Crossing the Extraordinary Boundary Between Regular and Mixed Gender Freemasonry

co-masonry, mixed gender, women freemasons

Freemasonry, like religion, is an institution that has created for itself its own teleological system of boundaries. What is, and what isn’t, a Freemason is often a hard etched line drawn in the metaphysical sands of the philosophy.  And yet, those lines shift between organizations, time or ideology. To overcome this, most branches of Freemasonry have chosen to define Freemasonry in a particular way, like a very specific rendering of a point within the circle – everything within the circle IS and everything without IS NOT.  But, at the edge of that boundary, often times are other groups who have made that self same requisite of what is and what is not.  Some of those boundaries blend together and others are hard buttressed edges replete with warning totems, curses, and threats of community rejection should they be crossed. The latter example is the edged between mainstream Grand Lodge Freemasonry and Confederation of Freemasonry known as Le Droit Humain. In this installment of Sojourners, I get to cross that boundary and spend some time talking with Dianne Coombs, a lady Freemason from Le Droit Humain.  While far from being an outlier within her branch of Masonry, Dianne and I met on that boundary edge and to talk about the fraternity on the other side.  Not surprisingly, I found there to be more in common than I thought marked by some stark differences in contrast. The thought to keep in the back of your head while reading this is to ask yourself “how different are we really?”

Greg Stewart (GS) – Dianne, thank you for taking the time to speak with me.  Before we delve to deeply in the conversation, tell me about who Dianne Coombs is? How long have you been a Freemason?

Lady Freemason Dianne Coombs of Le Droit Humain

Dianne Coombs (DC) – I have been a teacher of various subjects for 35 years.  I am also a practitioner of yoga, and a student of various subjects such as astrology. I have been a Freemason for 32 years.

GSWhat initially interested you in becoming a Freemason?

DC – The organization with which I practiced yoga has schools of initiatic and esoteric studies.  It was founded by Masters who were among other things, Freemasons.  I wanted to continue being in school, so to speak, and being in a hierarchical organization with specific stages of advancement.

GSI’m curious, you mention schools of initiation and esoteric studies, and could you elaborate on those traditions?

DC – That group is a worldwide group with headquarters in Mexico City, named the Universal Great Brotherhood.

On the internal side, there are degrees of recognition, and the requirements include a vegetarian diet and abstinence from drugs and alcohol.  Those who have been recognized with the first degree and above have the opportunity to join a Secret Chamber.

GSFor the record, you are a member of le Droit Humain (LDH), a mixed-gender masonic organization. How did you initially find them and what lead you to join?

DC – I found out about Le Droit Humain through a friend who had been recently initiated.  I joined because I was intrigued by an organization that uses ritual and ceremony, something I am very drawn to.

GSWere your initial ideas about it validated, or did you discover something different?

DC – Yes and more!  More than being just a formal ritual I learned how people, working together to perform ritual well, could create a powerful impact and strong personal bonds.

GSHow so?

DC – At my initiation the ceremony seemed very familiar, possibly through connections to my religious upbringing and later spiritual practices.

GSIf I might ask, what was your religious upbringing that you found familiarity to?

DC – I was raised in the Episcopal Church, but the familiarity didn’t directly relate to the liturgy of the Church.  I think I am a person who feels a connection with spiritual ritual, so perhaps that was the connection.

GSSo what influenced you most about Masonry early on? Where did you find your inspiration?

French stamp issued in 1993 to commemorate the 100 year anniversary of Le droit humain
French stamp issued in 1993 to commemorate the 100 year anniversary of Le droit humain

DC – I was initiated into a Lodge that had members who came from a variety of spiritual traditions that all worked together in harmony.  I was inspired by the leaders of the American Federation at the time, but no one person in particular was influential.

What was more influential is the fact that Le Droit Humain is an international Order [which] meant that I could attend Lodges all over the world and have Brothers and Sisters all over the world.

GSDo you, or have you, held any masonic office or leadership roles within Le Droit Humain?

DC – I am installed Master, and currently I a District Deputy for the Mountain States region for the American Federation of Le Droit Humain.  I have also served as the head of bodies for higher degrees (beyond the Craft Lodge), and I am a member of the Federation Consistory.

GSInteresting.  Not knowing much about LDH, how many higher degree bodies are there in the Le Droit Humain configuration?  Does it mirror American mainstream masonry in the U.S.?  Would they be easily recognizable to mainstream masons?

DC – After the Craft Degrees, we have Lodges of Perfection, which mainly work the 4º , 12º and 14º, lodges Rose Croix, which work the 17º and 18º, Areopagi (Areopagus singular), which work the 29º and 30º, Sovereign Tribunal of the 31º, Consistory (Princes of the Royal Secret) – 32º and Grand Inspectors General – 33º.

These are based on traditional Scottish Rite degrees, so I think they would be recognizable to mainstream Masons.  Those members who have joined Le Droit Humain after having been members of AASR have not mentioned significant differences.

We also have three York Rite degrees that are considered side degrees because they are optional and do not lead to advancement for higher degrees.  They are Mark, Holy Royal Arch, and Royal Ark Mariner.

In LDH, higher degrees are not conferred by decree, but given ceremonially in which the candidate participates.

GSWhat do you mean by that?

DC – In [mainstream] AASR, multiple degrees can be conferred simply by attending and watching. In LDH, there is a set time period between the higher degrees to receive them , and the candidate must participate in the ceremony, rather than by observing.

GSI’m always fascinated with the operations of Masonry, the things we do for it, tell me about your work with le Droit Humain.

DC – I have held various offices within Craft Lodges, and I have helped to create Facebook pages to increase awareness about our Order.  Additionally I have served as a contact for those who are inquiring about the American Federation.

That’s on the external level.

On the internal level, I have found that being a member has helped me to work to a higher stage of spiritual understanding and to feel a greater connection to humanity as a whole.

GSSpiritual level, elaborate on that.  What have you come to find that to mean in a Masonic context?

DC – In Masonry, I have found a great deal of diversity in background and beliefs compared to other groups in which I have been a member.  The fact that we are working together for a common purpose, the brotherhood of humanity, I think transcends the work being done in the individual Lodge.  Le Droit Humain has national and international conventions which serve to create connections with people from all over the world.  As far as spiritual understanding goes, the individual must transform himself/herself in order to assist humankind.  That is one of the great teachings of Freemasonry in all of the degrees.  At the same time, there is the reminder that, “it’s not just about me.”  None of the ceremonies or rituals can be performed by an individual, but must be performed by the entire lodge working together.

GSYou make an interesting point that I can’t say occurs in a broad way with the Grand Lodge System.  So, why do you think co-masonry exists organizationally?  Does it fill a particular niche or need?

DC – There are various co-Masonic organizations in the world.  In English-speaking countries we are known as The International Order of Freemasonry for Men and Women, Le Droit Humain.  We dropped the term “Co-Masonry” because it had a connotation of somehow being lesser than other Masonry.  In Europe it is known as “Mixed Masonry,” but that doesn’t really translate into something that makes sense in English.

