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The All Seeing Eye as Omnipresent Deity

Posted on May 30, 2014July 30, 2017 by Greg Stewart | 6 Comments

The All Seeing Eye

William J Morris, in his Pocket Lexicon of Freemasonry, defines the All Seeing Eye as “an emblem found in every well-furnished lodge, and which is unnecessary further to explain.”

Yet, further explanation is necessary to detail the Eye of Providence that is so much in the parlance of the Masonic Lodge. While most American Lodges make use of the letter G to stand in as a representation deity, the All Seeing Eye, has that same function, perhaps with a more artistic flare.

Albert Mackey, in his Encyclopedia of Freemasonry and its Kindred Sciences, writes this succinct observation on the meanings behind the eye in his entry for the All-Seeing Eye:

“An important symbol of the Supreme Being, borrowed by the Freemasons from the nations of antiquity. Both the Hebrews and the Egyptians appear to have derived its use from that natural inclination of figurative minds to select an organ as the symbol of the function which it is intended peculiarly to discharge. Thus, the foot was often adopted as the symbol of swiftness, the arm of strength, and the hand of fidelity.

On the same principle, the open eye was selected as the symbol of watchfulness, and the eye of God as the symbol of Divine watchfulness and care of the universe. The use of the symbol in this sense is repeatedly to be found in the Hebrew writers. Thus, the Psalmist says:

The eyes of the Lord are upon the righteous, and his ears are open unto their cry,
Psalms 34:15

which explains a subsequent passage in which it is said:

Behold, he that keepeth Israel shall neither slumber nor sleep.
Psalms 121:4

In the Apocryphal Book of the Conversation of God with Moses on Mount Sinai, translated by the Rev. William T. Cureton from an Arabic manuscript of the fifteenth century, and published by the Philobiblon Society of London, the idea of the eternal watchfulness of God is thus beautifully allegorized (The full quote from Cureton’s work reads):

Then Moses said to the Lord, O Lord, what is thy meat and what is thy drink, and what thy clothing?
The most High God answered, My Meat is the tears of sinners when they weep over their sins; my drink is the repentance of those who repent of them; and my clothing is the praises of the angels, and the thanks givings of the souls of those who have escaped from their iniquities.
Then Moses said to the Lord, Oh Lord, doust thou sleep or not?
The Lord said unto Moses, I never sleep: but take a cup and fill it with water.
Then Moses took a cup and filled it with water, as the Lord commanded him.
Then the Lord cast into the heart of Moses the breath of slumber; so he slept, and the cup fell from his hand, and the water which was therein was spilled.
Then Moses awoke from his sleep. Then said to God to Moses, I declare by my power, and my glory, that if I were to withdraw my providence from the heavens and the earth for no longer a space of time than thou hast slept, thy would at once fall to ruin and confusion, like as the cup fell from thy hand.

On the same principle, the Egyptians represented Osiris, their chief deity, by the symbol of an open aye, and placed this hieroglyphic of him in all their Temples. His symbolic name, on the monuments, has represented by the eye accompanying a throne, to which was sometimes added an abbreviated figure of the god, and sometimes what has been called a hatchet, but which may as correctly be supposed to be a representation of a square.

The All-Seeing Eye may then be considered as a symbol of God manifested in his omnipresence – his guardian and preserving character – to which Solomon alludes in the Book of Proverbs (xv, 3), where he says:

The eyes of the Lord are in every place, beholding (or, as in the Revised Version, keeping watch upon) the evil and the good.
Proverbs 15:3

It is a symbol of the Omnipresent Deity.”

The subject was not, it seems, defined sufficiently by Mackey, and became the subject of a Short Talk Bulletin in 1932, aptly titled The All Seeing Eye, and published by the Masonic Service Association of North America.

That Short Talk reads:

In the modern Masonic ritual the All-Seeing Eye is combined with the Sword, pointed at a Naked Heart; which latter emblem apparently came to American Freemasonry through Webb. The quotation from his Monitor (1797) is as follows:

The Sword pointing to a Naked Heart demonstrates that justice will sooner or later overtake us, and although our thoughts, words and actions may be hidden from the yes of man, yet the All Seeing Eye, whom the Sun, Moon and Stars obey, and under whose watchful care even comets perform their stupendous revolutions, pervades the whole, and will reward us according to our merits.

The Sword and Naked Heart were probably adopted by Preston from early initiation ceremonies of the Continent, probably French, in which even today we find some degrees of some rites dressed with swords which are pointed at the candidate. But the essential part of this symbol, the All-Seeing eye, is hoary with antiquity, and, in one form or another, has been identified with early religions and mysteries from their beginnings.

It seems natural for men to personify his members in order to symbolize a virtue. The foot is universally a symbol of swiftness; the arm, of strength; the hand, of fidelity. The hand we extend to clasp that of a friend must be open, showing it contains no weapon; the knight of old removed his mailed gauntlet before offering his hand, to indicate that he greeted a friend from whom he feared no attack. From this we get our modern concept that it is good manners to remove a glove before shaking hands.

The eye was adopted early as a symbol of watchfulness, for reasons too obvious to set forth. By a natural transition, the watchful eye never slept, and which thus saw everything, speedily became the symbol of Deity.

Hear the Psalmist (XXXIV): “The eyes of the Lord are upon the righteous, and his ears are open unto their cry.”

Again (CXXI), “He that keepeth thee will not slumber.

Behold, he that keepeth Israel shall neither slumber nor sleep.”

A Proverb reads: “The yes of the Lord are in every place, beholding the evil and the good.”

Egypt symbolized her God and King, Osiris, by a open eye; it was in all the Temples, and is frequently found sculptured in stone together with a throne and a square, symbolic of Osiris, power and rectitude. One of the great curiosities of the world is the similarity, often identity, of ideas, inventions, discoveries, conceptions of peoples far removed, the one from the other, both in time and geographical location. The primitive loom, for instance, is strikingly similar in Egypt, India, South America, and Africa and among the Esquimaux (Eskimo). The Swastika (symbol made of four joined squares), often termed the oldest of symbols, is to be found literally all over the world. So is the point within a circle and the square as an emblem is found in early Egypt, Rome and China, to mention only three.

It is not surprising, therefore, to find so obvious a symbol as a watchful eye typifying Deity in the uttermost ends of the earth. That it was called the “All-Seeing Eye” in Vedic hymns a thousand years older than Christianity, and in a land as far as India from that we are wont to consider the cradle of Masonry, is a fact to make any student think.

Forty years ago the Reverend J.P. Oliver Minos drew Masonic attention to one of the Rig-Veda Hymns especially addressed to “Surya,” or the Sun:

Behold, the rays of dawn, like heralds, lead on high.
The Sun, that men may see the great all knowing God.
The Stars slink off like thieves, in company with Night, Before the All-Seeing Eye, whose beams reveal his presence, Gleaming like brilliant flames, to nation after nation.

