Freemasonry is a post-collegiate mostly-all male fraternity dedicated to the social development of the member to form a broader sense of the self and their community.
Masonic tradition informs us that the lamb skin apron is more ancient than the Golden Fleece. Ancient being the operative word, just what exactly does that implication imply and how is the Golden Fleece remembered in more contemporary times as it may relate to the apron given to the newly raised entered apprentice?
Jason and the Dragon Print by Salvator Rosa, 1661-1666 Jason casts a sleeping potion given to him by Medea into the eyes of the dragon guarding the golden fleece.
In Greek tradition, the fleece of the Ram Chrysomallus, was the object of Jason and the Argonauts expedition.
The mythological story of the Golden Fleece begins in the telling of the story about Phrixus and Helle who were the children of the goddess Nephele (a cloud nymph) and Athamus. The two part ways allowing Athamas to remarry Ino, who, in turn, becomes jealous of her step children, Phrixus and Helle, hatching a plot to do them in. Ino destroys a seed crop and then sends messengers to consult with the oracle at Delphi on what to do. To put her plan into motion, Ino persuading the messengers to return from the Oracles with prophecy that to restore the fertility of the fields Phrixus would need to be sacrificed.
Nephele, seeing the ruse, sends a golden ram to rescue her children, losing daughter Helle in the process as she falls into the Hellespont (known today as Dardanelles, which is a narrow strait in northwestern Turkey connecting the Aegean Sea to the Sea of Marmara). Phrixus, makes the trip safely arriving at Colchis where he marries the daughter of King Aeetes. In celebration of the rescue and the marriage, Phrixus sacrificed the winged golden fleeced ram to Poseidon returning its soul to the deity in turn creating the constellation Aries.
Philip the Good Duke of Burgundy, Founder of the Order of the Golden Fleece
In his appreciation, Phricus gives the pelt (the Golden Fleece) to Aeetes, the king of Colchis, who placed the in an oak tree defended by bulls with hoofs of brass and breath of fire. It was also guarded by a dragon with teeth which could become warriors when planted in the ground. Here it remained until Jason and his band of Argonauts arrived to claim it.[1]
So goes the story of the Ancient Golden Fleece. Thought to be the oldest of Greek poems, Argonautica Orphica, and the telling of Jason’s quest to capture the Fleece appears to originate somewhere in the 5th or 6th century CE.[2] The Hellenistic epic Argonautica dates to a period of the 3rd century BCE.[3]
Wells, in his Builder article on the subject, mentions a knightly order called the Order of the Golden Fleece which was a celebrated Order of Knighthood in Austria and Spain, founded by Philip III, Duke of Burgundy and the Netherlands, at Bruges, on the tenth of January, 1429, on the occasion of his marriage with Isabella, daughter of King John I. of Portugal.[4]
Wells says:
This Order was instituted for the protection of the Roman Catholic Church, and the fleece was assumed for its emblem, from being a staple commodity of the Low Countries. The founder made himself Grand Master of the Order, a dignity appointed to descend to his successors; and the number of knights, at first limited to twenty-four, was subsequently increased.
Contests arose between Spain and Austria as to the possession of this Order of Knighthood, which were finally adjusted by introducing the Order into both countries. In Austria the Emperor may now create any number of Knights of the Golden Fleece from the nobility. If Protestants, the consent of the Pope is required. In Spain, Princes, Grandees, and personages of peculiar merit are alone eligible to membership in this Order.
It’s said that the Duke’s stated reason for founding the Order was:
for the reverence of God and the maintenance of our Christian Faith, and to honor and exalt the noble order of knighthood, and also …to do honor to old knights; …so that those who are at present still capable and strong of body and do each day the deeds pertaining to chivalry shall have cause to continue from good to better; and .. so that those knights and gentlemen who shall see worn the order … should honor those who wear it, and be encouraged to employ themselves in noble deeds…
An interesting biography exists on the Order through an association, La Confrérie Amicale de la Toison d’Or, dedicated to preserve its history. It says of the Order that the the meaning behind the use of the Fleece goes deeper than merely being a Hero’s Quest, saying,
It is clear from the icon of Jason on the early Golden Fleece insignia that the daring voyage of the Argo to bring back the sacred Golden Fleece from the edge of man’s known world touched Philipp deeply and helped inspire his dreams. The Argonauts were few in number, carefully selected for their nobility and talents and dedicated to the most noble of causes that also held religious and humanitarian importance. It is these values that we see in the statutes of the Order of the Golden Fleece.
Given the use in the degree as an ancient symbol, it seems unlikely that the knightly order is the point of reference within the Masonic degree. More likely is the mention of the fleece in the aspect of the Hero’s Quest, including allegories to jealousy, selfishness and sacrifice.
Wells goes on, saying,
The legend of the Golden Fleece, for which the Argonauts searched, is like the story of Masonry, a search for that which was lost. It is familiar to most readers of poetry and myths, and is interesting as being among the first known voyages of discovery.
Interestingly, Jason went on the quest for the Fleece in order to reclaim his kingdom from Pelias, an almost Biblical parallel to the story of Moses suggesting a deeper borrowing of Greek tradition in the writing of the Old Testament narrative.
Albert Mackey, in his Encyclopedia of Freemasonry and its Kindred Sciences (1914), says of the Fleece that it is “…evidently not to the Argonautic expedition in search of the golden fleece, nor to the deluge…but to certain decorations of honor with which the apron is compared” suggesting instead that the “…Order of the Golden Fleece was of high repute as an Order of Knighthood. It was established in Flanders, in 1429, by the Duke of Burgundy, who selected the fleece for its badge because wool was the staple production of the country. It has ever been considered…one of the most illustrious Orders in Europe” making it the “the highest decoration that can be bestowed upon a subject by a sovereign of Great Britain. But the Masons may have been also influenced in their selection of a reference to the Golden Fleece, by the fact that in the Middle Ages it was one of the most important symbols of the Hermetic philosophers.”
Interesting here that Mackey traces the distinction of the Fleece to the chivalric order and not the more widespread mythology of the ancient world. One line of thought that deserves greater exploration is the importance of the Golden Fleece to the Hermetic philosophers and what, if any connections that bears to Freemasonry.
As an aside, there is some (Masonic) suggestion that the Golden Fleece story suggests the bringing of sheep husbandry, grain, or wisdom to Greece from the east or the panning for gold with sheep’s wool in the ancient world.
The Golden Fleece has made its way into the material culture such that it exists in several iterations in film and in video games. In the World of Warcraft MMORPG universe as a unique drop trinket that “May cause extra gold to drop whenever you kill a target that yields experience or honor and is a sign of wealth and status amongst the Saurok.” which perhaps supports the notion of it being a symbol of authority and kingship. It also made an appearance in the game God of War II where it can be seen hanging from the mouth of a cursed Cerberus that had devoured Jason.
The quest for the fleece was also the subject in the 2013 film Percy Jackson: Sea of Monsters. In the film, the teen Argonauts quest to find the Golden Fleece (with the power to heal anything) to rescue their diefic haven from oblivion.
In a more modern parlance for those wanting to undertake the quest for the ancient wool, artists Piotr Khrisanov and Jakov Matusovski have recreated the mythical Golden Fleece in Sochi, Russia. The monument aims to bring back the symbol of prosperity to the Black Sea town near where Jason and his crew went searching for the fleece in Caucasus. Made of bronze and covered in a layer of gold, it’s suggested that it weighs roughly 5 tons. A sister monument will be erected in the Greek city of Volos, which is believed to be where the Argonauts had set out for their campaign.
However you look at the Golden Fleece, in past or present telling, it still remains an emblem younger than the apron of a Mason.
[1] THE ORPHIC ARGONAUTICA – Pseudo-Orpheus 4th c. CE or laterm translated by Jason Colavito (2011) [2] Argonautica Orphica – http://en.wikipedia.org/wiki/Argonautica_Orphica [3] The Project Gutenberg EBook of The Argonautica, by Apollonius Rhodius [4] Excerpts of The Presentation of the Apron by Br. John W. Wells, from the Builder Magazine October, 1915
This short piece comes from Sanjay Mandaiker on the heels of recent editorials on the differences and disputes between Freemasonry and Catholicism. From those differences, he suggests another path of discovery and consideration from a far off tradition for most in Freemasonry.
I have noticed that some of our Brethren are not at ease with religion and Freemasonry, in my opinion this arises when one confuses religion with the religious institution that represents it, for all religions in their basis are much like Freemasonry sowing the path of spiritual development in the minds of the masses.
Suriya the Sun god of the Hindus (सूर्यSūrya, the Supreme Light) is depicted on a chariot drawn by seven horses; these steeds are interpreted as the seven days of the week.
To me it goes far beyond this shallow meaning, in most religions and for that matter Freemasonry, the Superior Being or God, is represented by light, so let’s say Suria or the Sun is that light.
Another common aspect between religions is that man was made in the image of God so what’s the difference? Let us say there is a prism in between us so on one side is light, “God”, on the other the rainbow, “Man”, represented by the seven horses that draw the chariot, and the seven colors of the rainbow.
Based on this presumption let us assume the different colors are also different religions or paths that lead to the “Light” or “God”. Say your path is green (chosen simply because as it is in the center) and you are far away from the prism, the color you will notice is blurred, this signifies one does not understand one’s own path because of its width. Even while looking at it from the horizon we see only green because of this we assume it is the only path that exists and can become fanatical about following this path. As we start progressing on our journey towards the Light the color gets clearer (better understanding) but also narrower and we start to perceive a tinge of blue on one horizon and yellow on the other, continuing we find that to stay on our path one foot is in the blue the other in the yellow, yet the colors become more and more distinct, till finally we tread on all seven now narrow to a point and keeping their clarity merge back through the prism to become Light.
Is this not the reason we should not tolerate but respect our differences, is this not what all religion and Freemasonry are based on and therefore brethren let us individually merge our personal beliefs. Sharing ones thoughts via freemasonry could be a better use of this truth, compared to simply wondering how our religious intuition will judge us. If it works for you it’s good, it’s as simple as that to me. Maybe truth is a more appropriate word to describe this convergence of spiritual paths.
Sanjay Mandaiker, (Master Mason Lodge Universal Charity 273, Royal Arch Mason, Mark Mason, Secret Monitor, and 18th degree India Rose Cross) has been a tour guide based in India for over 20 years. He combines his extensive knowledge of Hinduism with Masonry to bring a truly unique traveling experience for masons and non masons alike. For masons recognized by the UGLE visits to a Lodge will also be included. Esoteric Travels allows you to be led through India by a brother.
William J Morris, in his Pocket Lexicon of Freemasonry, defines the All Seeing Eye as “an emblem found in every well-furnished lodge, and which is unnecessary further to explain.”
Yet, further explanation is necessary to detail the Eye of Providence that is so much in the parlance of the Masonic Lodge. While most American Lodges make use of the letter G to stand in as a representation deity, the All Seeing Eye, has that same function, perhaps with a more artistic flare.
Albert Mackey, in his Encyclopedia of Freemasonry and its Kindred Sciences, writes this succinct observation on the meanings behind the eye in his entry for the All-Seeing Eye:
“An important symbol of the Supreme Being, borrowed by the Freemasons from the nations of antiquity. Both the Hebrews and the Egyptians appear to have derived its use from that natural inclination of figurative minds to select an organ as the symbol of the function which it is intended peculiarly to discharge. Thus, the foot was often adopted as the symbol of swiftness, the arm of strength, and the hand of fidelity.
On the same principle, the open eye was selected as the symbol of watchfulness, and the eye of God as the symbol of Divine watchfulness and care of the universe. The use of the symbol in this sense is repeatedly to be found in the Hebrew writers. Thus, the Psalmist says:
The eyes of the Lord are upon the righteous, and his ears are open unto their cry, Psalms 34:15
which explains a subsequent passage in which it is said:
Behold, he that keepeth Israel shall neither slumber nor sleep. Psalms 121:4
In the Apocryphal Book of the Conversation of God with Moses on Mount Sinai, translated by the Rev. William T. Cureton from an Arabic manuscript of the fifteenth century, and published by the Philobiblon Society of London, the idea of the eternal watchfulness of God is thus beautifully allegorized (The full quote from Cureton’s work reads):
Then Moses said to the Lord, O Lord, what is thy meat and what is thy drink, and what thy clothing?
The most High God answered, My Meat is the tears of sinners when they weep over their sins; my drink is the repentance of those who repent of them; and my clothing is the praises of the angels, and the thanks givings of the souls of those who have escaped from their iniquities.
Then Moses said to the Lord, Oh Lord, doust thou sleep or not?
The Lord said unto Moses, I never sleep: but take a cup and fill it with water.
Then Moses took a cup and filled it with water, as the Lord commanded him.
Then the Lord cast into the heart of Moses the breath of slumber; so he slept, and the cup fell from his hand, and the water which was therein was spilled.
Then Moses awoke from his sleep. Then said to God to Moses, I declare by my power, and my glory, that if I were to withdraw my providence from the heavens and the earth for no longer a space of time than thou hast slept, thy would at once fall to ruin and confusion, like as the cup fell from thy hand.
On the same principle, the Egyptians represented Osiris, their chief deity, by the symbol of an open aye, and placed this hieroglyphic of him in all their Temples. His symbolic name, on the monuments, has represented by the eye accompanying a throne, to which was sometimes added an abbreviated figure of the god, and sometimes what has been called a hatchet, but which may as correctly be supposed to be a representation of a square.
The All-Seeing Eye may then be considered as a symbol of God manifested in his omnipresence – his guardian and preserving character – to which Solomon alludes in the Book of Proverbs (xv, 3), where he says:
The eyes of the Lord are in every place, beholding (or, as in the Revised Version, keeping watch upon) the evil and the good. Proverbs 15:3
The subject was not, it seems, defined sufficiently by Mackey, and became the subject of a Short Talk Bulletin in 1932, aptly titled The All Seeing Eye, and published by the Masonic Service Association of North America.
That Short Talk reads:
In the modern Masonic ritual the All-Seeing Eye is combined with the Sword, pointed at a Naked Heart; which latter emblem apparently came to American Freemasonry through Webb. The quotation from his Monitor (1797) is as follows:
The Sword pointing to a Naked Heart demonstrates that justice will sooner or later overtake us, and although our thoughts, words and actions may be hidden from the yes of man, yet the All Seeing Eye, whom the Sun, Moon and Stars obey, and under whose watchful care even comets perform their stupendous revolutions, pervades the whole, and will reward us according to our merits.
The Sword and Naked Heart were probably adopted by Preston from early initiation ceremonies of the Continent, probably French, in which even today we find some degrees of some rites dressed with swords which are pointed at the candidate. But the essential part of this symbol, the All-Seeing eye, is hoary with antiquity, and, in one form or another, has been identified with early religions and mysteries from their beginnings.
It seems natural for men to personify his members in order to symbolize a virtue. The foot is universally a symbol of swiftness; the arm, of strength; the hand, of fidelity. The hand we extend to clasp that of a friend must be open, showing it contains no weapon; the knight of old removed his mailed gauntlet before offering his hand, to indicate that he greeted a friend from whom he feared no attack. From this we get our modern concept that it is good manners to remove a glove before shaking hands.
The eye was adopted early as a symbol of watchfulness, for reasons too obvious to set forth. By a natural transition, the watchful eye never slept, and which thus saw everything, speedily became the symbol of Deity.
Hear the Psalmist (XXXIV): “The eyes of the Lord are upon the righteous, and his ears are open unto their cry.”
Again (CXXI), “He that keepeth thee will not slumber.
Behold, he that keepeth Israel shall neither slumber nor sleep.”
A Proverb reads: “The yes of the Lord are in every place, beholding the evil and the good.”
Egypt symbolized her God and King, Osiris, by a open eye; it was in all the Temples, and is frequently found sculptured in stone together with a throne and a square, symbolic of Osiris, power and rectitude. One of the great curiosities of the world is the similarity, often identity, of ideas, inventions, discoveries, conceptions of peoples far removed, the one from the other, both in time and geographical location. The primitive loom, for instance, is strikingly similar in Egypt, India, South America, and Africa and among the Esquimaux (Eskimo). The Swastika (symbol made of four joined squares), often termed the oldest of symbols, is to be found literally all over the world. So is the point within a circle and the square as an emblem is found in early Egypt, Rome and China, to mention only three.
It is not surprising, therefore, to find so obvious a symbol as a watchful eye typifying Deity in the uttermost ends of the earth. That it was called the “All-Seeing Eye” in Vedic hymns a thousand years older than Christianity, and in a land as far as India from that we are wont to consider the cradle of Masonry, is a fact to make any student think.
Forty years ago the Reverend J.P. Oliver Minos drew Masonic attention to one of the Rig-Veda Hymns especially addressed to “Surya,” or the Sun:
Behold, the rays of dawn, like heralds, lead on high.
The Sun, that men may see the great all knowing God.
The Stars slink off like thieves, in company with Night, Before the All-Seeing Eye, whose beams reveal his presence, Gleaming like brilliant flames, to nation after nation.
You can read the full text of the Hymn to Surya at Sacred-Texts. And, it would seem that this is a the Hymn as it is performed.
The short talk continues:
“In the religions of India the eye is of high importance and prominence. Suva; one of the most important of the Gods of India, is pictured with three eyes, one more brilliant than the other two. Drawings are for sale in the market places of Benares and other Indian cities which visiting Masons often think are Masonic, merely because they portray the All-Seeing Eye. Indian religious devotees consider the peacock a sacred bird because of the resemblance of the feathers to an eye.
As a symbol of Deity the eye is a natural hieroglyph.
The connotation of sleeplessness, vision, knowledge is easily grasped by even a child-like intellect. But it is also, and for the same reason, a symbol of the sun; indeed, sun worship antedated almost all, if not all, other forms of worship.
The sun was worshiped by too many peoples in too many lands and ages to attempt to catalog here. Shamash was sun God to Assyrians, Merodach to the Chaldees, Ormuzd to the Persians, Ra to the Egyptians, Tezzatlipoca to the Mexicans, Helios to the Greeks and Sol to the Romans to mention only a few.
The sun is the source of a hundred myths; familiar is that of Helios, who drove his chariot daily across the sky. The Scandinavian God Sunna was in constant dread of being devoured by the wolf Fenris (symbol of the eclipse); Phaeton was the son of Phoebus, the sun, and stole his fathers chariot to drive across the heavens. Unable to control the fiery steeds, he came to near the earth and parched Libya into a land of barren sands, blackening the inhabitants of Africa and so heating that continent that it never recovered normal temperature! Had not Zeus transfixed him with a thunderbolt, he would have destroyed the world.
Modern poets and ancient have sung of the sun as thee eye of day; we recall:
The night has a thousand eyes and the day but one But the light of the whole world dies When the day is done.
Diogenes Laeritus thought of the sun as an incorruptible heavenly being when he wrote:
The sun, too shines into cesspools and is not polluted.
Dryden translated Ovid to read:
The glorious lamp of heaven, the radiant sun, Is nature’s eye.
Hear Milton:
Thou sun! Of this great world both eye and soul!
Freemasonry does not make of the eye a symbol of the sun. Her All- Seeing Eye is one emblem, her sun another, each with a distinct meaning. One of the Lesser Lights represents the sun; the sun shines out from between the legs of the compasses, opens sixty degrees on a quadrant, in the Past Master’s Jewel, all symbolic of the Masonic light which must come from the East from which comes all truth. It has been written:
The sun is the symbol of sovereignty, the hieroglyphic of royalty, it doth signify absolute authority,: By analogy, if the lodge is the symbol of the world, then the Master, who controls the time of opening and closing, may well have one of the Lesser Lights as his symbol. Mackey goes further to say that the Master is ‘himself’ a symbol of the rising sun , the Junior Warden of the sun at meridian, and the Senior Warden of the setting sun, just as the Mysteries of India the three chief priests symbolize Bramha, the rising sun, Siva, the meridian, and Vishnu the setting sun. In the Orphic mysteries the sun was thought to generate, as from an egg, and come forth with power to triplicate himself; triple power (such as is found in a Lodge under a Master, Senior and Junior Warden) is an idea as old as mythology, as may be seen in the trident of Neptune, the three-forked lightning of Jove, the three-headed Cerebus of Pluto.
See how fitly the sun, as a symbol of authority, the sun, as man’s earliest deity, and the sun, as origin of the eye as a symbol of God, can be united. In his Symbolic Language (1840) [Thomas] Wemyss wrote:
The sun may be considered to be an emblem of Divine truth because the sun, or the light of which it is the source, is not only manifest in itself, but makes other things manifest; so one truth detects, reveals and manifests another, as all truths are dependent on and connected with each other, more or less.
So does the Master make Masonic truth manifest to the brethren; so does the Great Architect manifest His Divine truth to all men. If it is further necessary to show a connection between eye and sun, sun and God, and thus eye and God; refer again to the passage from Webb, which couples the All-Seeing Eye with the sun, moon and stars. Sufficient has been said to make it evident that the All-Seeing Eye is not a modern symbol, or one lightly to be regarded or passed over in silence, merely because modern ritual makes comparatively little of it. Alas, many brethren are so ill-instructed in the ancient Craft that it is a matter of some wonder to them why officer’s aprons, when decorated with emblems so often have the All-Seeing Eye upon the flap; why that pregnant symbol is so frequently engraved upon working tools, or the square and compasses which lie upon the Altar.
Throughout the Craft emphasis is put upon the number three; three Light (greater and lesser); three steps on the Master’s carpet; three steps at the beginning of the Winding Stairs; three principal officers; three degrees; three due guards; etc. The number three is but another way of expressing the idea of a triangle, one of man’s earliest, if not the earliest symbol for Deity, inasmuch as it is the simplest closed figure (signifying endlessness) which can be formed with straight lines.
The emphasis upon three, then, is Freemasonry’s symbol of omneity of Deity — His being without beginning or ending.
The letter “G” as a symbol of Deity particularly speaks of the reverence we owe to the supreme architect; His Omni glory. Lodges are opened and closed with prayer, symbol of the loving omnipresence of the Great Architect; Freemasons believe that where two or three are gathered together in His name. There His is also, in the midst of them.
On our Altar lies His Holy Book, rule and guide of our faith, symbol of His Omnipotence, since in it are the prophecies and histories of the powers of the Most High.
The All-Seeing Eye is significant of His Omniscience; that the Supreme Architect sees all and knows all, even the hidden secrets of the human heart.
Here, indeed. is the kernel of the nut, the inner meaning of the symbol which has come down to us from so many diverse ages, so many religions, which has been interwoven with sun and pagan gods and myths, nature religion and many kinds of worship, which was old when Egypt was young and ancient when India was new.
The All-Seeing Eye is to Freemasons the cherished symbol not only of the power but of the mercy of God — since, as has been beautifully said to comfort us who cannot always do as we know we should, or even as we want — “to see all is to know all; to know all is to understand all; to understand all is to forgive all.”
Therefore the thinking Freemason has reverence for this symbol. He treats it not as one of many; rather as among those to be held in tenderest thought and most precious memory. The Sword pointing to the Naked Heart may thunder of justice, but the All-Seeing Eye whispers of justice tempered with complete understanding, which is man’s most lovely conception of Him who judges erring men.
That Osiris and Isis were the Sun and Moon, is attested by many ancient writers; by Diogenes Laertius, Plutarch, Lucian, Suidas, Macrobius, Martianus Capella, and others. His power was symbolized by an Eye over a Sceptre. The Sun was termed by the Greeks the Eye of Jupiter, and the Eye of the World; and his is the All-Seeing Eye in our Lodges. The oracle of Claros styled him King of the Stars and of the Eternal Fire, that en-genders the year and the seasons, dispenses rain and winds, and brings about daybreak and night. And Osiris was invoked as the God that resides in the Sun and is enveloped by his rays, the invisible and eternal force that modifies the sublunary world by means of the Sun.
Zeus was the Greek iteration of Jupiter, adopted later by the Romans.
Pike, elaborating further, says:
The Blazing Star in our Lodges, we have already said, represents Sirius, Anubis, or Mercury, Guardian and Guide of Souls. Our Ancient English brethren also considered it an emblem of the Sun. In the old Lectures they said: “The Blazing Star or Glory in the centre refers us to that Grand Luminary the Sun, which enlightens the Earth, and by its genial influence dispenses blessings to mankind.” It is also said in those lectures to be an emblem of Prudence. The word Prudentia means, in its original and fullest signification, