To Die Or Not To Die

“To be, or not to be, that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And by opposing end them. To die—to sleep,
No more;”

The articles by Brothers Sean Kennedy and Stephen Dafoe regarding the decline in Freemasonry has brought many responses across the Internet. In reviewing what comments were posted in various places it seemed as if everybody had an opinion but nobody commented on the data. In many cases passionate cases were made for debunking the whole idea that Freemasonry is in some sort of distress. Rosy colored glasses led to some even declaring an unreasonable aura of negativity permeated the air and even more extreme views that this author was some kind of miserable turncoat bent on the destruction of the Craft. So much for whispering words of advice in a Brothers ear; so much for Masonic tolerance; so much for the use of logic and reason instead of raw emotion.

Yet my Brothers, the data does not lie. The data is fact. What it means for our beloved fraternity, well that is open for interpretation. And that’s fine. But the idea behind publishing these articles is to help make Freemasonry better not to see who is right or wrong about conclusions drawn. The idea was to foster reformation not dissension. What became self evident is that these articles became an affront to some who felt that they needed to bury any discourse on improvement lest they admit that Freemasonry could use some improvement.

Some may recognize that in our midst is the Masonic Restoration Foundation working for just such improvement – https://www.masonicrestorationfoundation.org/

Quoting from its purposes we hear;

“The mission of the MRF is to assist and support, through education, communication, example, and coordination of efforts among lodges, Grand Lodges, individuals and groups of Masons belonging to regularly and duly constituted lodges; the overall improvement and happiness of the individual Mason and his fraternal relationships.”

“The goal of the foundation is to restore Freemasonry to the historical and philosophical intent of its organizational founders. We believe that in so doing, Masons will return to the development of a fraternal culture of learning and intellectual growth, which will not only benefit the individual Mason, but society as a whole.”

If Freemasonry doesn’t need improvement why is there a Masonic Restoration Society?

Of all the responses that I reviewed this one stood out as a Mason that did some logical analysis not just some emotional diatribe. And that was “The Other Mason,” Wor. Istvan Horvath from Canada. His website The Other Mason contains some very interesting content and is worth looking at.

TO DIE OR NOT TO DIE

by
Worshipful Istvan Horvath

There is an article written by a Texas Mason that went viral and is discussed, dismissed and “fought” in all the Masonic forums and groups in North America. While the author is very careful to not attach any emotional comment to his findings, and even stated clearly he wasn’t judging only presenting the fact about the dwindling numbers of Freemasonry in America – all hell broke loose.

His article presented visual graphs showing the changes in numbers of Freemasons across America since 1959. And finally, looking at the general trend, the article presented a ‘projection’ (an otherwise valid tool for analyzing data) according to which the membership will collapse. While the title may sound controversial and definitely touches a nerve with present-day Masons, the analysis presented is not far-fetched: based on a 50-60 years time period it is logical to conclude the continuation of the trend, provided nothing happens to stop it or reverse it.

The Reactions

Generally, the reactions on the world wide web and social media can be put in three main groups, and interestingly (or maybe not) the reactions didn’t differ much in the USA and Canada.

Group A – These Masons consider the whole article bull*!#+ (BS), and putting their head in the sand, dismiss any findings. Lies, negativism, fake news – these are the charges brought against the author.

Group B – NIMBY. Which means Not in My Backyard. Admitting that such an issue of decreasing numbers might be of concern in other lodges, other districts or other jurisdictions… they bring anecdotal evidence that is not happening in their own “backyard”. We initiated last year X number of new Masons…
Group C – the tiny group that would like to face the facts and to have a meaningful discussion about the causes, the possible remedies, the outlook and the inevitable changes that come with the changing times. Unfortunately, they are the minority everywhere…

A. The first is the worst group – despite their conviction that they act to “defend” Masonry against the negative thinkers. They are the most dangerous as well, not just based on the sheer numbers (i.e. being the majority in any lodge and jurisdiction) but because they represent en bloc all the issues today’s Freemasonry is suffering from:

  1. lack of education
  2. fear of being called the elite of the society
  3. lack of ‘freethinker traditions’
  4. literal belief in legends from movies, fictional books, pseudo-history
  5. keeping dues artificially low, too low in order to make it ‘affordable’ for everyone

While we pride ourselves by enlisting all the historical celebrities from prime ministers, governors, army commanders to philosophers, scientists and poets… we almost get offended, if someone wants to see the Craft as the gathering place of today’s elite. None of these members is and will ever be able to mentor and educate new members… and even worse, if we let them do it, they will perpetuate this sad state of the Craft.

B. This group is always looking at it from the narrowest perspective: if it doesn’t happen in my lodge, it doesn’t exist. We are initiating a lot of young men. Our lodge is thriving… Even if the Ontario Grand Lodge lost 2022 members in the past year, bringing it up one is considered a negativist. The Craft is doing fine…

Read: Freemasonry after COVID

While the lodge members are claiming that they have so many candidates they need even emergent meeting because the monthly one meeting is not enough to initiate all those at the West Gate – the same lodge is not able to present an officers line of MMs [without recycling PMs] for years.