You can read the full text of the Hymn to Surya at Sacred-Texts. And, it would seem that this is a the Hymn as it is performed.

The short talk continues:

“In the religions of India the eye is of high importance and prominence. Suva; one of the most important of the Gods of India, is pictured with three eyes, one more brilliant than the other two. Drawings are for sale in the market places of Benares and other Indian cities which visiting Masons often think are Masonic, merely because they portray the All-Seeing Eye. Indian religious devotees consider the peacock a sacred bird because of the resemblance of the feathers to an eye.

As a symbol of Deity the eye is a natural hieroglyph.

The connotation of sleeplessness, vision, knowledge is easily grasped by even a child-like intellect. But it is also, and for the same reason, a symbol of the sun; indeed, sun worship antedated almost all, if not all, other forms of worship.

The sun was worshiped by too many peoples in too many lands and ages to attempt to catalog here. Shamash was sun God to Assyrians, Merodach to the Chaldees, Ormuzd to the Persians, Ra to the Egyptians, Tezzatlipoca to the Mexicans, Helios to the Greeks and Sol to the Romans to mention only a few.

The sun is the source of a hundred myths; familiar is that of Helios, who drove his chariot daily across the sky. The Scandinavian God Sunna was in constant dread of being devoured by the wolf Fenris (symbol of the eclipse); Phaeton was the son of Phoebus, the sun, and stole his fathers chariot to drive across the heavens. Unable to control the fiery steeds, he came to near the earth and parched Libya into a land of barren sands, blackening the inhabitants of Africa and so heating that continent that it never recovered normal temperature! Had not Zeus transfixed him with a thunderbolt, he would have destroyed the world.

Modern poets and ancient have sung of the sun as thee eye of day; we recall:

The night has a thousand eyes and the day but one But the light of the whole world dies When the day is done.

Diogenes Laeritus thought of the sun as an incorruptible heavenly being when he wrote:

The sun, too shines into cesspools and is not polluted.

Dryden translated Ovid to read:

The glorious lamp of heaven, the radiant sun, Is nature’s eye.

Hear Milton:

Thou sun! Of this great world both eye and soul!

Freemasonry does not make of the eye a symbol of the sun. Her All- Seeing Eye is one emblem, her sun another, each with a distinct meaning. One of the Lesser Lights represents the sun; the sun shines out from between the legs of the compasses, opens sixty degrees on a quadrant, in the Past Master’s Jewel, all symbolic of the Masonic light which must come from the East from which comes all truth. It has been written:

The sun is the symbol of sovereignty, the hieroglyphic of royalty, it doth signify absolute authority,: By analogy, if the lodge is the symbol of the world, then the Master, who controls the time of opening and closing, may well have one of the Lesser Lights as his symbol. Mackey goes further to say that the Master is ‘himself’ a symbol of the rising sun , the Junior Warden of the sun at meridian, and the Senior Warden of the setting sun, just as the Mysteries of India the three chief priests symbolize Bramha, the rising sun, Siva, the meridian, and Vishnu the setting sun. In the Orphic mysteries the sun was thought to generate, as from an egg, and come forth with power to triplicate himself; triple power (such as is found in a Lodge under a Master, Senior and Junior Warden) is an idea as old as mythology, as may be seen in the trident of Neptune, the three-forked lightning of Jove, the three-headed Cerebus of Pluto.

See how fitly the sun, as a symbol of authority, the sun, as man’s earliest deity, and the sun, as origin of the eye as a symbol of God, can be united. In his Symbolic Language (1840) [Thomas] Wemyss wrote:

The sun may be considered to be an emblem of Divine truth because the sun, or the light of which it is the source, is not only manifest in itself, but makes other things manifest; so one truth detects, reveals and manifests another, as all truths are dependent on and connected with each other, more or less.

So does the Master make Masonic truth manifest to the brethren; so does the Great Architect manifest His Divine truth to all men. If it is further necessary to show a connection between eye and sun, sun and God, and thus eye and God; refer again to the passage from Webb, which couples the All-Seeing Eye with the sun, moon and stars. Sufficient has been said to make it evident that the All-Seeing Eye is not a modern symbol, or one lightly to be regarded or passed over in silence, merely because modern ritual makes comparatively little of it. Alas, many brethren are so ill-instructed in the ancient Craft that it is a matter of some wonder to them why officer’s aprons, when decorated with emblems so often have the All-Seeing Eye upon the flap; why that pregnant symbol is so frequently engraved upon working tools, or the square and compasses which lie upon the Altar.

Throughout the Craft emphasis is put upon the number three; three Light (greater and lesser); three steps on the Master’s carpet; three steps at the beginning of the Winding Stairs; three principal officers; three degrees; three due guards; etc. The number three is but another way of expressing the idea of a triangle, one of man’s earliest, if not the earliest symbol for Deity, inasmuch as it is the simplest closed figure (signifying endlessness) which can be formed with straight lines.

The emphasis upon three, then, is Freemasonry’s symbol of omneity of Deity — His being without beginning or ending.

The letter “G” as a symbol of Deity particularly speaks of the reverence we owe to the supreme architect; His Omni glory. Lodges are opened and closed with prayer, symbol of the loving omnipresence of the Great Architect; Freemasons believe that where two or three are gathered together in His name. There His is also, in the midst of them.

On our Altar lies His Holy Book, rule and guide of our faith, symbol of His Omnipotence, since in it are the prophecies and histories of the powers of the Most High.

The All-Seeing Eye is significant of His Omniscience; that the Supreme Architect sees all and knows all, even the hidden secrets of the human heart.

Here, indeed. is the kernel of the nut, the inner meaning of the symbol which has come down to us from so many diverse ages, so many religions, which has been interwoven with sun and pagan gods and myths, nature religion and many kinds of worship, which was old when Egypt was young and ancient when India was new.

The All-Seeing Eye is to Freemasons the cherished symbol not only of the power but of the mercy of God — since, as has been beautifully said to comfort us who cannot always do as we know we should, or even as we want — “to see all is to know all; to know all is to understand all; to understand all is to forgive all.”

Therefore the thinking Freemason has reverence for this symbol. He treats it not as one of many; rather as among those to be held in tenderest thought and most precious memory. The Sword pointing to the Naked Heart may thunder of justice, but the All-Seeing Eye whispers of justice tempered with complete understanding, which is man’s most lovely conception of Him who judges erring men.

Pike attributes the eye to the eye of the Greeks Jupiter in the 25th degree, Knight of the Brazen Serpent, saying:

That Osiris and Isis were the Sun and Moon, is attested by many ancient writers; by Diogenes Laertius, Plutarch, Lucian, Suidas, Macrobius, Martianus Capella, and others. His power was symbolized by an Eye over a Sceptre. The Sun was termed by the Greeks the Eye of Jupiter, and the Eye of the World; and his is the All-Seeing Eye in our Lodges. The oracle of Claros styled him King of the Stars and of the Eternal Fire, that en-genders the year and the seasons, dispenses rain and winds, and brings about daybreak and night. And Osiris was invoked as the God that resides in the Sun and is enveloped by his rays, the invisible and eternal force that modifies the sublunary world by means of the Sun.