Le Droit Humain was founded by a man and a woman who were active in the campaign for the rights of women.  Thus, it exists because its members believe in equality.  Our international constitution says that we accept men and women as co-equals. In addition, generally speaking, its members believe that Freemasonry need not be reserved exclusively for men because the human soul has no gender.

GS – From what you’ve learned or what you know, how did this mixed masonry begin? What were its origins?

DC – This is copied from the international website:

Maria Deraismes
Maria Deraismes

Maria Deraismes, journalist and fighter for the rights of women and children and Dr. Georges Martin, Senator, General Councilor for the Dept. Of the Seine, Municipal Councilor of Paris, undertook campaigns in favor of the civic and political rights of women, the defense of the rights of oppressed children, against clerical intolerance and for the establishment of a neutral school respecting the ideas of everyone.

Maria Deraismes was initiated – on 14th January 1882 – into Lodge “Les Libres Penseurs” of Pecq, a small village to the west of Paris. She was the first female Freemason, symbolising initiatory equality.

Georges Martin
Georges Martin

Eleven years later, on 4th April 1893, Maria Deraismes and Georges Martin, a well known mason, created in Paris the first co-masonic Lodge. Out of this co-masonic Lodge came the birth of the Grande Loge Symbolique Ecossaise “Le Droit Humain”, establishing the equality of men and women, out of which, later, came the birth of the International Order of Co-Freemasonry “LE DROIT HUMAIN”.

Maria Deraismes died on 6th February 1894, and the task of organizing and developing “LE DROIT HUMAIN” fell on Dr. Martin. His energetic will placed him beyond frontiers, ethnic groups, religions and cultures, and he very quickly founded Lodges outside France: in Switzerland and in England.

The ORDER spread throughout Europe before sowing itself in other parts of the world.
Le “DROIT HUMAIN” was built out of a marvelous dream, to unite humanity despite all the barriers, ethnic groups, geopolitics, religions and cultures.

GSDo you see that mandate of creation still in operation today?

ESTANDARTE PORTADILLA INT(1)

DC – When Le Droit Humain was first founded, a principal reason was to recognize the equality of women, not to create an Order outside the borders of France.  After the death of Marie Deraismes, Georges Martin saw that this need transcended national borders.  It was his vision to create a more universal Freemasonry.

Considering that humanity remains divided on so many levels, I see that that mandate is definitely still in operation.

GSWhat do you see as the role of mixed gender masonry in a landscape dominated by the masculine variety of the fraternity?

DC – Its role is the same as that of many Masonic orders:  the progress of humanity.  The principal difference is the work on an international level without distinction of gender.

GSIs there room for both?

DC – There is definitely room for both, just as there is room for women-only or male-only orders.  The male members of Le Droit Humain disagree with the idea of discriminating against half of humanity, which is often part of their reason for joining.

GSDo you see a fixed and unchanging boundary in separate, but essentially equal, branches of Masonry (i.e. regular, Co-Masonry, Prince-Hall, Feminine, etc…)?

DC – I do not see it as fixed.  I have come into contact with members [of] traditional male craft lodges who are genuinely interested in learning more about mixed orders.  I see very tiny baby steps happening right now towards mutual recognition.

GSThat sounds promising, anything you can elaborate on about this mutual recognition?

DC – While I have come into contact with some traditional Masons who continue to insist that women cannot be Freemasons, in forums such as social media, I have had respectful exchanges of ideas from masculine Brethren.  Neither side is insisting that the one join the other, but the fact that the dialogue is respectful, indicates to me that the door is opening slightly.  The Lodge of which I am a member has received referrals from masculine lodges for women who would like to become Masons.  While that is not indicative of mutual recognition at this point, the fact that there is even a conversation is a step in the right direction.

GSAre there any overtly different aspects between co-masonry and the grand lodge tradition?

DC – Not really – the main rituals used in the United States are based on traditional AASR rituals.  The rituals used in Europe in both Le Droit Humain and traditional orders are essentially the same.

GSShould there be some recognition between the branches, or even equality of association as in say, some kind of open organizational association?

DC – Yes.  We should have this recognition because, in our mutual pursuits for the progress of humanity, we have a lot to gain in solidarity of efforts and to learn from each other’s approach.

GSWhy do you think there continues to be a distinction between the two?

Hermes Trismegistus, Classical god

DC – I think many people in the masculine Orders have a great respect for tradition.  [But] sometimes respect for tradition does not allow for change. There can be a delicate balance between the respect for tradition and evolution.

One of my favorite texts, The Kybalion: Hermetic Philosophy, teaches that there is always change.  If this change is for the greater good of humanity, change does not need to be avoided.

GSIt sounds like there is some degree of openness from the LDH side, how do you react when words like ‘clandestine’ or ‘bogus’ are thrown around when used in describing a flavor of Masonry other than those calling themselves ‘regular’?

DC – I kind of shrug my shoulders.  It’s not worth getting upset over, since it’s usually the result of a lack of understanding.  By the same token, some male craft lodges have become purely social organizations (men’s clubs) and have drifted away from the deeper traditions of Freemasonry.  Often those in traditional lodges seem to have a kind of fear of other orders, or they demonstrate the need to be exclusive (perhaps on a psychological level) – not only towards women, but also towards those or different race or ethnicity.

GSWithin LDH, what do you see as the role of the esoteric aspects of Masonic study?

DC – Although not explicit, the esoteric aspects of Masonic study are an integral part of the Work.  The esoteric traditions of initiation in general often draw many people to become members.

GSIs there an explicitly esoteric aspect to it?

DC – Yes – we interpret the symbolism of the rituals and furnishings to have a deep meaning, which, of course, is not interpreted for anyone, but left for members to discover for themselves.  Many members consider Freemasonry to have ancient roots, back to the earliest times of recorded history, and that Freemasonry is the repository for the ancient Mystery Schools. Even though the symbolism is not interpreted for anyone, it is understood that many ancient traditions have a connection.

GSWhich traditions do you think it draw the greatest parallels or symbols from?

DC – I think the great Mystery traditions have informed Freemasonry in general and Le Droit Humain in particular – ancient Egypt, the Hebraic tradition, the Eleusinian mysteries, the Knights Templar, and more.

I think Le Droit Humain would make the same connections with past traditions that mainstream Masonry has made.

GSAs a body, who does Le Droit Humain look to as its organizational patriarchs, matriarchs or its great authors?

DC – Our organization is not based on the Grand Lodge system; we have a Supreme Council headquartered in Paris.  Those countries with a sufficient number of lodges are termed federations.

Our International Constitution says that,

The Order is organized into federations, jurisdictions and pioneer lodges within which Freemasons … meet in lodges of all degrees that have been granted a charter by the Supreme Council of the Order.

