said Naughton-Shires is proving he is no flash in the pan, no fluke, no 90-day wonder. Rather what I see is continued growth and depth of presentation in his work as demonstrated by his latest Issue 3 of The Masonic Art Exchange Newsletter.  He has adopted a Knights Templar theme for the next four or five issues and this Newsletter is sort of an introduction to Templar art. Naughton-Shires asserts:

“Most of the ‘standard’ Templar art is seen in almost every book, magazine and article on the warriors who wore the red cross, and I will attempt to include this in my article but I hope to show art by lesser known modern day artists in the issues that will cover this subject.”

MAE_cover1_3-212x300The cover page of this issue is a compelling picture of a Knight Templar called “Fear” and painted by the brilliant Argentinean artist Ignacio Bazan.

And Naughton-Shires outstanding feature article in issue #3 is titled, The Art of The Knight Templars:  Artistic Representations of The Crusader Knights of God. In it he features the story and work of Benedictine Monk Mathew Paris and a plethora of early Templar art.  Later issues will feature more modern Templar paintings and drawings.

The Knights Templar have been as Naughton-Shires says, “an enigma for many years.” Yet they hold an amazing attraction for modern day society that just can’t seem to get enough of the “lore of the Knights.” Like many of us Naughton-Shires has the “Templar bug” and I asked him what first intrigued him about this society?

“I have had a keen interest in the Templar since watching the movie Ivanhoe many many years ago in which they are depicted as the ‘bad guys’; of course after research I discovered that as with any group there were bad guys indeed but also many good guys.”

Caballero-201x300There is one picture in the article that really caught my eye.  It looks like a tapestry and features green and orange colors.  I couldn’t quite make out what was going on in what looked like a story of some kind in pictures.

Naughton-Shires explains what he knows about this work of art:

“The image is of a twelve century map of Jerusalem which depicts a crusader knight in a white mantle assisting the other knights. It is believed to actually be a depiction of St George but this is based on the Latin inscription behind his head that reads Scs Georgius”

There is also an Apron article in this issue and some other tidbits not available for viewing at the time this article was written.  But then again, I wouldn’t want to tell you all the good things in Issue #3 of The Masonic Art Exchange’s Newsletter.  Better you should go find out for yourself.

Battle

4762_94091970977_519860977_2024766_3953554_nAnd as you do that note where Masonic scholarship seems to be going. We are entering a new age of Masonic Expression, one where the visual arts vault into first place ahead of the word.  And leading the charge is Naughton-Shires carrying the torch from Dafoe and Stewart who are shoo-ins for the 21st Century Masonic Hall of Fame. Sometimes the pupil surpasses the Master but that remains to be seen.

Naughton-Shires is still climbing the wall of stardom. It might behoove us all to grab onto his cable tow and let him pull us into greater heights of Light and once in awhile in the rough places, the precipices that do not hold, for some of us to pull him up and out.  The journey together, the journey shared is very rewarding. Naughton-Shires is beckoning for you to come along for the ride.  My advice is do it and don’t look back.

Social Media & the Non-Profit – How Social Media is vital to fraternities

A few weeks back we explored the ideas of Social Media as it intersected with Secret Societies, creating the shift from restricted knowledge to an open communication in the 21st century -ciphers replaced with pixels and WYSIWYG editors.  Today, Social Media has surpassed the expectations of those who declared it a passing trend and it has become a vital component of any individual or business that wants to build their brand and broadcast their message to an ever increasing audience.

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This is more than Mafia Wars, Bejeweled, or What famous actor are you test.  This is the creation and delivery of a messages and content that readers will grow to trust, will grow to rely upon, and will look to for opinion.

In other words, Social Media is not going away and that both For Profits and Non Profits need to understand the important role it plays in communicating their unique brand message.  Why is participating in Social media important?  By participating, organizations are able to project their own message and content and have conversations with other people about it.

Joining us this week on Masonic Central are two guests who are experts in the field of Social Media and Marketing Communication:

Br. Giles Crouch who has nearly 20 years of marketing communications experience, is co-founded of MediaBadger, a Social Media & Web PR firm. He is an active Mason for 10 years, and is presently Worshipful Master of Ad Astra Lodge in Halifax, Nova Scotia.

Br. Glen Gilmore, better known in social media circles as “Trend Tracker.”.  Glen is a social media consultant who is currently listed in the “Top 100 Twitter Elite” as established by TwitterGrader.  He is one of the most followed people on Twitter focusing on the subject of social media.  He serves as the Social Media Director for the New Jersey Hall of Fame.  Glen has been a Mason for over 20 years and is also a member of the Scottish Rite.