Zeus was the Greek iteration of Jupiter, adopted later by the Romans.

Pike, elaborating further, says:

The Blazing Star in our Lodges, we have already said, represents Sirius, Anubis, or Mercury, Guardian and Guide of Souls. Our Ancient English brethren also considered it an emblem of the Sun. In the old Lectures they said: “The Blazing Star or Glory in the centre refers us to that Grand Luminary the Sun, which enlightens the Earth, and by its genial influence dispenses blessings to mankind.” It is also said in those lectures to be an emblem of Prudence. The word Prudentia means, in its original and fullest signification, Foresight: and accordingly the Blazing Star has been regarded as an emblem of Omniscience, or the All-Seeing Eye, which to the Ancients was the Sun.

And, lastly, for what it’s worth, the All Seeing Eye has worked it’s way into the material culture, at least with some humor.

Natya Raja

Posted on May 25, 2014October 22, 2021 by Greg Stewart | 1 Comment

In this segment of the Sojourners, this piece, Natya Raja, comes to us from Sanjay Mandaiker.

I met Sanjay through a few posts about his work with Esoteric Travels, of which Sanjay is the owner. Intrigued, Esoteric Travels specializes in sacred space tours of his homeland, India. At my request he contributed this piece or architecture on symbolism and aesthetics from his unique point of view.

Natya Raja
The Cosmic Dancer, the tantric mandala, the Paragon of Symbolism Geometry and Aesthetics
by Sanjay Mandaiker

Let me begin with a little bit about its background: according to shivit tradition, the rhythm of Lord Shiva’s dance is what created the universe. Dance being an allegory for:

Energy in perpetual motion,
Geometry and structure,
Rhythm and aesthetics,
Comprehension and expression

‘Natya’ means dance, and ‘Raja’ is the word for king. The ‘Natyaraja’ symbolizes Shiva dancing on the dwarf like figure of ‘Maya’ or illusion. The toes of his raised left foot open the eyes of humanity and his left hand shows them the true nature of reality beyond the veil of terrestrial illusions, our inner sprit so to speak. Man fear’s this truth because of his futile attempts to cling to his ego.

With this realization of his true nature he is forced to lose his ego, this death of ego is akin to death itself. With his raised right hand Lord Shiva blesses the newly awakened humanity, telling us not to fear truth. For truth brings the blessings of the gods, and always triumphs in the end no matter what the adversity it may face.

He has 2 more arms, one holding the drum of creation and the other wielding flame of destruction. This can also be interpreted the other way around, as the flame is in his left hand; the creative side, and the drum is on the right, the side of destruction. According to Hindu philosophy the left side of a human being is connected with the feminine, which symbolize our creative forces. The right side is associated with the masculine nature of humanity, which fuels consciousness and comprehension.

A ring of fire, symbolizing purity, encircles the entire sculpture. The geometry of the sculpture is based on an ancient tantric mandala symbolizing the perfect balance of the feminine and masculine forces. A mandala in itself is an intricate geometrical figure that shows us the path to the sanctum of our own temple. This particular mandala is known throughout the world, used by all cultures, in Europe it is called “The Star Of David.”

The mandala is placed within a circle which symbolizes ‘the whole’, from the head to the flowing garment to the raised foot forms the upward or masculine triangle, to complete the Star of David, the grounded foot to the upraised arms form the downward or feminine triangle.

The downward triangle symbolizes our foundation or true matter, energy, intuition, life forces, senses, and creative matter. All these aspects are creative therefore move upward to the fire of Shiva’s upraised hand, but if not controlled these energies become destructive, in this case they move to the drum; this represents the duality we constantly confront in every walk of life.

The upward triangle starting at the flowing garment like a spark of inspiration moves to the raised foot opening our eyes to our true nature, it then moves upward to the head symbolic of comprehension and understanding, there by channelizing the creative forces into true creativity and not uncontrollable destructive energy.

The upraised hands, the flowing garment, and the raised foot form a square. These are the cardinal points or ‘doors of perception’ of this sculpture. They also symbolize the duality of creation and destruction, and of dreams and reality. One cannot exist without the other; the balance must be constantly maintained. One has to judge and reflect on what is more important. This is the principal of karma and dharma.

The head to the upraised hands to the center of our physical balance form a losange, the base foot to the garment to the center of balance and raised foot form a second diamond shape.

The base foot is the substance we are made of, it is our truth mixed with the spark of intuition, which reaches a point of balance. The repository of life force passes through creation and destruction, one cannot live without the other, this constitutes life in its essence.

The lifted leg is bent at the knee giving it two distinct angels and the scarf on the other side is also divided into two segments using the second angel with the top of the head and out stretched arms we find the pentagram, who’s significance would be a chapter of its own.

Maya or illusion is portrayed as a baby signifying birth, playing with a serpent or the energies of life, merged in the locks of the Lord’s hair is a skull symbolic of death, death thus shows us when the “Corps De Glorie” is achieved, death is material and insignificant.

The Serpent also symbolizes Earth element. Lord Shiva wields the element of Fire in one of his upraised hand. The sound of the Drum and the flying tresses of matted locks, represent the element of Wind. In the Lords tresses sits the mermaid like aspect of the river Ganges,representing the element of Water. The encircling flames represent ether. Thus the five elements are also represented in this truly amazing sculpture.

The traditional south Indian Bronze figurines are not made of three but five metals, Gold, Silver, Copper, Tin and Lead. The Natya Raja also follows this same tradition.

Symbolism being universal one can relate Masonry to ones own beliefs or aspirations; this in my opinion is also the essence of Hinduism. I correlate the two, which helps me, gain a better understanding of life, Masonry, and Hinduism.

The “NATARAJA” form of Lord Shiva, or the Lord of Dance, is to me the most precious of them all. I relate this perfectly captured essence of Shiva to the fundamentals of our initiation: The Three Lights, The Seven Liberal Arts, and Alchemy.

Sanjay Mandaiker, (Master Mason Lodge Universal Charity 273, Royal Arch Mason, Mark Mason, Secret Monitor, and 18th degree India Rose Cross) has been a tour guide based in India for over 20 years. He combines his extensive knowledge of Hinduism with Masonry to bring a truly unique traveling experience for masons and non masons alike. For masons recognized by the UGLE visits to a Lodge will also be included. Esoteric Travels allows you to be led through India by a brother.

American Inventions

Posted on May 14, 2014December 29, 2021 by TimBryce | 2 Comments

BRYCE ON HISTORY
– How technology changed the country and the world.

(Click for AUDIO VERSION)
To use this segment in a Radio broadcast or Podcast, send TIM a request.