C. The last tiny group doesn’t have much chance to be heard because it is small by numbers and it is not into violent word exchange but prefers the calm, rational dialogue and discussion.

The Numbers

Only a few commenters looked at the data itself. Without any comments, see it for yourself!

Ontario Masons Membership 2008-2017.

Yes, we can debate about the we way read and interpret the data. We can argue about the causes and historical influences on the changing membership numbers. We can do many things… Except pretending that it is not happening!

I am not even saying that the dwindling numbers are necessarily a bad thing. Who knows, maybe it is necessary to reshape Freemasonry in the 21st century’s context. Personally, I think it is the latter but ultimately it will be the Craft, the coming younger members that will define how to deal with these changes. I hope their wisdom will be up to the task!

The Solution?

Post your thoughts below!


About the author

Wor. Istvan Horvath

Istvan Horvath, MPS1, is a Master Mason2 and Royal Arch Mason3. His Masonic journey started twenty-two years ago, in 1994, in the East of Budapest, Hungary. Today he lives in Ontario, Canada, being affiliated with local lodges4. A Past Grand Librarian in his initial jurisdiction and well versed in Masonic lore in at least two languages. He also likes to read and study in the two other languages he is fluent in. Bottom line: he likes languages, linguistics and is a diligent lifetime student of Freemasonry. For the Masonic year 2018-19 he was elected and installed as the Worshipful Master of The Electric Lodge.

  1. Member of the Philaletes Society
  2. Initiated, passed and raised in his mother lodge, Egyenlőség=Equality, under the Symbolic Grand Lodge of Hungary.
  3. Member in St.John’s/Hamilton chapter, District #6, Ontario
  4. Electric Lodge #495 GRC, Hamilton District C. Also a member of Heritage Lodge #730, the Ontario research lodge, and the Observant Templum Lucis Lodge #747.

William Shakespeare – the Freemason

William Shakespeare Freemason

Its been debated in a sea of endless questions, was William Shakespeare a Freemason?

Well, this week (April 23rd -30th) is a celebration of all things William Shakespeare as Stratford’s Greatest son’s celebrates his 447th birthday.

For the non mason, its hard to really pick up on the clever word play that is so intricately woven into Shakespeare’s sonnets and plays, and one is often left wondering “was it Shakespeare who applied Masonic ideas into his works, or the Freemasons who appropriated the ideas from the bard of Avon?” Most scholars suggest the latter, but Masons familiar with the wordplay might see otherwise.

Its been in debate for a long while, at least in Masonic circles, appearing in the Builder Magazine in 1919 with a score of quotes and lines to illustrate the point.

Some of my favorites include:

“What is he that builds stronger than either Mason?”
Henry V., I, 47.

“Here, Robin, an I die, I give thee my apron.”
2 Henry VI., II, 3:75.

“The nobility think scorn to go in leather aprons.”
2 Henry VI., II, 2:14.

“Hold up, you sluts, your aprons mountant.”
Timothy of Athens, IV, 3:135.

“To hold opinion with Pythagoras
That souls of animals infuse themselves
Into the trunks of men.”
Merchant of Venice, IV, 1.

“What is the opinion of Pythagoras concerning wild fowl?
That the soul of our grandam might haply inhabit a bird.”
Twelfth Night – IV, 2

Pythagoras is a bit of a Masonic patriarch, and aprons are in abundant supply throughout the fraternity.

And I found a few more from the Grand Lodge of British Coloumbia’s page on Shakespeare:

What! My old Worshipful Master!
Taming of the Shrew, Act V, s.1.

I have not kept my square,but that to come shall all be done by Rule.
Antony and Cleopatra, Act II, s.1.

I particularly like this one, which has so much in common with the Hermetic ideas of Know Thyself.

If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
Within the centre.
Hamlet, Prince of Denmark Act II, s.2

Much of this comes out of the work of Peter Dawkins “Shakespeare and Freemasonry” to which he suggests:

Moments of jest in Shakespeare…often carry the deeper and more veiled allusions to the Mysteries, but this is not always so. The Tempest, for instance, gives many Masonic allusions quite openly, and indeed might be said to be a most complete Masonic play. For a start the play is based upon Virgil’s Æneid, Books III and VI. Book VI in particular deals with the ancient Mysteries, whose degrees of initiation are echoed, howbeit with different allegories, by those of Freemasonry.

How much of this is want to see the work of Masonry in Shakespeare’s plays or the real deeper mysteries artfully woven into them – this is the question!

Some suggest that Shakespeare’s work is a clever use of Gematria, the letter numerical interplay seen in the esoteric applications associated with the Kabbalah, which Shakespeare skillfully worked into illustrating his Mason Mark, the right-angle triangle. Its in this same discovery that some suggest that Kit Marlowe wrote the Sonnets because of the discovery of the Masons Mark.