Brothers Giles and Glen will compare notes with Dean and Greg on the growing role of Social Media’s message and brand building power and why it is a vital component to every non-profits strategy to connect with the world.

Join us for this special hour and a half long program on Masonic Central this Sunday, August 30th starting at 6pm PDT/9pm EST. For your questions and comments to the guest live on the air call: (347) 677-0936 during the program.

Also you can listen to the program live from our home at Masonic Central on Blog Talk Radio and join in with our live program chat, or from our player widget on our website at Freemason Information.

Organizations lose their relevance when the rate of internal change lags the pace of external change.

Business Writer Gary Hamel of the Wall Street Journal is a bit of an outsider when it comes to religion. His background is much more wall street than the pulpit.  I have no doubt that in his life he has had some experience in regards to faith, but, based on his writing credentials, Hamel is a very serious expert on business.

So what was surprising to me was to read an article that he penned in the Wall Street Journal about a conference that he attended and spoke at for Willow Creek Community Church.  The article appeared in the Wall Street Journal’s blogs section and was filed under the title “Organized Religion’s ‘Management Problem’”.  And, in a nut shell, it analyzed the growing decrease in church attendance and the lack of shake up taking place in the churches at the front of providing the service to the attendees.  Essentially, he addressed the lack of response by churches to the change in attendance comparing it to the business sector, where a business to act in the same manner when faced with the same problem. The analogy was simple, quoting from Hamel:

Organizations lose their relevance when the rate of internal change lags the pace of external change. And that’s the problem that besets many churches today. And guess what?  A lot of secular institutions are in the same boat (Freemasonry). Think about General Motors, Sony, Motorola, United Airlines, AOL, Yahoo, Sears, Starbucks—how have these companies been doing in recent years? Not too well. And not just because of the recession, but because they got stuck in the mud; they fell in love with status quo. Their employees were prisoners of precedent, locked in jails run by the custodians of convention. …Your problem isn’t unique, and it isn’t materialism, atheism, skepticism or relativism—it’s institutional inertia. And if it makes you feel better, it’s not entirely your fault. Like leaders everywhere, you’ve been mugged by change.

The rant that Hamel goes into (his words, not mine) is a good lesson to learn from, and recitation of an old rally cry, that change is necessary, t least in some respect, and that from it, new growth can come. Quoting again from Hamel:

Historically, business leaders and church leaders didn’t have to worry about fundamental paradigm shifts. They could safely assume that their basic business models would last forever. In the case of church, this meant loyal pew-warmers who would show up every week, sit passively through the same unvarying church service, drop $20 into the plate as it passed, and politely shake the pastor’s hand as they headed off for lunch. But business models aren’t eternal—and their mortality rate has been rising. In industry after industry we’ve witnessed profound paradigm shifts . . .

There is a lesson to be learned here.  Does the same business model from 60 years ago apply today? Hamel continued:

The Second Law of Thermodynamics applies to organizations as well physical systems. Over time, visions become strategies, strategies get codified into policies, policies spawn practices, and practices become habits. That’s organizational entropy—and it’s why success is usually a self-correcting phenomenon. And it’s also why the hard thing—the really hard thing, isn’t inventing a brilliant strategy, but reinventing it! Given all of this, the most critical advantage a church (or any other organization) can build is an “evolutionary advantage”—an ability to constantly morph and adapt.

And, drawing from Hamel again:

Moreover, it’s usually necessary to decapitate the old leadership team before an organization can embark on a new course. In other words, fundamental change in large organizations happens the same way it happens in poorly governed dictatorships—belatedly, infrequently and convulsively. And that’s pathetic. It shouldn’t take the organizational equivalent of a deathbed experience to spur renewal. We need to change the way we change. Over the centuries, religion has become institutionalized, and in the process encrusted with elaborate hierarchies, top-heavy bureaucracies, highly specialized roles and reflexive routines. (Kinda like your company, but only more so). Religion won’t regain its relevance until church leaders chip off these calcified layers, rediscover their sense of mission, and set themselves free to reinvent “church” for a new age.

Really, there are some very sound bits in here, that Freemasonry can learn from, or that it can learn from before its to late. I highly recommend you read the article by Gary Hamel, and if you find it worthy, forward it along to your Grand Lodge leadership.  There is still time to adjust the rate of internal change before it lags to far behind the pace of external change and we get lost in obscurity.

The Evolution of God

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hand of GodBefore reading this article, I would like to make one more plea asking you to fill out my York Rite Survey. The results of this survey will be used to help me develop a program to help the York Rite in my jurisdiction and hopefully the benefits will extend beyond my state. Anyone can fill it out, it is crucial that I get more responses from non-York Rite Masons. Please provide me with some brotherly relief and take two minutes to fill out this survey. Thank you.