If you were to ask young people what they consider the most influential inventions that affected America, they would likely respond with the PC, Apple’s iPhone and iPad, or perhaps the new Google Glasses. This reflects the erosion of our sense of history. I would argue even though these inventions are interesting, their development was inevitable and the natural byproduct of earlier inventions. Understanding America requires more than just the memorization of important dates, such as 1776, but also the inventions we created along the way. Our inventions ultimately dictate who we are, for they were devised to solve particular problems and to remain competitive in the world community. They also reflect our resourcefulness and determination to get things done by rising above the status quo.

For historical purposes, I have assembled the following list of arguably the greatest American inventions. These ideas and devices not only impacted our country but the world at large. In addition to enhancing productivity and business, they also influenced our society.

There are far too many significant inventions to list here. Instead I was interested in identifying those which had a profound effect not just on business, but socially as well. For example, Franklin’s lightning rod was useful for curbing lightning strikes and ensuing fires, but it did not affect the social conscious of the nation. Eli Whitney’s cotton gin greatly enhanced the output of cotton in the South, but it also encouraged a dependency on slavery and contributed to the outbreak of the American Civil War. There were many others, but I wish to point out those which positively influenced the American character.

Steam Engine (1781) – True, the first steam engines were introduced in Spain and England in the 17th century, but it was James Watt’s engine that provided the first practical implementation which would be used in railroads, ships, and other manufacturing and agricultural applications thereby becoming an important cog in the Industrial Revolution. In addition to improving output, the steam engine improved transportation, thereby making us a more mobile society by connecting the country. Train service also improved communications by expediting mail service. These effects would later be emulated by the introduction of the internal combustion engine.

Morse Code (1836) – The electric telegraph was another invention derived from Europe and preceded by the optical telegraph (signalling). The first practical implementation though came in 1844 with the first long-range telegraph between Baltimore and Washington, DC where inventor Samuel F.B. Morse sent the famous expression, “What hath God wrought,” a phrase from the Bible’s Book of Numbers. This was all made possible through the use of Morse Code, a standard system of dots and dashes which transmitted text messages. In reality, Morse Code was invented by Morse, American physicist Joseph Henry, and machinist Alfred Vail. This system revolutionized communications. Messages and news could be easily disseminated in seconds as opposed to days. This kept the public informed of current events and allowed business decisions to be made more readily. The Trans-Atlantic Cable bridged North America with Europe, thanks to Morse’s standard language. The telegraph may be long gone, but Morse Code lives on through Ham Radio operators. Remarkably, the system is still faster than newer techniques, such as text messaging.

Baseball (1845) – although historians argue over the origin of the game, baseball’s roots were likely derived from “rounders” in England. Nevertheless, the rules and game of baseball are uniquely American. The beauty of it is just about anyone can play it, assuming you can run, catch, throw, and swing a bat. It is also a thinking game with subtle strategy and secret communications, thereby making it an ideal spectator sport. Unlike other games played on a rectangle and scoring by taking a ball or puck to an end zone or net, baseball is played on a “diamond” which is actually a field defined by a 90 degree angle. To the outsider who has never played the game, baseball seems confusing at first, but with a little patience, the quirks of the game can be quickly learned. Because of its popularity, baseball has been dubbed America’s “National Pastime,” and a welcome diversion from the tedium of life. Aside from the United States, it has become popular in Central and South Americas, Japan, China, Australia, Europe, and elsewhere.

Telephone (1876) – Alexander Graham Bell was awarded the first patent for the electric telephone in 1876. As with other technologies listed here, others were active in its development, but Bell was first. The telephone revolutionized communications not only in America but throughout the world. Whereas phones were originally placed in a key location in a town, it propagated to households and businesses, and eventually to just about every individual on the planet. A boon to communications, the telephone also affected the populace socially. For example, the phone has been an indispensable tool for teenagers for many years and was likely the driving force for developing the “smart phones” of today.

Phonograph (1877) – Thomas Edison’s “talking machine” provided a handy tool to entertain people who were not proficient in the use of a musical instrument. Interestingly, the cylinders of Edison’s machine ultimately became the hard drives of today’s computers and smart phones, all based on circular devices for storing and retrieving data.

Radio (1885) – Again, experiments were conducted earlier, but it was Edison who received the first radio patent. For a long time, radio was the principal means of communicating with the public. It revolutionized news reporting and entertained the public. More importantly, it introduced the technology which would ultimately be used for television, radar, and today’s cell phone towers.

Tabulating Machine (1890) – Herman Hollerith is credited with inventing the tabulator using punched cards. This was fostered by the 1890 census which was desperately in need of a better approach for counting. Hollerith’s invention not only proved useful for the US Bureau of the Census, but for business in general. It was the precursor of the modern day computer and was eventually used for accounting, inventory, and just about anything requiring counting. The machine also gave birth to a new company which would influence technology and business for years to come, IBM. Tabulating machines were used until the 1950’s when the computer finally replaced them.

Electric Power Distribution (1882) – although Edison did not create the light bulb, he invented the first power grid in New York City to use his electric lamps, thereby turning the darkness of night into light (Pearl Street in Manhattan). The effect was dazzling and changed our social life at night. Candle power was no match for Edison’s electric grid, something that is with us to this day.

Assembly Line (1901) – the concept of routine assembly using standard parts has been around for centuries, but it took Henry Ford to mechanize it to produce his line of automobiles, thereby revolutionizing the process of manufacturing. This is one of the most important concepts to emerge from the Industrial Revolution. It’s been used to produce everything from automobiles and airplanes to a multitude of electronic devices and just about every consumer related product imaginable, including the smart phone. By doing so, the assembly line made it possible to make products affordable for just about everyone, thereby creating a middle class.

Air Conditioning (1902) – Willis Carrier was the inventor of “electromechanical cooling” which was originally intended for companies with products requiring climate control, such as printing, photography, and chemicals. This technology was eventually used for general business comfort, as well as in automobiles and homes. The air conditioner had particularly affected the South where temperatures during the summer would prohibit work and sleep. The advent of the air conditioner was a major contributor to people migrating to the South, including yours truly.

Airplane (1903) – The Wright Brothers are credited for “the first sustained and controlled heavier-than-air powered flight.” Like the Steam Engine, it had a profound effect on transportation and communications, although it devastated passenger rail service. By conquering the sky, we made the world a smaller place to live, accessible to just about anyone. It has helped forge business relationships overseas, thereby improving commerce, and made America more aware of the world around us.

Credit Card (1950) – the credit card traces its roots back to air travel cards which would allow you to “buy now, pay later.” The Diners Card became the first charge card, which was quickly followed by Carte Blanche and American Express in the 1950’s. BankAmericard, which would evolve into Visa, would follow, as would Master Card, and Discover Card much later. Prior to this, the concept of paying for merchandise with anything other than cash was unimaginable. Today it is just the opposite as most transactions are recorded by credit cards. Its only drawback is that it is probably the single most significant cause for people to go into debt by over spending.