Peter Bull, on his website Marlowe wrote Shakespeare, suggests:

Shakespeare seems to have been fully conversant with the Masonic symbolism of the Square – and thus the symbolism of Euclid’s 47th Proposition. We have seen in Anthony and Cleopatra (II, iii) reference to the lines:

Read not my blemishes in the world’s report;
I have not kept my square, but that to come
Shall all be done by the rule.

The Bard also makes a number of pointed references to a ‘mark’ in his Sonnets. An analysis of these, in my book reveals that their placement is not a casual matter but clearly predicated by Masonic considerations of a very exact and specific nature. They all refer to his own Masonic mark.

Marke how one string sweet husband to an other, (s8)
For slanders marke was euer yet the faire, (s70)
Marke how with my neglect I doe dispence. (s112)
O no, it is an euer fixed marke (s116)

Shakespeare’s mark turns out to be no different from that of Alexander Hamilton – the right-angle triangle. He uses it consistently throughout the Sonnets to encode his name.

The context of the first Marke actually has a clear association with a right-angled triangle. In this sonnet the discussion concerns the three-way play between ‘sweet husband’, ‘happy mother’ and the ‘child’ they bring forth; there is also, in the following sonnet, the strongest indication that the mother is a widow. This scenario brings to mind the legend of Osiris, Isis – the widow and child Horus. The most common representation of this relationship in Masonic symbolism (following Plato) is the 3-4-5 right-angled triangle: the upright represents Osiris, the horizontal Isis and the hypotenuse Horus . Therefore it’s interesting to note that the word Marke is the 828th word in the Sonnets – and 828 is the gematria value of the Hebrew words BN ALMNH – The Widow’s Son.

I’ve always been keen to the idea that William Shakespeare was really the statesman Francis Bacon, the writer of the almost eerily Masonic tale – The New Atlantis. You can spend a lot of time following the threads about their connection on Sir Francis Bacon’s New Advancement of Learning.

Shakespeare and Freemasonry by William Norman M’Daniel, from 1912 suggests something similar:

Hence, to read these plays as mere stories in dramatic form, filled in with many wise reflections, is to miss their real character. The Tempest may be read simply as such a story, and even as having a moral purpose. Sir Edward Strachey says quite aptly that it is “a mimic, magic tempest which we are to see, a tempest raised by art, to work moral ends with actual men and women,” But he fails to show how it is to bring about such a state in the actual affairs of men, say of our day or of any time. The play contains hints suggesting that it is meant to be of universal application. It will yet be clear that this play can be fairly interpreted as an allegorical drama, summing up the whole method of Francis Bacon’s philosophy, and especially his moral philosophy, as it is to affect in actual life the individual, and all the relations which men and women sustain toward each other, from the primary relations of the family to the highest, which is that of government. And when so interpreted it will be found that it is also the philosophy of Freemasonry.

Shakespeare

I do find it to be very interesting to think about and consider Shakespeare’s involvement with the early invention of Freemasonry (I’ve had conversations that he was at the same time Grand Master of both the Rosicrucians and the Freemasons) – well before it coalesced in its 1717 founding. And, it seems that the brothers of the United Grand Lodge of England felt of like mind in 1929 when pro Grand Master Lord Ampthill, accompanied by 600 masons in full regalia, laid the foundation stone of Stratford’s Shakespeare Memorial Theatre. The UK fraternal magazine Freemasonry Today [now archived] suggests that the connection can be found in the meaning from a quote found in Love’s Labour’s Lost as it being the essence of a Freemason’s purpose: to be a builder of love.

“For charity itself fulfills the law, and who can sever love from charity?”
Love’s Labour’s Lost, IV.iii

Perhaps the mystery is the greatest clue to the bard’s mystic tie to the fraternity. Alfred Dodd, writing his examination of the plays and poems, says it unequivocally:

The story is told in the Great Shakespeare Folio of 1623 . . . the greatest Masonic Book in the world. The System was buried in secret and left to grow and root itself, like a bulb, in the dark for a hundred years. The emergence of the Masons in 1723 was a PLANNED emergence . . . …….the Centenary of the 1623 Folio. William Shakespeare was not only a Freemason, he was the FATHER and FOUNDER of the FRATERNITY, the Writer of the Rituals.

Was he or was he not to be…a Freemason?  That is the question!  Asking the questions is likely more fun than knowing for sure, but so long as conspiracy theories abound, this is one of the fun ones.  Are the greatest works of the English language and drama really manifestos of esoteric ritual word play?  We may never know.

But asking gives us more reason to celebrate the worlds greatest writer and dramatist – Happy Birthday Shakespeare.

This post was in contribution to HappyBirthdayShakespeare.com, a tribute to Shakespeare by bloggers from all over the world to post on how Shakespeare has impacted their lives.  This celebration is sponsored by The Shakespeare Birthplace Trust which owns and cares for the five Shakespeare Houses.