I was having my coffee and enjoying my Sunday morning while watching a recent rerun of an episode of The Colbert Report when the show suddenly caught my attention. Colbert’s guest was Robert Wright who has written a book entitled The Evolution of God. This is a topic that I have long been fascinated with because as I have studied the Bible over the years, I have noticed how the depiction of God evolves throughout the history of the Hebrews and eventually gets a huge makeover when Jesus begins to teach.

The God that Abraham served was extremely personal and was even willing to appear to Abraham as a human, almost like a personal angel. The God of Moses was wrathful. The God of David was often a warrior. Then as the Bible transfers to the New Testament, God becomes a universal being who exists for all of creation. This evolution is not unique to the religions which look to the books of the Bible for enlightenment, mankind is continually making God into a more loving and universal creature. Polytheism and idolatry are types of worship which continually keep disappearing and our society is now starting to make the leap from Deism to agnosticism and eventually atheism. While I have not yet read Robert Wright’s book, he explains that he came to a similar conclusion in his interview with Colbert.

This is a topic that is very relevant to Freemasonry. As Freemasons, we have carried the banner of universality in spirituality for nearly three centuries. There are very few places in the world where men of all creeds can sit in harmony and recognize each other as equals and not judge a man based on his own religious choices. Oh sure, there are plenty of examples of Freemasons that don’t understand this and erroneously regard Freemasonry as a Christian organization, but the knowledgeable Mason understands the fallacy of this idea. It is crucial that Freemasons understand the critical role of the organization in creating peaceful relations among men of all beliefs.

In this age of combative 24-hour news and increased divisiveness in issues such as religion and politics, it is crucial for Freemasons to remain the peacemakers. This is an idea that Albert Pike expounds upon in the 6th degree of the Scottish Rite and the American York Rite gives an example of peaceful religious relations in the Order of the Red Cross, when Darius offers his protection to the Jews so that they can rebuild the temple of their God. Of course, these ideas are well covered by the symbol of the Master Mason’s trowel. As society evolves and the perception of God evolves with it, Freemasons should be happy to be at the forefront of the fight for religious understanding and equality.

Today’s men can use a place to go to escape from religious and political bickering and enjoy fellowship with men of all walks of life which are bound to aid, support, and protect each other. I plan on buying a copy of the book The Evolution of God and gaining some insight into mankind’s perception of Deity. After all, couldn’t understanding someone else’s perspective do us all some good?

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100 Master Masons Night

100 Mason night

Dunedin Lodge No. 192 F.& A.M. is a Masonic craft lodge located in Dunedin, Florida, a town in the Tampa Bay area with a strong Scottish heritage.  Currently we have about 200 members of which approximately thirty attend a stated or called communications; forty on a good night.  Having been Secretary of the Lodge, I noticed that attendance is high in the spring but low in autumn (we are dark for the summer).  It isn’t until November, when the “snow birds” return to Florida and attendance starts to bounce back.  Knowing this, I wanted to try something different during my year in the East.  Basically, I was looking for something to stimulate the Craft and give us some momentum going into the Fall.

Believe it or not, the idea came from The Philalethes Society’s Internet discussion group where a member from the north reported his Lodge held a “100 Master Mason Night” to encourage attendance.  To me, this was the idea I was looking for and seized on it.  In June, just before our summer recess, I called a meeting of our officers and suggested the idea which was warmly received.  Consequently, I scheduled August 17th, our first meeting back from recess, for our version of “100 Master Mason Night” and began to promote it in our newsletter and printed up flyers which I distributed to Lodges in our area.  I also brought it to the attention of our Masters & Wardens Association who embraced the idea.

I personally invited local Masonic VIPs, including area Worshipful Masters, the President of the Masters & Wardens Association, representatives of the local
High 12 Club, and members of the Grand Lodge.  All were introduced accordingly.

Realizing this was not going to be an ordinary stated communications, I started to prepare checklists with assignments for my officers who pitched in without question.

I also formed a telephone committee to contact the Craft about the meeting.  Between this, along with an e-mail campaign, people started to register for the meeting, slowly
at first, but then faster as we moved closer to August 17th.  By the morning of the day of the meeting, we had 132 reservations.  Although we expected some “no shows” we came
close to the mark with 126 people in attendance.

Because we were expecting a large crowd, I wanted to keep the program concise, upbeat, and to the point.  One variable I had not anticipated was that our new District Deputy Grand Master, who happens to be a member from our Lodge, wanted to use this date to make his first official visit with his entourage.  At first, I thought this would drag things out, then I realized it would be a golden opportunity to help our DDGM kick start his year.  Consequently, I kept him advised of our plans as they unfolded.