Computer (1951) – I realize people will argue the ENIAC was the first computer as commissioned by the US Army in the closing days of World War II, but it was the UNIVAC I (UNIVersal Automatic Computer) which became the first computer to be used for commercial purposes. Both machines were invented by J. Presper Eckert and John Mauchly, two pioneers who exhibited great foresight into the world of computing for many years. The product they produced set the stage for super computing and mini computing, ultimately leading to the smart phone, the PC, and the Mac. Without the likes of Eckert and Mauchly, there would not have been a Bill Gates or Steve Jobs. The computer has touched our lives like no other machine before or since. It is probably impossible to think of an industry or person who remains unaffected by the computer.

Internet (1969) – This was developed as a project for the Department of Defense to communicate with universities and research institutions. Today, it is the lifeline we all use for e-mail and to traverse the world wide web. It is also used to purchase merchandise, send/receive phone calls, transmit live photographic images, secure our homes, search for a mate, social networking, and more. And, No, Al Gore most definitely did not invent the Internet (he was 21 at the time and still in school).

U.S. Constitution (adopted 1787, ratified 1789) – This is perhaps the most brilliant invention in our history. Some would argue it is not unique. True, many of the concepts were derived from earlier political philosophers (e.g., Sir Edward Coke, William Blackstone and France’s Montesquieu, not to mention the Magna Carta), but the Constitution was the first practical implementation of such ideas. Fortunately, the authors of the Constitution were well versed in history and political philosophy, including the ancient Greeks and Roman empire. What makes the Constitution unique is its three separate but equal branches of government, its checks and balances, its bicameral system of Congress (two chambers), to act as a Republic as opposed to pure Democracy, and the Bill of Rights which enumerates the rights of American citizens. They were also wise enough to make it modifiable, so revisions could be added.

James Madison was the principal author of the Constitution and would later serve as our country’s fourth president. Madison and his Virginia colleagues came to the Constitutional Convention prepared and introduced the “Virginia Plan” which served as a template for the Constitution.

The Constitution superseded the Articles of Confederation and Perpetual Union which was our first governing document produced shortly after the Declaration of Independence. Whereas the Articles of Confederation simply stipulated how the various states would work together, the Constitution was to be more definitive in terms of devising a federal government. It took two years for the Constitution to be ratified by the thirteen states, a miracle in itself. The “Federalist Papers” were written and distributed to explain the rationale for the various parts of the Constitution, thereby selling the idea to the country.

The fact the U.S. Constitution has stood the test of time (225 years) and survived a bloody Civil War is a testament to its merit. It has also been emulated by states in the union and other countries, including Mexico and the Philippines. So brilliant is the document, I cannot imagine today’s Congressmen as being able to devise anything remotely better. As an aside, it is the Constitution which includes the provision for protecting intellectual property such as the inventions listed here (Article One, Section 8). Without such protection, our volume of inventions would be much less.

All of these devices have had a deep-seated effect on the American character. It defines who we are, what our values are, how we conduct business, and how we socialize as a people. We must recognize for every new invention we can expect some sort of social adjustment or change in our perspective or thinking and, with rare exception, there will likely be legislation enacted to control and tax its use.

Make no mistake, we have been influenced by our technology since the founding of this country, and way before. As such, it is important to remember when these inventions were created, the people who invented them, but more importantly the rationale for their creation. Without a sense of history, we would likely not understand the direction of where our technology and world should be heading.

author, freemason, business management, from the edge — Freemasonry From the Edge

Keep the Faith!

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Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

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The Lost Word Made Whole

Posted on May 11, 2014January 1, 2022 by Greg Stewart | 2 Comments

Jesuits, Illuminism, and the Royal Arch of Enoch with Robert W. Sullivan IV

Robert Sullivan is a newcomer in the world of Masonic scribes with his first work, The Royal Arch of Enoch, hitting the bookshelf late in 2012. What makes Sullivan’s work interesting is the degree of focus he puts on the Apocryphal figure of Enoch in the Masonic degrees, a figure that most, at best, consider briefly in their progress and, at worst, completely ignore all together. Sullivan’s work takes on the historic, esoteric, and political implications of including the biblical figure of Enoch in both the York and Scottish Rite and why that inclusion may not have been with the purest of Masonic intents but rather a happy accident of allegoric construction like so often happens in the secret traditions, including those of Freemasonry. I found the conversation to be extraordinary and I think you will too as we gain a bit more insight on the keeper of the lost word that is found anew, at least in part.

Greg Stewart (GS) – Before we delve too deeply into the subject matter, I’d love to start by finding out about you. Who is Robert Sullivan, how long have you been a Mason, and to what orders are you a member of?

Robert W. Sullivan (RS) On my website I describe myself as a philosopher, historian, antiquarian, jurist, theologian, writer, and lawyer. I am the only child of antique dealers and I was born on October 30, 1971 in Baltimore, Maryland. I graduated high school from Friends School of Baltimore (the oldest private school in Baltimore, founded in 1784) in June 1990 and attended Gettysburg College in Pennsylvania becoming a brother of Lambda Chi Alpha (Theta Pi, member #1199) fraternity. I earned my B.A. in History in 1995 having spent my entire junior year of college (1992-1993) abroad at St. Catherine’s College, Oxford University, England studying European history and philosophy. While in Oxford I was a member of the Oxford Union, the Oxford University Conservative Association, and the Oxford Law Society. Upon returning to the United States in June 1993 I took a year off from Gettysburg College to serve as office director of the Washington International Studies Council located on Capitol Hill.

Prior to attending law school in the United States I spent the Michaelmas Term 1995 at Trinity College, Oxford University studying jurisprudence and international law. From 1997 to 2000 I attended Widener University School of Law, Delaware Campus, from where I received my Juris Doctorate.

I have been a Blue Lodge Mason since 1997 having joined Amicable-St. John’s Lodge #25 in Baltimore, Maryland. I became a 32 degree Scottish Rite Mason in 1999, Valley of Baltimore, Orient of Maryland.

GS – Thinking back, what induced you to originally want to become a mason?

RS – Since being a child I have always been interested in the mysterious and the unexplained. Growing up I always tuned into In Search Of hosted by Leonard Nimoy. My interest in Masonry had to do with its mystical origins and esoteric symbols, however I was primarily motivated to become a Mason to continue a family tradition; my Grandfather Robert W. Sullivan Jr. was a Freemason, his father-in-law, my Great Grandfather, Frederick J. Wheelehan was as a Past Master (former Worshipful Master) of Freedom Lodge #112.

GS – Did you realize your vision in your first few experiences of joining? (Did it live up to your expectations?) Or did you discover something else?

RS – Yes, the Masonic ritual experience was everything I imagined it would be, however, it was not until a couple years later that I truly understood the esoteric symbolism and the themes of Gnostic ascension that are contained in the third degree ritual. I had a much better understanding of the ritual after I finally read the works of the Masonic greats such as Albert Mackey, Manly P. Hall, and Albert Pike. After that I discovered the real meaning and purpose of Masonic ritual and its underlying occult philosophy.