Due to the way Le Droit Humain is organized, we do not have patriarchs or matriarchs. We have had many Grand Masters who have left profound writings, as well as have past heads of the American Federation, but none is more influential than another.

Inspirationally, members often draw upon the same Masonic authors as members of other orders.

GSSo, let’s take a turn here and talk about something on the minds of both sides of the divide. As a membership society in a landscape of similar such bodies and organization how do you believe LDH is faring in the modern landscape?

DC – Over the last five years, the American Federation has increased its membership by nearly 50%.

GSWhere has that growth come from do you think?  Is there an organizational push for growth or is it organic?

DC – I think there are a lot of factors – the thirst from humanity in general, increasing our visibility without proselytizing, and as is the case with other Orders, personal relationships.

GSSo where do you see le Droit Humain 5 years from now?  How about 10 years from now?

DC – I expect to see more Lodges being formed in new areas and increased numbers in those that have already been established.

GSIf someone was interested in finding out more about le Droit or interested in associating with them in some capacity, what would you recommend to them?  How could they go about it?

DC – Besides recommending the web pages, I would recommend completing the contact form on www.comasonic.org, because a person who is interested in learning more will be contacted personally.  Requesting information on Facebook pages generally draws a personal response as well.

Dianne, thank you so much for taking the time to talk with me and share your thoughts.  I definitely appreciate it and I know many reading, while perhaps not publicly, appreciate it too.

For More information on Le Droit Humain in the United States, visit comasonic.org. Their international website is at droit-humain.org.

Freemason Tim Bryce.

Our Governing Documents

BRYCE ON GOVERNMENT

– The written instruments used to govern and shape America.

NOTE: You may want to “bookmark” this column and pass the web address on to others, particularly young people.

I have many pamphlets describing the country’s governing documents, such as the Declaration of Independence, the Constitution, and the Bill of Rights, but I wanted something more comprehensive where I could quickly access the various documents by computer. What follows is a listing of the documents which shaped our nation. In addition to governing documents, the list includes treaties, acts, and landmark Supreme Court rulings. The Magna Carta and Mayflower Compact are included as they greatly influenced our need for government. I did not include presidential farewell addresses or speeches, except for the Gettysburg Address.

 I’ve organized this into three sections:

* CHRONOLOGICAL ORDER
* ALPHABETIC ORDER
* OTHER IMPORTANT DOCUMENTS that had a bearing on our country.

It is hoped this will become an important research repository for you. For each document, I am including background information as provided by Wikipedia as well as the actual text of the document itself. I hope you find it useful.

 CHRONOLOGICAL ORDER

Magna Carta – 1297
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Mayflower Compact – 1620
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Declaration of Independence – 1776
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Articles of Confederation – 1777
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Northwest Ordinance of 1787
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Federalist Papers – 1787-1788
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Constitution – 1789
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Bill of Rights – 1791
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Jay’s Treaty – 1794
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Alien and Sedition Act – 1798
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Louisiana Purchase – 1803
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Supreme Court Decision – Marbury v. Madison – 1803
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Treaty of Ghent – 1814
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Supreme Court Decision – McCulloch v. Maryland – 1819
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Missouri Compromise – 1820
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Monroe Doctrine – 1823
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Supreme Court Decision – Gibbons v. Ogden – 1824
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Compromise of 1850
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Kansas-Nebraska Act – 1854
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Supreme Court Decision – Dred Scott v. Sanford – 1857
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Ordinance of Secession – 1860-1861
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Confederate States of America (CSA) Constitution – 1861
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Writ of Habeas Corpus, Lincoln suspends – 1862
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Emancipation Proclamation – 1863
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Gettysburg Address – 1863
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Appomattox Surrender – 1865
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Sherman Anti-Trust Act – 1890
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Hay–Bunau-Varilla Treaty (Panama) – 1903
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Peace Treaty of Versailes – 1919
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Social Security Act – 1935
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Lend/Lease Act – 1941
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United Nations Charter – 1945
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North Atlantic Treaty – 1949
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Peace Treaty of San Francisco – 1951
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Supreme Court Decision – Brown v. Board of Education – 1954
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Supreme Court Decision – Gideon v. Wainwright – 1963
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Civil Rights Act – 1964
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Supreme Court Decision – Miranda v. Arizona – 1966
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Supreme Court Decision – Roe v. Wade – 1973
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Torrijos–Carter Treaties (Panama) – 1977
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Patient Protection and Affordable Care Act (Obamacare) – 2010
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 ALPHABETIC ORDER

Alien and Sedition Act – 1798
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Appomattox Surrender – 1865
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Articles of Confederation – 1777
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Bill of Rights – 1791
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Civil Rights Act – 1964
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Compromise of 1850
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Confederate States of America (CSA) Constitution – 1861
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Constitution – 1789
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Declaration of Independence – 1776
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Emancipation Proclamation – 1863
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Federalist Papers – 1787-1788
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Gettysburg Address – 1863
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Hay–Bunau-Varilla Treaty (Panama) – 1903
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Jay’s Treaty – 1794
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Kansas-Nebraska Act – 1854
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Lend/Lease Act – 1941
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Louisiana Purchase – 1803
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Magna Carta – 1297
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Mayflower Compact – 1620
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Text

Missouri Compromise – 1820
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Monroe Doctrine – 1823
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North Atlantic Treaty – 1949
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Northwest Ordinance of 1787
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Ordinance of Secession – 1860-1861
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Patient Protection and Affordable Care Act (Obamacare) – 2010
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Peace Treaty of San Francisco – 1951
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Peace Treaty of Versailes – 1919
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Sherman Anti-Trust Act – 1890
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Social Security Act – 1935
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Supreme Court Decision – Brown v. Board of Education – 1954
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Supreme Court Decision – Dred Scott v. Sanford – 1857
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Supreme Court Decision – Gibbons v. Ogden – 1824
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Supreme Court Decision – Gideon v. Wainwright – 1963
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Supreme Court Decision – Marbury v. Madison – 1803
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Supreme Court Decision – McCulloch v. Maryland – 1819
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Supreme Court Decision – Miranda v. Arizona – 1966
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Supreme Court Decision – Roe v. Wade – 1973
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Torrijos–Carter Treaties (Panama) – 1977
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Treaty of Ghent – 1814
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United Nations Charter – 1945
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Writ of Habeas Corpus, Lincoln suspends – 1862
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 OTHER IMPORTANT DOCUMENTS

Bank Bill of 1791
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Napoleonic Law – 1804
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The New Deal – 1933-1936
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Kennedy Doctrine – 1963
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Indian Treaties
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Keep the Faith!

author, freemason, business management, from the edge
Freemasonry From the Edge

Note: All trademarks both marked and unmarked belong to their respective companies.

Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see:
timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2014 by Tim Bryce. All rights reserved.

Freemason Tim Bryce.

Who Do We Trust?

BRYCE ON SOCIETY

– Our family and friends, our co-workers, our boss…?