In fact, we went so far as to schedule a rehearsal with his people so that everyone knew their parts.

Knowing that it was important to put on a first class dinner prior to the meeting, our Junior Warden stepped up to the plate without batting an eye and did a great
job.  Not only did he secure the services of his stewards and other volunteers, but he contacted a Lodge member who was a restaurateur who greatly assisted in the
laying out of the menu, ordering the supplies, and orchestrating the kitchen.

Because of the Lodge’s Scottish background, our Senior Deacon, who is a superb bagpiper, piped into the Lodge the Masonic VIPs along with the District Deputy and
his entourage.  This stirred the attendees noticeably.

As this was a stated communications, the Lodge naturally had some business to attend to which we expedited as quickly as possible.  Other than normal Lodge business, the
program included:

  • As Worshipful Master, I began with some introductory remarks discussing the need for more Freemasonry, not less (see speech below).
  • First time visitors were presented west of the alter where I met each one individually on the level (a local Lodge custom).
  • A Master Mason catechism examination was conducted by the Lodge Instructor for two Brothers.  Following this, they were presented their white leather aprons.
  • Interestingly, one of the Brothers returning his catechism was the son of the District Deputy, who was proud to present him with his apron, a very moving moment in the Lodge.
  • Another high point was the presentation of a 70 year Masonic service award to a Brother who hadn’t been back to Lodge in the last few years as his health had been slowly declining.  Nonetheless, there was a twinkle in his eye as we presented his 70 year pin and rendered grand honors to him.

I received an e-mail from his wife the next day saying how excited he was to sit in Lodge again and receive the award.

For Masonic Education and to improve awareness about our lodge, we showed a new MS PowerPoint presentation featuring a brief history of Dunedin Lodge (about 9 minutes in length).

  • Knowing our Secretary was celebrating his 55th birthday on this day, I surprised him by having him escorted west of the altar and led the Craft in singing him “Happy Birthday.”
  • The Master’s gavel was then turned over to the District Deputy Grand Master who conducted his program.  Following the meeting, many of the attendees adjourned to nearby Dunedin Brewery which was specially opened for the Masons.

This was an interesting experiment.  Hopefully, this will not only invigorate Freemasonry in Dunedin, but it will also stimulate all of the Lodges in our area (a few are considering a similar meeting in their own Lodge).  My officers did an outstanding job and I cannot thank them enough for their efforts which, as an aside, kept them organized and motivated during the summer months.  The spirit of cooperation was truly infectious.  For example, our chaplain was called away on an emergency at the last minute and a chaplain from a neighboring Lodge quickly volunteered his services.  Likewise, our organist was out of town and another readily filled in for him.  It seemed everyone wanted to take an active part in this historic evening.

Through this program of “100 Master Masons” the message I tried to communicate was twofold in nature:  that our Lodge had its act together, and; that a Masonic Lodge
meeting need not be boring.  Hopefully, the evening’s spirit of Masonic goodwill will rub off and encourage others to redouble their efforts for the fraternity.

I don’t know who exactly it was from The Philalethes Society that came up with the idea, but thanks!  It works.

WORSHIPFUL MASTER’S REMARKS – WE NEED MORE FREEMASONRY, NOT LESS – by W:.Tim Bryce, PM

My Brothers, these are indeed strange times we live in.  The economy has been shaken to its foundation, people are out of work, companies are closing their doors, morality is
crumbling, we have considerable political wrangling and backbiting underfoot, we have grave concerns about health care and the national debt, the country is still on guard
against terrorism, and the nuclear threat has never dissipated.  Obviously, we can ill-afford to conduct business as usual.  If we are to survive, we must find new and
imaginative ways to grow and evolve.  Maintaining the status quo is simply not an option.

As we have learned, stagnation means death.

The critics of our fraternity claim that Freemasonry has outlived its usefulness; that it is no longer in step with the times; that it is actually an evil society that must be stamped out.  I vehemently disagree.  Although we are an imperfect society with our own unique set of problems, I hardly believe we are an obsolete institution.

Now, more than ever, the world needs more Freemasonry, not less. We need more patriotism and civic pride, not less.

We need more cooperation, loyalty, and teamwork, not less.

We need more religious tolerance, not less.

We need more Faith, Hope, and Charity, not less.

We need more positive examples of ethics and pride in workmanship, not less.

We need more Friendship, Morality, and Brotherly Love, not less.

To do all this, we need more honest and respectful debate, not less.

Yes, we need more Freemasonry, not less.