GS – Gnostic Ascension, elaborate on that. What does the idea mean or look like to you?

RS – Gnostic ascensio [Ascension] is being brought from a state of symbolic death to a resurrected life or darkness to light which is the main theme of the third degree ritual. Once re-awakened, the candidate’s divine spark is ignited, their slumbering Prometheus is conscious, and the newly resurrected initiate is ready to effect positive change in his life and in society in general.

GS – What ultimately led to your crafting your book, The Royal Arch of Enoch?

RS – The research for the The Royal Arch of Enoch began back when I was an associate student at Oxford University in 1992-1993, however the true writing of this book began in 2005 on the old social networking site Myspace. I started posting blogs and uploading photos that reflected my research and much to my delight, was very positively received. I was then approached by a fellow Mason who had seen the page and encouraged me to memorialize the information. Since this was what I was planning on doing anyway, I began putting pen to paper writing and editing the book. The Royal Arch of Enoch: The Impact of Masonic Ritual, Philosophy, and Symbolism was completed and published in August 2012, approximately seven years later.

GS – For those who don’t know about Enoch, describe briefly who he was and why he bears symbolic significance to Freemasonry and more broadly to esoteric or occult circles.

RS – Enoch is one of two people in the Bible to never experience a physical death; the Prophet Elijah is the other. Enoch is taken into Heaven at Genesis 5:18-24 and the Book of Enoch (or I Enoch) documents Enoch’s interactions with both Arch-Angels and Fallen Angels the latter being known as the Watchers. He is important with Masonry because the High (or Haute) degree ritual that bears his name, the Royal Arch of Enoch, sees the recovery of the Tetragrammaton thus philosophically ending the “mission statement” of the Blue Lodge. Enoch’s corporeal travels in the afterlife are very esoteric in nature including the gleaning of knowledge from the Watchers which ultimately become the seven liberal arts and sciences (Medieval Quadrivium and Trivium). My book documents components of I Enoch being incorporated into the Royal Arch of Enoch high degree ceremonial which should not be occurring since the Book of Enoch was lost to Western Civilization from approximately 2-3 C.E. to 1821 when it was first translated into English. This historical anomaly and its influence upon material culture is the thrust of my book.

GS – Without giving too much away, why do you think this anomaly is important?

RS – My book is the first to document it; in other words, prior to the publishing of The Royal Arch of Enoch, this anomaly was unknown to historians in the East and West. The incorporation of the Book of Enoch into the degree ceremonial is a genuine mystery and it is this ritual in particular that has defined, among other things, the American national character. Carrying this Enochian iconography forward, The Royal Arch of Enoch also documents the symbolic restoration of the sun as the premier icon in all of Freemasonry and as the supreme emblem of imperial administration and religiosity lifted from the Ancient Mysteries, incorporated in the Abrahamic Faiths, and carried on in both blue lodge and high degree Masonry.

GS – It’s interesting to me that Enoch comes in tangentially in two different degrees in two different systems (York Rite and Scottish Rite). Why do you think that is (how did that happen)?

RS – Both the York Rite and Scottish Rite owe its origin to the premiere high degree system which was known as the Rite of Perfection. The twenty-five degree Rite of Perfection was developed by the Society of Jesus [aka the Jesuits] as part of the on-going Counter Reformation in an effort to undermine the English Monarchy and destroy the Protestant Church via subterfuge. The Rite of Perfection was mid-wifed piecemeal into the United States and a Temple of Perfection was established in Albany, New York by Henry Francken. The Lodge of Perfection is the forerunner to the Ancient and Accepted Scottish Rite while T.S. Webb’s Illustrations of Freemasonry of 1797 bear all the hallmarks of Francken’s Lodge. Webb, of course, was the driving force behind the York or American Rite of Freemasonry.

GS – Do you think the two parallel one another in any way? What does one suggest that the other omits and vice versa? Do the two compliment one another?

RS – Yes, the two Rites parallel each other in that the Name of God or the Tetragrammaton is recovered. This is the “Lost Word” that goes missing in the Blue Lodge with the death of Hiram Abif. The two degrees have differences as well. For example, in the York Rite the Name of God is located on the Ark of the Covenant while in the Scottish Rite it is found on the Foundation Stone upon which the Ark once sat, so both Rites associate themselves with the Ark of the Covenant and by default the Decalogue and Hebrew Kabbalah.

GS – Can they be taken together, or do they exist as two separate tellings, unique unto themselves?

RS – Once a man becomes a third degree Master Mason, he is then eligible to join the York and Scottish Rites. He can join one, both, or neither – the decision is his. Since these two rites are not mutually exclusive, a person could receive the Royal Arch degree twice: once in the York Rite and once in the Scottish Rite. So in that sense an initiate can “take” the degrees in each separate haute degree system.

GS – I heard you say, in another interview talking about the book, that the degree is a re-telling of the Book of Enoch. I’m curious how so? Is it an interpretation of its existence (like acknowledging the BoE by the degrees existence) or could it be construed as a literal retelling?

RS – Although the ritual does not mention quotes or mention I Enoch per se, the ritual that bears Enoch’s name contains elements and components that come out of the pseudepigrapha. For example the Royal Arch ceremony parallels Enoch’s apotheosized ascension from the Book of Enoch thereby transforming the Masonic candidate into a sublime initiate (or parfait [French for “perfect”]) who, by beholding the name of deity as the emanation of all wisdom, becomes a symbolic god-like Enochian (or hermetic) divine figure in his own right. This degree under the T.S. Webb system was thus the premier and most sublime degree in Masonry. The movement of the essential elements of the Book of Enoch into the framework of the pre-history and paragon iconic myth of Freemasonry’s relationship to the broader world can be traced to the transformation of Enoch into a heavenly king. This king was not only a virtuous and wise Pythagorean ruler – an image that had fateful consequences for Freemasonry’s association with Illuminism: the means to the transformation of the world into a perfected Masonic Temple: a one world government – outwardly democratic yet inwardly ruled by an occult theocracy; and with the actual imagery of Pythagoras as the supreme Masonic initiate. The Masonic-Enochian Ritual utilizes the currency of platonic thought, notably that found in Plato’s own Timaeus, as the medium or method for the achievement of Pythagorean kingship with its array of symbolic effects transforming the candidate into a symbolic Enoch, Pythagoras, and Hermes Trismegistus. The Royal Arch of Enoch ritual, on a symbolic level, transforms the Masonic initiate into a divine, apotheosized monarch by beholding the Kabbalistic Tree of Life (or Wisdom) as an emanation of the Tetragrammaton; this concept comes directly out of the Book of Enoch. There are others, but I would refer one to read my book

GS – I have an idea what you mean, but if you can, define what you mean by an “…occult theocracy.”

RS – A society that is outwardly democratic yet inwardly ruled by hidden leaders or masters who rule behind the scenes without the consent of the populace. This can be seen in the early days of the Republic where DeWitt Clinton used high degree Freemasonry as a vehicle to formulate public policy across states’ lines without electoral consent.

GS – Interesting, by saying it represented a perfected temple, vis-à-vis a one world government, do you think that was the notion behind the degree or just an allegorical bonus to utilizing an Enocian theme?

RS – The degree was part of the original twenty-five degrees of the Rite of Perfection, and as the title suggests, by beholding the Tetragrammaton in the Royal Arch ritual the Masonic parfait becomes “perfected” and now can perfect or formulate society as a whole. This was the penultimate goal of what can best be defined as the Thomas Smith Webb-DeWitt Clinton-Salem Town ritual synthesis.

GS – Is one degree (York or Scottish) closer to that retelling?

RS – Not necessarily, but the placement of the Tetragrammaton on the Ark of the Covenant in the York Rite correctly associates the “Lost Word of a Master Mason” with Hebrew Kabbalah in keeping with Enochian and arcane mystical themes and concepts.

GS – Do you think it would have the same meaning if it were given immediately following the third degree?

RS – In some English “Antient” Lodges, the Royal Arch was given after the third degree. Today it is given as part of the higher degree systems and I think the ritual works much better that way.

GS – I’m curious, from the work you’ve done, do you find parallel passages in the Book of Enoch to support the ideas of both the Scottish and York Rite workings, or do you see them as fanciful extrapolations of an Apocryphal biblical figure?

RS – Neither, I see the hands of Counter Reformation Jesuits hard at work in the development of this ritual to undermine the Church of England and inject a heavy dose of Roman Catholicism into Freemasonry. Since the Council of Trent of 1545, the Jesuits have been charged with thwarting Protestantism. Since the formation of the Church of England by Henry VIII, England has been in the Jesuit’s crosshairs. The Spanish Armada of 1588, the Gunpowder Treason of Guy Fawkes, and the “Catholic” Rite of Perfection were all designed to put England under the yoke of Rome. This was the Jesuit’s modus operandi.

GS – So then do you suggest the degree is (was?) really a subversive conversion tool?

RS – The purpose original French-Jesuit Rite of Perfection was to Christianize Freemasonry and serve as a vehicle to restore the Catholic side of the Stuarts back to the Throne of England in violation of the Settlement Act of 1701. In that aspect one could say it was subversive. However, the high degrees flourished on the continent of Europe and by the time they reach the United States, the Jesuit influence and control over the degrees seems to have waned.

GS – What you’re suggesting sounds almost as if it’s the creation of Francis Bacon’s New Atlantis or the embodiment of John Winthrop’s City upon a hill. Do you think these forbearers were thinking of that one world illuminism you mentioned with the Enocian arch degree?

RS – Yes, these works clearly anticipate a new “Order of the Ages.” One can add John Bunyan’s The Pilgrim’s Progress, Tommaso Campanella’s The City of the Sun, and Thomas More’s Utopia to that list.

GS – So with Enoch, are there other lessons we can pull from the texts about him that inform Masonry?

RS – Yes, in The Royal Arch of Enoch: The Impact of Masonic Ritual, Philosophy, and Symbolism I present evidence that the haute degree that bears the Biblical patriarch’s name is the defining template for the United States of America. This can be seen in the architecture and design of Washington, D.C., it can be found in the Masonic architecture of Baltimore, Maryland, and can be seen in the “rising sun” template of Union College of Schenectady New York which was first college established after the Revolution to offer degrees in civil engineering or operative masonry.

GS – Do you see any parallel components between say the rituals of Masonry and the practice of Enochian or Solomonic magick?

RS – Yes and Yes. Naturally, Solomonic Magick, as discussed in the Testament of Solomon and Ars Goetia, documents 72 demons that Solomon commanded to construct the first Temple of God. Since the third degree Masonic ritual centers on the construction of Solomon’s temple the nexus is obvious. Further, the 72 demons symbolize a secret name of God, Shemhamphorasch, which is composed by 72 Hebrew letter groups. Again, here we have a “name of god” which is lost in the third degree ritual when Hiram dies and the word is lost yet recovered in the Royal Arch ceremonial which is reflecting Solomonic Magick.

With regard to Enochian Magick, if one is looking for a likely candidate to have possessed a secret copy of the Book of Enoch prior to its official discovery in the West, look no further than the inventor of Enochian Magick, Dr. John Dee. If a copy of I Enoch fell into Masonic circles Dee is a likely source for the copy and the evidence is compelling.

First, Dee’s sorcery, Enochian, is a way to summon angels and demons and is obviously named after the Biblical patriarch and reflects Enoch’s interaction with these ethereal beings.

Second, Dee had one of the largest libraries in Europe and was a purveyor of esoteric texts so a copy (or a detailed summary) could have been in his possession.

And third, and most interesting, is Sir Walter Raleigh. Raleigh, like Dee was involved with Sir Francis Walsingham’s spy-ring that protected Queen Elizabeth I and Raleigh actually mentions in his History of the World that the Book of Enoch contains an Astronomy/Astrology book which begs the question: How did Raleigh know this when the I Enoch was “officially” lost to history at the time. Where is Raleigh getting this information? The answer points in one direction and one direction only: Dr. John Dee.

GS – Do you think this idea of the name of God in the degree is a manifestation of Dee’s work with Enocian magic, or an older idea that we can find some parallels in say the Kabbalah or some other tradition?

RS – I would say it is kabalistic more than anything. In the Book of Enoch, Enoch beholds the Sephirotic Tree of Wisdom as an emanation of the name of God and the source of all wisdom.

GS – You mentioned earlier, and in other interviews for the book, the connection between the Jesuits and Higher degree Freemasonry. I’m curious, do you think that most of what we know or see as esoteric Masonry today comes out of this notion that mythologizing the Catholic experience was an inducement for those 17th century occultists to come back to the Catholic Church?

RS – I think that the high degrees are more mystical and occult laden than the Blue Lodge degrees and one can make an argument that the Jesuits were injecting the high degrees with mystical Roman Catholicism. The evidence for this is overwhelming. Ignatius of Loyola’s Spiritual Exercises are mystical in nature and the works of the Jesuit Athanasius Kircher are very hermetic and arcane leading some within the Society of Jesus to believe they were the real Rosicrucians. The high degree system was itself a Jesuit invention employing subterfuge and even espionage to secretly lure Protestants back to the Roman Church while serving as a vehicle to restore the Stuart Pretenders back to the throne of England violating the Act of Settlement of 1701.

GS – Do you think this is a point many Jesuits would agree with today? And, do you think they feel the same way?

RS – The Society of Jesus of 2014 would likely not be aware as this happened 300 years ago while the Jesuits were put out of business from about 1773-1815. Like Freemasonry, the Jesuits of today’s influence and power has been undercut, although the pendulum does appear to be swinging back towards the other direction for both groups. One has to bear in mind that the Jesuits of 1545 to 1773 were Europe’s version of the CIA while Ignatius of Loyola designed the order based on the mysticism of the Knights Templar and the arcane priesthoods of Egypt. The inner workings of the Rosicrucians, the Illuminati, and Freemasonry are all based upon the occult machinations of the Society of Jesus.