Have you ever noticed there doesn’t seem to be a lot of trust anymore? We tend not to trust our government, our companies, our coworkers, the media, our neighbors. Heck, we’re even suspicious about the motives of our own relatives. It wasn’t always like this. We used to openly trust people and never feared political back stabbing. Alas, no more. We used to leave our house and cars unlocked; even going so far as to loan a friend a car with no questions asked. Again, no more. When we delegated a task or responsibility to someone, we knew it would be completed properly. No more.

It is natural to gravitate to people we trust, and it’s understandable as to why:

  • We respect their judgment.
  • We value their opinion.
  • We feel free to exchange ideas and thoughts with them, including secrets.

Think about it, aren’t these the attributes of a true friend or business colleague? In other words, they exhibit the same moral values we do, if not better. When a trust is broken though, it is difficult if not impossible to repair, and our interpersonal relationships rapidly deteriorate.

The decline of trust denotes a change in our culture and not necessarily for the better. I believe it indicates a more permissive and immoral society whereby a person’s word is no longer his/her bond and people become more concerned with self-preservation as opposed to the welfare of others around them. In other words, the decline of trust represents a splintering of people. As an example, instead of delegating responsibility and empowering people to do their job, we tend to micromanage their activities, which is an open admission we do not trust their judgment. This leads to discontent among the workforce and promotes individualism over teamwork.

As indicated earlier, building trust is a difficult task, particularly if it is broken. The best thing is not to break it in the first place. To build or restore trust it is necessary to offer some visible demonstration of trust, be it something as simple as delivering on a promise, maintaining a confidence, or lending a helping hand when push comes to shove. Speaking from experience, it is always comforting to know that someone is watching your backside as opposed to your wallet.

Regarding the diminishing role of our national motto, “In God We Trust,” some would say this is simply an issue regarding the separation of church and state. As for me, I see it as another sign of the decline of our culture. If we cannot trust God, regardless of our religious denomination, who can we trust?

Originally Published: 1/6/2009

Keep the Faith!

Note: All trademarks both marked and unmarked belong to their respective companies.

Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see:
timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2014 by Tim Bryce. All rights reserved.

Freemason Tim Bryce.

What is Freemasonry?

Is it a club, a corporation, a religious cult, a PAC, a philanthropy, or a fraternity?
BRYCE ON THE MASONS

In the many years I have been a member, I have always found it fascinating how people perceive the institution of Freemasonry. Some say it is a club, others see it as a philanthropy, but very few seem to understand the concept of fraternity. Further, when we investigate candidates for membership, we normally ask what they are looking for, but rarely do people comprehend precisely what they are joining. This is a compelling argument, one I’ve debated on more than one occasion.

Some of our members see Freemasonry as nothing more than a club, such as a garden club, sports club, country club, etc., an institution we join with some common activity or goal. Clubs are typically run by a set of officers who participate in order to receive some notoriety for their position. This, of course, leads to politics involving backscratching, deceit, backstabbing, and one-up-man-ship. It is not uncommon to find people in such positions who have done nothing of substance in their professional lives and now relish the opportunity to control others. In Freemasonry, we are taught members are all equal in terms of position and opinion. The officers in a Lodge represent a network of duties and responsibilities designed to be implemented by many people, not just one, thereby encouraging teamwork, and eliminating the need for autocratic rule.

There are those who see Freemasonry as a corporation. The problem here is that a corporation is designed to be profitable in nature, Freemasonry is not. True, there are advantages to running any institution like a business, particularly by the state who requires all organizations to run as such, but Freemasonry certainly has no mercenary objectives other than the betterment of its members.

Despite the warnings of conspiracy theorists, Freemasonry does not preach dogma, nor practice religion. A person must believe in a Supreme Being to become a Mason, but his choice of religion is his business, not the Masons. As such, it is not uncommon to sit in a Masonic Lodge with men of many different faiths, thereby promoting religious tolerance.

Freemasonry is not a Political Action Committee (PAC). In order to maintain harmony in the Lodge, politics and religion are two topics forbidden from discussion. Like religion, men of different political beliefs sit in Lodge together in harmony. If anything, Freemasonry promotes the concept of citizenship to the community and patriotism to the country. Those who violate the law and believe in the overthrow of the government by force are not permitted to become Masons. Masons are law-abiding citizens who are taught to use peaceful means to change the government if necessary. As such, Masons hope to become role models for the community.

Perhaps the biggest misconception is that Freemasonry is a philanthropy. It is true Masons give generously to help others in distress, but this is a peripheral goal. It is not intended to spend countless hours on fund raisers or to shake down the Brethren for every available penny. Masons help others if it is within their capacity to do so. Otherwise there is no mandate in Freemasonry to perform philanthropic work. If Masons spend more time on philanthropy than fraternity, then they are subverting the intent of the institution.

Instead, Freemasonry is a fraternity; the original fraternity, and the model for others who came much later, such as college fraternities. The term “fraternity” comes from the Latin word “frater,” meaning “brother.” Fraternity, therefore, is a brotherhood, an environment of companionship dedicated to the social development of its members. The basic tenets of Freemasonry are “Friendship, Morality, and Brotherly Love.” As such, it is designed to build character, devotion, and encourage its members to lead an honorable life. Attending a Masonic Lodge meeting is intended to act as a fortress of solitude for its members, both local and visiting Masons, where they can meet and find solace away from the vermin and troubles of the world. It is a place where men seek understanding, compassion, and to be treated fairly and honestly.

Education is of significant importance in a Masonic Lodge, where Brothers ponder past, present and future problems of morality, responsibility, compassion, and civility. We refer to this as seeking “further light.”

Freemasonry, therefore, is not a club, a philanthropy, a religion, or a PAC. Using symbols from ancient operative Masonry, Freemasonry is a place where men meet “on the level” (to promote equality), act “by the plumb” (rectitude of conduct), and part upon “the square” (to practice morality). For many centuries, Freemasonry is the fraternity where men of character have naturally gravitated to, simply because they yearn for such simple treatment.

Those who think of or practice Freemasonry any other way are missing the boat.

Keep the Faith!

Note: All trademarks both marked and unmarked belong to their respective companies.

Read A Response to Tim Bryce’s What is Freemasonry?  and A Response to Tim Bryce & Greg Stewart


Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see: timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2014 by Tim Bryce. All rights reserved.

Tune-in to Tim’s channel on YouTube.

Building Better Builders Workshop Comes to New York

In or around the Babylon, New York, area in March?  Br. John Nagy will be presenting a workshop on the symbols, meaning and landscape of Masonic ritual.

building better buildersThe Building Better Builders Workshop with Br. John Nagy Presented by the Masters, Wardens and Deacons Assoc. & the  L.I. Past Masters Association. 

Ritual is Masonry’s Veiled Road Maps. You must learn how to lift its Veils and read its Maps to Travel its Undiscovered Country.