Maybe I’m old fashioned; maybe I’m wrong, but this is how I see True Masonry; a universal and beautiful concept embraced by men around the world.  We must remain the example for others to emulate. We must practice what we preach.

And Brothers, consider this: If not us, who?

Our Politicians?  The media?  Religious zealots?  Who?

Freemasonry is uniquely qualified to lead the charge.  We are not a religious or political organization, we represent a cross-section of people from all social strata, located around the world, with honorable intentions.  We are well established and have a strong historical background.  As long as we do not deviate from the basic tenets of Freemasonry, we’ll be fine.

I therefore admonish all of you to redouble your efforts as Masons and help perpetuate this great fraternity and make the world a better place.

Thank you.

Keep the Faith!


Freemasonry From the Edge
Freemasonry From the Edge

by W:.Tim Bryce, PM, MPS, MMBBFMN
timb001@phmainstreet.com
Palm Harbor, Florida, USA
“A Foot Soldier for Freemasonry”

NOTE:  The opinions expressed in this essay are my own and do not necessarily represent
the views or opinions of any Grand Masonic jurisdiction or any other Masonic related body.
As with all of my Masonic articles herein, please feel free to reuse them in Masonic
publications or re-post them on Masonic web sites (except Florida).
When doing so, please add the following:

Article reprinted with permission of the author and “Freemason Information”
http://www.FreemasonInformation.com

Please forward me a copy of the publication when it is produced.

To receive notices of Tim’s writings, subscribe to his private Discussion Group.

Also be sure to check out Tim’s “Pet Peeve of the Week” (non-Masonic related).

Copyright © 2009 by Tim Bryce.  All rights reserved.

Georgia speaks. Grand Master Jennings on the Georgia Affair.

I’ll save my thoughts for the end…

The Grand Lodge of Georgia of Free and Accepted Masons
J. Edward Jennings Jr. – Grand Master

August 19,2009

EDICT No. 2009-1

TO ALL CONSTITUTENT LODGES UNDER THE CONSTITUTION OF THE GRAND
LODGE OF GEORGIA, FREE & ACCEPTED MASONS:

WHEREAS: Freemasonry has existed in Georgia since it founding in 1734 and is the oldest Fraternal organization in the State, and;

WHEREAS: Freemasonry is universal in scope, being a Brotherhood of Man under the Fatherhood of God, and;

WHEREAS: the Grand Lodge of Georgia, Free & Accepted Masons, holds membership in this worldwide Brotherhood, and;

WHEREAS: our Ancient and Honorable Fraternity welcomes to its doors and offers its privileges to men of all races, colors and national origins who believe in a Supreme Being, as stated in our Degrees and Lectures, and;

WHEREAS: no reference is made to exclude any petitioner with regard to race, color or national origin in any of the Rituals or Masonic Code authorized for use in the Constituent Lodges chartered by the Grand Lodge of Georgia, Free and Accepted
Masons, and;

WHEREAS: it is incumbent on all members of our Brotherhood to abide by the Rule’S, Regulations, Laws and Edicts of the Grand Lodge of Georgia, Free and Accepted Masons;

THEREFOR BE IT RESOLVED:
That no negative reference be made by any officer or member of any lodge chartered under the Constitution of the Grand Lodge of Georgia, Free and Accepted Masons, in reference to a petitioner’s race, color or national origin, who believe in a Supreme Being, during any Lodge communication, conferral of degrees, proficiency practice o proficiency examination;

Further, be it resolved, that it is the responsibility of the Worshipful Master of each Lodge constituted under the Constitution of the Grand Lodge of Georgia, Free and Accepted Masons, to insure and enforce strict compliance with this EDICT, an, further, to have it read at the next two communications of the Lodge after receipt by the Lodge.

Any Lodge reported in violation of this Edict will be disciplined.

Given under my hand as Grand master of the Grand Lodge of Georgia, Free and Accepted Masons, this 19th day of August, 2009.

Signed:
J. Edward Jennings Jr.

Attested:
Donald I. DeKalb

The Resolution addresses the issue of the “incident” that took place in June about the charges brought against Gate City Lodge (see My Brothers Keeper) for their raising of  an African American to the degree of Master Mason and then allowing him to progress to an officer’s position.

Reading the above, it seems to say nothing of the charges brought, or their spurious nature, any past exclusion based on race, or impropriety of racial segregation.  Essentially, it is a safe way of saying that “we don’t promote any bias on race, religion, or color (never mind sexual orientation)” despite what people say.  Neither does it seem to suggest any acknowledgment of the bias that this edict was written to.

What do you think?  Is this enough?  Does this speak to an enlightened brotherhood of man under the fatherhood of God? Is it enough, or should it say more?

The originals below.

edict2009-1_1

edict2009-1_2

Masonic symbolism is skate punk cool.

Skateboards, the mode of recognition.

Skateboards, the mode of recognition.

You never know who you might meet when your out and about.  One of the cool factors of Freemasonry is that pretty much anyone you meet who has the square and compass somewhere on their person is a person you can trust and that that you have an undercurrent of social commonality with one another.

As a quick example, I can’t keep count anymore of how many brothers I’ve met on my commute who fly our emblematic device on their bumper.  And its a good feeling to be the company, even if sitting in traffic.  Its an even better feeling when its in person and the brother that you meet is sporting a ring, lapel pin, or t-shirt.  You know almost instantly that the person with wearing it is an instant friend.

But, that seems to be shifting, especially as the fraternity is mushrooming into the broader material culture and the symbolism is being appropriated for more and more non-Masoninc commercial endeavors and ending up as logos or devices for particular brands.  This was evident a few weeks ago with the Angel and Airwaves logo for their new album.

Br. Hodapp posted up not to long ago a shirt lifted by Old Navy that used a wings up double headed eagle on one of its new shirts.  But yesterday I had the first hand experience of encountering one of these T’s in the field and a startling realization came over me.

Anthony Van Engelen Square and Compass Tee

Anthony Van Engelen Square and Compass Tee

What I realized was the question of whether I could trust the person wearing the device or not as a brother.  The reason the thought rolled through my head was because the mark wasn’t a subtle to headed eagle or a scimitar or star…  No, what I saw was a new shirt out from Van’s Shoes apparel line under Anthony Van Engelen who is one of their Pro Skaters.  A quick search on the web and I couldn’t turn up anything to suggest that Van Engelen  is a Mason, more likely some off shore designer was building an apparel line and thought the design was cool and skater worthy and the picked it up for his “style” (to many years in the apparel/branding industry has jaded me).

So, the broader question I’m left with is that as the  emblems that we use to know a brother in the “regular” world become more common as a design device, can we so easily trust the wearer as a brother, or does it erode the fraternities logos to be just another brand device to sell into pop culture?  The easy answer is that you can still approach someone and ask if they’re a traveler, but does it signify on a deeper level a break down of Masonry’s control of its own means to unite men outside of lodge?

Maybe it just means that Freemasonry will be cooler in the skateboarder world.

What do you think?

Freemasonry in Material Culture – the Freemason DJ Remixers

This originally appeared in July of 2006 on the Masonic Traveler blog.

The interview was relevent then, but more so today as both the footprint of the fraternity and the DJ’s of the same name have grown in those three years.

Their website has changed, but you can now find them on MySpace, and their success has grown, touting now * 5 Consecutive UK Hit Singles, a Debut album ‘Unmixed’ which has gone silver, Grammy Nominations for their Remixes, and an international demand and following, so too has their list of performers that they have remixed Beyonce and Shakira’s “Beautiful liar” that hit the No 1 spot for weeks some 8 months in the UK, Kelly Rowland’s “Work”, as well as others

All of this under the name Freemasons.  I thought it relevant in light of the Angels and Airwaves piece recently to revisit the last time I found something like this.

So, without further adieu, here is the original interview, and some updates on the music of the Freemasons.

Freemasonry is not a thing to be possessed. Nor is it something that is uniquely owned by anyone. As such, the influence and ideas of the ancient fraternity reach even beyond the walls of our ancient institution and seep into society at large. Does one influence the other? I would say yes, and can point to several institutions established on the Framework of Freemasonry. But that is not the purpose of this article.

Freemasonry is not limited to itself and is a part of society at large. One such example of this is the Electronic dance music produced by the DJ Remixers FREEMASONS (aka Freemaison). They are not a Masonic band assembled by a lodge or a Rite, nor is it a free formed band consisting of Masonic brothers. They are a product of the material culture around us.

Coming from the Brighton area in England, they are shaping a larger and larger presence for themselves and the music industry. So far they have worked with and remixed Fat Boy Slim, Marvin Gaye, Faith Evans, Heather Headley, and Jamiroquai to name but a few. Described as “modern disco”, Freemason is becoming a fixed urban name on the music landscape. One item to note, they go by the name Freemsons, but also with another spelling – Freemaison, which I took to translate into “Free House”, which is a liberating expression of their sound.

I spent a short time talking to James Wiltshire who is one half of the DJ collective who has adopted the name Freemasons. While not members of the fraternity, I think you’ll enjoy their answers and see one point that the fraternity has left its mark on our socities material culture.

FRM2
MT: Who are The Freemasons (Freemaisons)?
JW: We are Russell Small and James Wiltshire

MT: How and when did the band evolve? How did you come up with the Name Freemason/Freemaison?
JW: We worked together on previous dance music projects , but about 18 months ago work stated in ernest as we watched the first single grow from a simple Underground level (on 12″ Vinyl originally!!) to a level that was going to gain entry into the UK singles market… As the promotion gathered momentum we named ourselves after The Freemasons Arms at the top of Russell’s road….

Brighton has a long masonic history (one of the largest lodges is just around the corner from the pub in question) … The building where our studio is (again in the same road) used to be an old coach house, and as The Freemasons arms has been a licenced premises for many, many years, perhaps the name of the pub comes from it’s signifigance as a meeting point.
pfreemasonsshakedown2co
MT: Are any of you Freemasons?
JW: If we were, would we reveal ourselves so easily?

MT: How, if at all, does your name influence your music?
JW: Directly, our name probably does not influence our music… However, between ourselves – the creative engine of the project , Our record company (an independant called Loaded, based again in Brighton) and our manager, we are a group of people working hard and together, playing on each others strengths , and supporting each other to further our work and business… That does seem very similar to the ethos of the Freemasons….

Many months ago, when the band was in its infancy, I had to visit
London to remove myself from another project that was, in my opinion going in a direction I felt uncomfotable with. A young singer was involved and various business angles of a new recording were being kept from her, and I was going to have to compromise my beliefs in the way I like business to be conducted….

The meeting was painful and the conversation turned ugly….

On the train back to Brighton that night, I was quite upset to think that my chosen industry should be so full of deceit…. Five men came and sat around me moments before the train pulled off – they had been to a party thrown by the Mayor of London.

As we sped south, I overheard much of their conversation, work, jokes, memories of other nights out and even memories of times served abroad with the army…. One gentleman took a great interest in my laptop as he was thinking of buying his son one for christmas, and was facinated to find out I used computers to make music….. By the time the train was pulling into the station, I had cheered up no end – It’s very inspiring to know that a group of friends who had obviously worked together in some way for years, still had such great respect for each other…. As they left, their last conversations were of meetings at their respective lodges – I had just shared the journey with 5 Freemasons.

We had named our band they day before – Life has a beautiful way of showing you the correct path

MT: How would you describe your music to people who have never heard of you?
JW: Soulful electronic dance music

MT: What is your creative process in approaching your music?
JW: The creative process can take many courses…. It may be a simple musical idea or hook that triggers off an idea for a complete track, or the beginnings of a song … We are both

frm1MT: What do you want to accomplish in creating it?
JW: Sometimes, personally, the act of creation alone can be reward enough… we have both in the past completed a lot of music that has never really gone further than the ears of ourselves and our friends, but anyone creating wishes to have their work appreciated by others – we have been lucky enough to see that happen a lot in recent months… As dance music is designed to be played to an audience, and we have been able to watch the reactions ourselves as DJ’s , we are lucky to see the direct response in people… there is nothing quite like seeing a club full of people whoop and cheer when you play your own records and suddenly they start to recognise it from the introduction…. From a business level, we want to further ourselves and our profile, work with great musicians and singers and create even better music….. we often joke that we have the best job in the world – what we do seems to make people’s days better

MT: Does your audience influence your creative process?
JW: Absolutely, without people dancing and enjoying our music , we would’nt be able to run a successful business…. trends and fashions within music might change, but people will always want to dance, we’ve just got to try and make records that they can dance to

MT: What do you feel are your greatest hurdles? Your greatest strengths?
JW: One of the greatest hurdles at the moment in the music industry is the volume of sales – it now takes just 8,000 copies a week to gain entry to the UK top 20 and that is not enough to support single releases … Illegal Downloads threaten the integrity and quality of all music as if things carry on , there will soon be no financially viable retail outlets …. Working independantly also can prove difficult as the whole machine is now powered in favour of the Major lables…. Our greatest strengths however lie in the fact that we can make master recordings very cheaply now thanks to technology and that our music makes people enjoy themselves – Music can be such a release (as any good art form should be) – it is inspiring to hear from fans that they enjoy our work as much as we do making it.

MT: Any upcoming projects to watch for?fm3
JW:We have just completed a remix of Beyonce’s new single (see above for the video) – She has now reached iconic status within the music industry and we are very proud to have been asked … We have also completed a new single featuring the wonderful vocals of Seidah Garrett (who co-wrote Michael Jackson’s Man In the mirror and dueted with him on “I just can’t stop loving you” … the new single will be followed by a hybrid Compilation and artist album containing the best of our work to date.

My thanks to James who took the time in 2006 to answer my questions, and its good to see that their success has grown.

And their latest release, ironically (perhaps) its title is the ultimate message of Freemasonry
Love is the Answer

Freemason Remix with Kyle Minogue

Freemason Remix with Moby

The return of Masonic Central and the “Masonic Baptism”!

masonicbaptism

Masonic Baptism by Cliff Porter

After a long summer hiatus, Masonic Central is back and to recommit ourselves to our second year, this weeks show is highly appropriate.

Coming on the program is Brother Cliff Porter to talk with us about his new book Masonic Baptism – A Post Modern Ritual for an Ancient Craft.

For some background, Mackey says of the ritual that it is “… simply a lustration or purification by water, a ceremony which was common to all the ancient initiations”.

Missed the LIVE program?  Listen NOW!
or Download

In the present day, the ceremony and ritual are designed to be performed in lodges wishing to baptize children of Masonic families. The ceremony is not a religious function, nor does it compete with the baptisms of the different religions of the world. Rather it is a solemn act of fidelity and a pledge to the children of  Freemasons to signify that they are now a part of a broader community and that they will never be alone.  Br. Porter’s work has brought the ritual back into a modern parlance and reintroduces us to this past practice in a modern era.

Reconnect with Dean and Greg, and travel with them through their summer adventures and this appropriate topic of the Masonic Baptism on this special hour and a half long program on Masonic Central this Sunday, August 16th starting at 6pm PDT/9pm EDT. For your questions and comments to the guest live on the air call: (347) 677-0936 during the program.

Listen to the program live from our home at Masonic Central on Blog Talk Radio and join in with our live program chat, or from our player widget on our website at Freemason Information.

Its good to be back!

the fall of Solomon, judgement, making laws

The Fall of Solomon

the fall of Solomon, king solomon, temple builder, 1 kingsKing Solomon of Israel is referred to in Masonic tradition as being the fraternity’s first Most Excellent Grand Master. He is championed as the man who constructed the magnificent temple for Jehovah and is heralded as the personification of wisdom. However, a closer look at the life of King Solomon shows that he wasn’t always worthy of emulation.

It is true that Solomon had multitudes of wives and concubines, but that will not be the source of any criticism in this article. Many Biblical kings had large harems, including Solomon’s father David. No, Solomon would be condemned for the very sin which had plagued his people for centuries: putting other gods before Jehovah.

As Solomon grew old, his wives turned his heart after other gods, and his heart was not fully devoted to the Lord his God, as the heart of David his father had been. He followed Ashtoreth the goddess of the Sidonians, and Molech the detestable god of the Ammonites. So Solomon did evil in the eyes of the Lord; he did not follow the Lord completely, as David his father had done.

On a hill east of Jerusalem, Solomon built a high place for Chemosh, the detestable god of Moab, and for Molech the detestable god of the Ammonites.
1 Kings 11:4-7

The Hebrews could be a strange people. God parted the Red Sea and freed the Israelites from slavery. Then he gave them a pillar of clouds by day and a pillar of fire by night to guide them. Then he provided them with manna to nourish them. Yet, the Hebrews worshiped other Gods. In Solomon’s case, he was allowed to complete the Lord’s temple and was blessed by the presence of the Ark of the Covenant. Still, he decided to disobey the First Commandment.

Like many main characters in the Old Testament, Solomon’s place of prominence came only through special circumstances. When David was old and frail, Bathsheba convinced him to place Solomon on the throne of Israel (indeed, the influence of women can be great). Solomon was certainly not David’s first choice for his heir. Joseph Heller’s God Knows gives a fictional account of the events surrounding the elderly King David. Heller portrays Solomon in a less than flattering manner in this humorous work. In the story, King David says of his son:

And I was smart enough to appreciate that for Solomon you had to spell everything out. I’ll let you in on a secret about my son Solomon: he was dead serious when he proposed cutting the baby in half, that putz. I swear to God.

While this portrayal may have no real historical basis, this much is true: Solomon was made king only through the unfortunate deaths of David’s older sons, he built his temple only through a blessing secured by his father, and he managed to nearly destroy the promising future which God had given David’s offspring. Nevertheless, 1 Kings 4:29 says that “God gave Solomon wisdom and very great insight, and a breadth of understanding as measureless as the sand on the seashore.”

Through this knowledge he was able to secure his place in history as the builder of the Lord’s temple and has been given the honor of being a prominent figure in Masonic tradition. Like all men, Solomon may have had faults, but some of his actions have earned him respect. This is a lesson that can benefit all Masons. Masons must recognize that all men have their redeeming qualities as well as their imperfections. The Mason should never hesitate to clearly identify these qualities in the men that they have identified as being worthy of emulation.