GS – So, moving beyond The Royal Arch, one of my fascinations is the notion of esoteric Masonry. I’m curious your take on the subject. Do you think Masonry has a deeper esoteric, or even an occultic, side?

RS – Yes absolutely. Many of the symbols and rituals contain occult and hidden meaning. For example, the third degree Master Mason ritual is a retelling of the Egyptian Osirian Cycle where the candidate, portraying Hiram Abif, is killed and resurrected which reflects the murder of Osiris and his resurrection. In Christianity, the dying and resurrected “sun-man” character is, of course, Jesus Christ. Hiram Abif is surrounded with solar symbolisms; for example he is buried west of the temple representing the setting, dying sun. Twelve Fellowcrafts go looking for Hiram symbolizing the twelve houses of the zodiac looking for their lost solar ruler, and finally Hiram is raised from the grave with the “Strong Grip of the Lion’s Paw” which is an esoteric reference to the sign of Leo which is the sole house of the sun.

GS – How much of this, do you think, is just absorbed Christian Mysticism which is borrowed from these traditions or more broadly absorbed from their source?

RS – I believe it owes its origins to sources other than Christianity. Freemasonic symbols and rituals derive from the Ancient Mysteries (of Egypt, Eleusis), Mithraism, Zoroastrianism, and Pythagoreanism among others while incorporating Judaic-Christian Biblical themes.

GS – Do you think there is a practice of esoteric Masonry still happening today?

RS – I do not know if I would call it a “practice”, but I believe there is a renewed interest in the esoteric side of the Craft. This seems to be the motivating factor that is influencing the younger generation to join Freemasonry. I definitely see a pendulum swinging back to the mystical side of the Craft where in the past the primary motivations to join a Blue Lodge was community involvement and/or family tradition.

GS – What’s next? What’s on the horizon for Robert Sullivan?

RS – I will be publishing my second book titled Cinema Symbolism: A Guide to Esoteric Imagery in Popular Movies in May/June 2014. This book is a continuation of the final chapter of The Royal Arch of Enoch where I discuss hidden occult, Masonic, Enochian, and solar symbolism in films such as The Ninth Gate, National Treasure, The Da Vinci Code, and Being There amongst others. I am currently writing its sequel, Cinema Symbolism II and I am writing my first work of fiction as well. I have also begun outlining another book on occult Freemasonry.

GS – That sounds interesting, the Ninth Gate is one of my favorite films. Do you think there is an intentional evocation of these themes by the film writers, directors and producers, or are they playing to some underlying zeitgeist?

RS – In some cases it is clearly intentional while in others it could be accidental. If it is accidental, concealed symbols in film appear by way of Carl Jung’s Collected Unconscious psychological mechanism which is a descendant of Plato’s Theory of Forms.

GS – And, I like to conclude with asking who, or what, has been your greatest Masonic influence? Who do you look up to and why?

RS – Albert Pike and Manly P. Hall have been the greatest Masonic influences upon me. I really enjoy their work and have learnt a lot of kabalistic and esoteric information from reading Morals and Dogma and The Secret Teachings of All Ages. In fact I modeled The Royal Arch of Enoch after both of these books. Although I may not “look up” to them, they are both by far the greatest Masonic influence upon me. As to Masons that I look up to, that would be George Washington for his sacrifice and commitment to something he believed in when others may have not shared his vision.

____

Robert, thanks so much for taking some time to talk about your work and the intricate connections of Enoch and the Haute Degrees of Freemasonry. You can read more about Robert W. Sullivan IV on his website and you can find his book The Royal Arch of Enoch on Amazon.

When a Trust is Broken

Posted on May 5, 2014December 29, 2021 by TimBryce | 1 Comment

BRYCE ON SOCIETY
– What should you do? Forgive or reciprocate?

There is perhaps nothing more demoralizing to the human spirit than discovering a broken trust. What makes this particularly painful is when a person believes another has his/her best interests in mind and will defend them. This can be between two friends, business associates, school, in sports, in politics, or even within families. Inevitably one or both parties are surprised, thereby creating resentment and a rift between people inevitably ensues. If a lie is discovered, a promise broken, cheating, not being treated fairly, playing politics, an insult, or whatever, it can do irreparable harm. You may forgive, but you will never forget and it is unlikely you will ever treat that person the same.

We deal with such indiscretions in our own unique way, some through anger, some through humor, some through reciprocal action, or some simply ignore it. Frankly, I do not understand the latter alternative. I realize some people may violate a trust simply to get nothing more than a reaction from a person, which is perhaps the worst reason for violating a trust. However, the violation is plain and simply an insult to your honor and should be dealt with accordingly.

“Don’t get mad, get even.” I am not suggesting you stoop to the level of the person committing the indiscretion, but to simply return the favor more effectively than your antagonist. One way is to publicize the foul thereby discrediting the other person. Another is to report the person’s actions to the proper authorities, possibly even taking it to court. Aside from committing a similar foul to the other party, which I do not necessarily recommend, another option is to simply withdraw from the institution and leave the offender to his own devices. Understand this, by breaking the trust, the offender has already exhibited his feelings towards you. Forgive if you want, but the other person should instigate the healing process. Obviously, some things can never be forgiven.

Read: The 80/20 Rule

I had a friend from Brazil who moved to the United States and was surprised by our dependency on lawyers to solve numerous petty offenses. When I asked him how he would handle someone who had cheated him, he replied he would simply throw a brick through his company’s front window. He rationalized it would probably cost the company more to replace the window as opposed to paying him back. I’m not sure I would agree with his approach but I certainly can understand his sentiments.

Whatever approach you use, first and foremost have confidence in yourself. Stand your ground and do not reduce yourself to the other person’s level. Some people go into a state of shock when the indiscretion initially occurs. They do not necessarily think clearly. Just simply take note of the facts involved with the situation, such as the time, date, place it occurred, and the people involved. Think through the problem, and devise a suitable solution. Regardless if it is forgiveness or retribution, consider the ramifications before deciding on a course of action.

This reminds me of the animosity between George Bernard Shaw, the famous playwright, and Winston Churchill. The two hated each other. Just prior to the opening of one of Shaw’s plays, he sent an insulting note to Churchill, “I am enclosing two tickets to the first night of my new play; bring a friend… if you have one.”

Churchill had the last laugh though by responding to Shaw, “Cannot possibly attend first night; will attend second, if there is one.”

Samuel Clemons (Mark Twain) came up with an interesting approach for clearing out the riff-raft in his life; he sent an anonymous telegram to a dozen of his friends saying, “flee at once – all is discovered.” They all left town immediately.

When someone breaks the trust, be sure to return the favor and do it with a little class.

Keep the Faith!

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