This Workshop steps Masons through Ritual and Reveals to them Masonry’s rarely seen Terrain. Through instruction and examples, this Workshop helps develop Map Reading skills that further your Masonic Mastery.

Imagine Masonic Education that actually ‘Builds Better Builders!
Imagine receiving that Education for yourself!
Br. John S. Nagy

john nagyMasons need Transformative Masonic Education! To address this need, Brother John S. Nagy created a series of books, articles and videos showing the Work that brings forth Masonic Mastery. His combined Works now assist Masons toward better Recognizing, Understanding and Executing the Masonic Work to which Freemasonry alludes. Like his other Works, this Workshop brings to Masons a much clearer and cleaner understanding of what is required to Build Better Builders.

Nagy, you may remember was a guest on Masonic Central in 2009.

This workshop will cover:

  • The Actual EA, FC & MM Work
  • The Basis Behind The Work
  • The Transformation and Results That Masons Who Do the Work, Can Expect

Where: Babylon Masonic Temple
250 West Main St.
Babylon, NY 11702

When: March 8th 2014

Tickets: $20 – available online here.
Includes breakfast and lunch.

SATURDAY March 8th ACTIVITY AGENDA

Time Activity

8:00 – 9:00 – Registration/Coffee/Tea/Juice/etc. in Lodge Dining Hall
9:00 – 9:30 – Introductions and Overview – Lodge Room
9:30 -11:00 – The Entered Apprentice Work, Background & Results
11:10 -12:00 – The Fellow Craft Work, Background & Results
12:00 -12:50 – Break for Lunch in Lodge Dining Hall
1:00 – 2:00 – FC (cont.) / The Master Mason Work, Background & Results
2:10 – 3:00 – MM (cont.) / Three Degree Continuity & Interconnections
3:00 – 4:00 – Q&A and Wrap-up

About the Presenter:

Br. John S. Nagy is a Master Mason and member of Tampa Bay Lodge No. 252 in Tampa Bay Florida and the Florida Lodge of Research No. 999. Brother Nagy is Lodge Musician and a Masonic Education Provider for both his Lodges. He is also author of the Building Series of books “Uncommon Masonic Education”.

Coach Nagy is a contributing author to Further Light Magazine, Living Stones Magazine and The Working Tools Magazines. He is a Business Coach, Technical Advisor, a Florida Certified County Court Mediator and an Approved Assistant Mediator Trainer.

See the original flyer here: Building Better Builders Workshop.

Freemason Tim Bryce.

When Membership Declines

The answer is NOT to raise dues.
BRYCE ON NON-PROFITS

I have been around nonprofit organizations of all kinds for several years. I don’t know about you, but I have found far too many in decline due to such things as apathy, lack of relevance, or just bad public relations.

Regardless of the reason, when membership declines, the first knee-jerk reaction by the powers that be, is to raise the price of dues. Again, I am reminded of the old expression, “Rearranging the deck chairs on the Titanic.” Instead of applying energies to fixing the hole, officials decide to shackle more weight on the passengers. I never understood the logic of such action.

Read: Three Types of Masons

Instead of forming a committee or project to identify the problem and take corrective action, the officers turn 180 degrees and run away as fast as possible.

This is just plain irresponsible and reckless behavior on the part of the officers in charge. The first step is to recognize that something is wrong; you’re membership wouldn’t be in decline if everything was working properly. Find out what it is and correct it. Face the problem, do not evade it.

Unfortunately, too many officers do not understand the basics of business and are at a loss as to what to do. There is also the possibility they fear change of any kind and do not want to be held responsible for failure. Consequently, they opt for the easy solution of raising the price of dues, an option that will ultimately encourage more members to quit, thereby compounding membership decline and hurrying the destruction of the organization. Raising dues to keep pace with inflation is one thing, raising dues because you are in a death spiral is another.

Read: 11 Persona Types of Freemasonry – Part 1, New Members

Re-examine the membership process and offer suggestions for improvement. What does your chapter offer? Why would somebody want to join your organization? What is the competition?

You basically have three alternatives:

  • Change the status quo
  • consolidate or merge with another chapter, or
  • close your doors before the creditors come knocking.

Understand this, nonprofit organizations are legal entities in the eyes of the state. Even if you are a 501(c)3 charity, you are not immune from prosecution. Whether you like it or not, you are a business and, as such, better learn to act as such.

To me, the answer is obvious: fix your membership and the money will take care of itself. Then again, the obvious is not always obvious.

Increased membership is a much better alternative than raising dues or charging an assessment. Then again, I’m a capitalist. Let’s consider how this applies in the corporate world. Instead of paying more taxes and enacting more regulations on business, government should reduce taxes and regulations thereby freeing business to produce more, hire more people, and stimulate the economy.

Whether you are in government or a nonprofit, suffocation is hardly an effective means for stimulating business. If anything, learn the Heimlich maneuver. At least you won’t kill off your membership.

Just remember, if you cannot fix the hole in the Titanic, it is time to make preparations to bailout.

Keep the Faith!

Note: All trademarks both marked and unmarked belong to their respective companies.

author, freemason, business management, from the edge
Freemasonry From the Edge

Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see:
timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2014 by Tim Bryce. All rights reserved.

War of the Worldviews

If you are reading this you are going to think that this is a little far removed from Freemasonry. You may even think that it violates the principle of discussing religion inside Freemasonry. But you would be wrong.

The prohibition in most jurisdictions is against allowing sectarian religion and partisan politics into the Lodge room.

So if I am proselytizing for a religion or denomination within a religion and/or a political party then I am in violation. But if I want to talk about honesty in government or the power of prayer, well I think that is a different story.

War Of The WorldviewsEarly American Freemasonry was the nation’s biggest booster of the public school system. Are you prepared to tell me that advocating government schools is a violation of the Masonic prohibition about political discussion?

I think that this point is so very, very important because I think that Freemasonry has missed two giant opportunities to teach and help the world, especially America. First Freemasonry could have been the leader in promoting race relations. In 1898 MW William Upton, Grand Master of Mainstream Masonry in the state of Washington recognized Prince Hall. What if that recognition had spread then and there throughout Freemasonry? What if the Craft was able to influence secular government to harmonize the races? Would Martin Luther King’s protest movement have been necessary?

Instead Freemasonry ran from its responsibility for a variety of reasons among them being its timidness towards mixing the secular world and its doings with the fraternity of Freemasonry and its world. So in reality what it ended up doing as a compromise was similar to what the states did before the Civil War – free states and slave states.

Secondly Freemasonry missed its opportunity at promoting World Peace. Our beloved fraternity is one that considers all its members on the level, that is equal regardless of race, religion, political persuasion, creed, culture or economic circumstances. Now what is wrong with promoting that to humankind?

Ultimately Freemasonry must decide whether it is a cloistered society or a community involved society, whether it is a secret or private society or one that is willing to share its philosophy with the public.

While you are thinking about that enjoy the video about science and spirituality. Just don’t tell me it’s a prohibitive sectarian religious discussion.

Freemasonry and Hermetica – Discourse of Hermes Trismegistus

Hermetica I – Discourse of Hermes Trismegistus: Poimandres
Part 1 – Freemasonry and the Hermetica Arts

Once, when thought came to me of the things that are and my thinking soared high and my bodily senses were restrained, like someone heavy with sleep from to much eating or toil of the body, an enormous being completely unbound in size seemed to appear to me and call my name and say to me: “What do you want to hear and see; what do you want to learn and know from your understanding?”

You whom we address in silence, the unspeakable, the unsayable, accept pure speech offerings from a heart and soul that reaches up to you.

Hermetica I

ordo ab chao - order from chaos

Thrice Great Hermes as the allegorical author of the Hermeticfa

Synopsis  This first section of Hermetica is, in essence, a creation mythology to provide an explanation on the creation of the physical world and its link to the philosophy of this teaching.  The lesson comes through a discourse of meditations between Hermes Trismegistus and the creative force calling itself the mind of sovereignty, the one and only authority, represented by Poimandres[1], a force said to be with us everywhere.  This emanation of sovereignty is described as a divine being unbound in size and said to be “an endless light, clear and joyful…a vision to be loved.”

In this vision of light, the story of creation unfolds within which it says darkness takes form to become in opposition to the all encompassing light.  The darkness resembles the roiling of a snake becoming “something of a watery nature” producing a wailing roar as it coalesces.  Out of this light and darkness, a fire breaks forth from the waters becoming suspended in the air between the dark water below and the endless light above, as a spirit from word so that only earth and water remained below.  The fire was “stirred to hear by the spiritual word” of its creation which moved between them.

Poimandres explains that he, this endless aspect of light, is god which existed before the water and says that the word (fire) which separated the light from water was its emanation as a son (sun) as the light giving word from mind.  This process, it says, occurs in man in that “what you see and hear is the ‘word of God’ but that our mind (thought) is the highest aspect of God; that together they are a union of life undivided and indivisible from one another, that they are one and the same aspect which is the principle of existence of beginning without end.

From this light were created craftsmen who were to be the creators of life which where made in the aspect of god in fire and spirit.  These aspects of creation were “crafted in seven governors” who would make the “…sensible world in seven circles” governed by fate, which is to suppose an invisible force which governs their interactions.

The light, as Gods word, “made union with the seven craftsmen” creating life “‘bereft of reason’ so as to be mere nature,” wild and uncontrollable without mandate as they were the emanations of the mechanisms of fate by which they operate.

Another creation of the Mind of God was the son, its own child, who wished to make craftworks in the manner of the seven craftsmen but given all authority over the other craftworks.  Nature would come to be the son of god’s bride together governing creation.

Poimandres explains that, because of this, mankind is two-fold – mortal in body but immortal in spirit (or essence the text using essential man), but still mortal and a subject of fate.

From the union of son and nature, nature gave birth to seven men who themselves were craftsmen representing the aspects of earth, water, fire, soul, mind, light, and life.  This creation sundered the counsel of god rendering them into two twin aspects – one male and one female, who were charged with the task of propagating and create further giving them will to choose immortality or death through recognition of all that exists.  From this choice man was given the ability to transcend his creation in light to be created again the text saying “Life and light are god and father…so if you learn that you are from light and life… you shall advance to life once again.”

It is in this recognition of creation that a resurrection, or reincarnation of sorts, takes place which is a process unseen and hidden to those who embrace the chaotic watery nature of envy, greed, violence, and irreverence.  Enlightenment comes in the release of the “material body” which allows our “alteration” (transformation) to occur where our past manifestation “vanishes” to rise up and flow back to its source (light) eventually reaching out to a place that Poimandres calls the ‘ogdoad[2]’ which is a nirvana like state of Heaven in union with the creating light. This ogdoad is the “final good for those who have received knowledge to be made God” achieved by enlightenment which comes from the leaving of “corruption” so as to “take a share in immortality.”

Analysis

As an ancient religious text, it is very much a creation mythology which sets up a framework by which it puts the universe into operation striving to make sense of the life and creation going on around us.  Tempered with the creation of life is its conduct which is relegated by Fate.  The text begins with an emanation of light, balanced by darkness, represented in both the darkness appearing like the “roiling of a snake” into water separated physically (and spiritually) by the word (or breath) of god as represented in the boundary of fire.  This layer of transformation gives us a glimpse of the alchemical process of transformation which is governed by fire and tempered for us to embrace or reject that which ultimately decides our outcome by fate.  The acceptance of this outcome, which is not predicated on scripture or theological “beliefs”, is based on the principle of our acceptance of our origin and the necessity of our conduct to do, and be, good.  This suggests a parallel in the teaching of the Golden Rule with the thought of its benefit to all who are bereft of “evil, wickedness, greed, and violence” which are the baser attributes evident in all men.  From this practice, and an acknowledgement of origin, man walks in light and returns to it upon his calling from fate, a process Poimandres suggests governs as gate keeper at a distance, resorting to man’s demons as motivation to change lest they be, instead, trapped in the fire of transformation.

Read: The Mystical Meaning of So Mote It Be

The outcome of this understanding comes from our desire to transcend the material universe and return to the source of light which is our metaphorical source of creation.  To do this, man must evolve (learn) to transcend fate and slip into the “cosmic framework” which is, in essence, the good.  To do this man must take on the nature of the eight craftsman (seven created by God, and one created as its son) and seek to emulate their desire and zeal to create, moving out of the roiling waters of chaos as he overcomes his lower nature breaking free of the seven circles of craftsman (and cycles of birth) so as to communicate to others this message to become a progeny of good.  The goal of this process is to return back to the ogdoad which we must consider as the idea of a reunification with the Mind of god. This idea of the Mind of God as our source has existed for a time immemorial in that the ogdoad can be traced to the religious workings from the Old Kingdom in Egyptian antiquity where its religious practice was seen as the highest heaven within which Ra, Hathor, and Thoth were the pinnacle deities.  We also find the idea of the ogdoad in Gnostic Christianity in the first century of the Common Era as proposed by the theologian Valentinus as the super celestial space above the 8 spheres of the heavens, literally as the heaven above heaven.

flower of life with seven rings

Interestingly, this first monograph of Hermetica gives us a link to the creation of the universe in seven spheres (the seed of life) and seven more in the craftsmen (the flower of life).  In this symbolism, it gives us a link to the notions of creation in the seed, flower life that, if left to progress further it would be emblematic of the progression to the tree of life – from seed to fruit to tree. The seed and flower, said to construct a form of sacred geometry and give us the basis of forms from which we can create the platonic solids that are the building blocks of life it self.[4]

Consideration

Creation myths abound in the many world religions and this version in Hermetica is not unique within that patterning.  One need but read the Biblical account of Genesis to see its striking similarities as attempting to establish some answer to the universal question of man – “why are we here” and “where did we come from?”  Its essence is that mankind is created in both a form of good and evil represented in dark and light, a similar balance as found perhaps in the Chinese symbol of the yin and yang or even in the Masonic checkered flooring.  Our responsibility is to transcend the baseness of that darkness as it is our inheritance from our watery origins, so as to seek and see the light as well as to teach others about its source to return to find our way back to our divine origins.  The text speaks to our nature as being the sons (and daughters) of god, from his craftsman son.  This, in turn, grants us the quality of being craftsman too; responsible for our own developing creation and the construction of the world around us so as to break away from the firm grip fate allowing us to slip into the cosmic framework within which we inhabit with the universe as creators.  We need to seek to be craftsman and build a better firmament from which to find understanding.

All mankind has this capability, but perhaps not the means to see the being of Poimandres or to have the vision of Hermes of such a being without beginning or end, which is the raison d’être of this teaching so as to enable us learn and communicate these lessons to those we meet – which is the simple idea to be good and reverent which enables us to have the vision of a clear and joy filled light.  To get there we must undergo the fire of transmutation, which is our quest as a craftsman for the knowledge of constructing for ourselves the space for understanding.

At the conclusion of this passage, the prayer is an important cleansing of the mind and an acknowledgement of our purpose.  That prayer reads:

Holy is God, the father of all;

Holy is God, whose counsel is done by his own powers;

Holy is God, who wishes to be known and is known by his own people;

Holy are you, who by the word have constituted all things that are;

Holy are you, from whom all nature was born as image;

Holy are you, of whom nature has not made a like figure;

Holy are you, who are stronger than every power;

Holy are you, who surpass every excellence;

Holy are you, mightier than praises.

It is a good start to begin our path of crafting our journey to light and our quest for enlightenment.

So Mote It Be.


[1] The name Poimandres had an early understanding to mean “Man-Shepherd” (perhaps a shepherd of men).  But, more recent understanding on its etymology suggests that the name is actually derived from the Egyptian phrase Peime-nte-rê meaning “Knowledge of Re” or “Understanding of Re” more commonly understood as the Egyptian creator deity of Ra.

[1] http://en.wikipedia.org/wiki/Poimandres

masonic art, pillars, original work

Symbolism, Sacred Numerology and Mythology in Art with Artist and Freemason Ryan Flynn

Ryan Flynn - Artist and Freemason

Ryan Flynn – Artist and Freemason

In this installment of the Sojourners column we meet and talk to a ‘young’, but accomplished, artist and Freemason – Ryan Flynn.  With his art, Flynn brings to the fraternity an unmatched graphic skill to match the patient and certificate makers of old in their typographic excellence and aesthetic composition.  Equal parts artist, graphic designer and a true Freemason, Flynn captures the essence of what it means to BE a mason – translating those esoteric ideas into traditional drawings and paintings.  No, this is not the print, cut, carve, hack, hew, etch, letter or engraving of the secrets of Freemasonry, rather, Flynn’s work takes a post-modern approach into the little trod corner of the Masonic landscape by capturing it’s ideas in the rendered image. I think you’ll enjoy this Sojourner’s visit as much as I did and will come away from it with a new take on art and Freemasonry and the synthesis between them.

Greg Stewart (GS) – Ryan, thanks for taking the time out of your schedule and sitting down to talk to me.  I suppose, let’s start with the basics on how long you’ve been a part of the fraternity?

Ryan Flynn (RF) – I was raised on June 22, 2010 in Ancient York Lodge no. 89 in Nashua, New Hampshire.

GS – What was your first introduction to the fraternity?

RF – I had a couple of friends from other states join in 2008 and 2009 and it peaked my interest.

After doing some research on the craft, I called my local lodge and visited for dinner. The next week I put in my application.

GS – Do you remember what ultimately induced you to join?

RF – I am a history buff, more particularly an art history buff, and the idea of symbols in art and architecture was always something I enjoyed learning about.

I also was never part of the armed forces or anything else that served “something bigger than myself,” so when something like Masonry presented itself to me, I was intrigued and wanted to learn more.

GS – Since you’ve joined, have you found your way into any of the other bodies or related groups?

art, original, masonic print

Ryan Flynn with one of his Codex images

RF – As of right now, I am the Junior Warden of Ancient York Lodge no.89 in Nashua, NH. I am a 32º Scottish Rite mason and member of the Philalethes Society and this upcoming year I plan on joining the York Rite.

GS – One of the things that intrigue me most is the artwork you create, in particular the Masonic art, much of it you have up on your website.  With that in mind, I’m curious what your biggest influences to making it are?

RF – I have always been artistic.  While attending high school, Lexington Christian Academy, my teachers realized this and always pushed me to be more artistic, even those teachers that taught classes that didn’t directly involve the fine arts. I particularly remember the motivation I received in World Literature class after reading Dante’s Divine Comedy with its amazing abstract symbolism. The work taught me to take symbolism in my art to another level.

As for history, my teachers were so impassioned with the subject that I couldn’t help but get motivated. I especially was intrigued with the history of art and the renaissance.

I was very fortunate with my high school. I had hands on training in painting, drawing, graphic design, stained-glass mosaic work, set design and sculpture. And my professor always pushed me harder than the others.

GS – Did you ever have any formal training? How did it influence you in your work now?

RF – After high school, I attended the University of Massachusetts and studied graphic design, painting, drawing and art history. Yet again, I was fortunate to have a professor that motivated me to learn more, and I started diving into learning about symbolism, sacred numerology and mythology.

In 2006, I studied painting and art history in Florence, Italy. I had the privilege of studying the great renaissance masters in person, and I particularly loved learning about the history of art, especially the beginnings of the renaissance. My time in Italy highly motivated me to create, and to create with purpose. I truly believe that I left for Italy as a student, and returned as an artist.

GS – How so?  What changed?

RF – While attending college in Massachusetts, I was taught color theory, methods of lighting, brush work and drawing techniques, but MEANING was never discussed. Studying in Italy, I would have these moments of complete harmony with the art, moments to contemplate on what you are looking at, it changes you, and motivates you.

When I came back from Italy, I wanted to paint ideas, not images, and with being initiated into the craft, I had direction.

In Italy, I began to truly understand that works of art were really the culmination of research, practice and years of work. Michelangelo’s “David” transformed from a large nude man, to a blatant political statement, warning the enemies of Florence to fear the repercussions of challenging them. The Sistine Chapel became a lesson book for deep religious and philosophical thought, and at the same time a motivation to stand up to oppression and to use your mind and talents to bring light to others.

It was simply motivating. I recently returned to Florence, and found myself again, sketching, and really looking at the art and architecture again, this time with Masonic eyes. When I returned home, I immediately started working again. To put it plainly, Florence is with out question my muse.

GS – So, from your background, where do you see art mingling with Masonry? Do you think the two have always been in close proximity to one another?

RF – Masonry is based on art, and highly symbolic art at that. Our ancient brethren were artists, and anyone who has put a chisel to a piece of Marble understands how gifted and dedicated they were. And, just as I try to do with my work, they used their talents to share concepts that simply cannot be done by speaking. Hence why we as Free and Accepted Masons use symbols as the base of our degrees and lessons. I firmly believe that a successful work of art can sum up more feeling and emotion than a 30 minute lecture.

masonic art, pillars, original work

CODEX I: THE PILLARS
Ryan Flynn

And there are great examples of artists predating what we would now call Freemasonry hiding symbols of what became the basis of our craft into their works. Artists like Albrecht Dürer, Michelangelo and William Blake made it a point to reference Pythagoras, Kabbalah and sacred geometry in their works because they knew it was important knowledge to pass down.

Masonic artists should be no different.

GS – For those who might be unfamiliar with your artwork, how would you describe it to them stylistically?

RF – I’ve dabbled in a lot of styles, but I have been working as of late in a style that mimics the medieval Italian style.

I have a mechanical method of creating; I always need to know how something works before I paint it. So when I learn something, I become motivated to create something referencing it. If anyone ever sees me in lodge, I’m always carrying a sketchbook and notebook. When listening to the ritual, sometimes I get an idea and need to jot it down.

Once I had a good amount of ideas in there I realized I had my own Codex, which inspired me to create my first Masonic series, the Middle Chamber Codex series, in which I re-organized some of my notes to mimic the codices of DaVinci. This in turn led me to try making illuminated documents.

My future works will continue in this style until I am led into something else, it’s one of the things I love about being an artist, I set my own path.

GS – Of the work up on your site, which is your favorites?

artwork, original, patient, fraternal society

Master Mason Patents
Ryan Flynn

RF – Without question my authentic Master Mason Patents.

I love the fact that is the real deal, real gold, real calf skin parchment and all by drawn by hand. I take a lot of pride in them. I also like that it’s the only work that the client does not see until it’s finished. I never do one the same as the others; everyone gets their own unique patent.

As any artist will tell you, to know that something you create will be around a lot longer then you will be is a comforting thought. And because they are authentic, these patents potentially can last for hundreds of years.

A little scene that keeps popping in my head is of my daughter’s great-grandson finding my patent a hundred years from now and seeing how much Masonry meant to me.

GSThis may be out there a bit, but do you see juxtaposition between Masonic art and, say, more obscure, esoteric, or symbolic art?

RF – Absolutely, Masonry is about gaining light. And all forms of art can produce amazing “Eureka” moments in the viewers mind. I find that looking at abstract art can be a wonderful method of meditation and reflection.

GS – Your work, how do you create it? Is it hand made, mixed or digital media?

RF Each project is a little different, but it all starts with pencil on paper.

masonic art, prints, codex, ryan flynn

Codex Series Prints
Ryan Flynn

Pretty much with all my prints I will hand draw elements of the project on paper, then scan them in and position and color digitally. For my Limited Edition prints, I then Gicleé print them and complete them by hand, coloring them with metallic infused inks.

As for the authentic patents, they are 100% hand made. I order only the finest parchment from a small family owned company in upstate New York. And once they arrive I press them for a couple days under some large books to keep it flat. Then I sketch out my design on paper and using a small tracing table that I built, transfer it to the parchment. It’s a time consuming process with no room for error. If I mess up, I start over. After the sketch is completed, I ink it with high quality inks. Finally, when that is done, I Apply 23kt gold leaf and a wax seal that I designed.

As for my watercolors and paintings, they are all 100% from the brush. I sketch out my projects with light graphite and start applying the paint from light to dark.

GS – Have you had much response to your work from the Masonic world? What’s been the response?

RF – When I originally produced the window designs for my lodge, the images went viral, I think they were shared on Facebook over 1000 times, and they were featured on the covers of some magazines, I was in shock at how many people adored them.

Ryan Flynn Windows, stained glass, lodge room

My codex series was a big hit. I unveiled them at the Masonic Restoration Symposium in August and had many brothers not only purchase them, but have long conversations with me about why it was important to masonry for me to continue creating them.

I also have received some welcomed support by some fellow brothers. My good friend, Wor. Paul C. Smith, has helped me by pointing me towards information, by offering me council as well as recommending books and reading. His help has been immeasurable.

GS – Your patients look like illuminated manuscripts from the middle ages. How did you master that technique? Is there a subtext to styling them the way you styled them?

RF – Easy, I haven’t mastered it.

When I finished my first one, I looked back and said to myself “this is amazing.” Then I did my second one and it blew the first one away. As for training, having extensive knowledge in drawing, painting and design can lead you to learn anything you want.

Some things didn’t work out so well. I tried to create my own inks and failed miserably at it. I’ll try again soon.

As for gold leaf techniques, I learned by making mistakes. I bought some faux gold leaf and applied it to heavy paper and spare scraps of parchment. It took me 3 or 4 tries to get it to work the way I want.

GS – Given your proximity with Masonry and the arts, beyond the work you create are there any artists or artistic influences that come to mind that you think should (or do) have an influence on Masonry?

RF – As for the fine arts, I encourage every lodge to have someone take the time and learn about Filipo Brunelleschi, Michelangelo and William Blake.

Brunelleschi, for those who are not familiar with him, started the renaissance by stepping back, travelling and learning about geometry, science and the knowledge of the past. This to me sounds like the perfect example of what we as masons should strive to accomplish.

Michelangelo should be a patron saint of symbolism. He knew of Kabbalah, sacred geometry and numerology and he put in into all of his masterpieces. The Sistine chapel is a love letter to the Kabbalah, and learning about how he hid those messages into this work will open up your eyes on how to contemplate on a work art.

And Blake – Blake is the prime example of what a Masonic artists should strive to be. His tremendous works engulf the viewers with blatant Masonic symbolism, but upon further inspection, the real messages can be found within. Each of his paintings could be its own lecture in lodge.

GSSo what’s next, any new Masonic works on the horizon?

RF – I carry around with me a notebook of all my potential works. I don’t want to reveal most of them yet because I have not perfected them, and as any artist or writer will tell you, a first or second draft will rarely look like the final project.

However, I can say that I have detailed plans for a tracing board that will be like nothing else in Freemasonry. I’m also working on an illuminated manuscript of the Middle Chamber lecture and a series of prints that mimic the Egyptian style.

Unfortunately all my big projects require funds so it’s a slow and steady process, but God willing I have a lot of time to get working and make and hopefully make a small difference in Masonry.

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My thanks to Ryan, to whom I appreciate the taking of his time.  I very much appreciate his tremendous body of artwork and will definitely keep an eye out for your up coming projects. You can see more of Ryan Flynn’s artwork at his website, and, if you’re in the New Hampshire area, you can see Ryan’s lodge windows in person by visiting Ancient York Lodge.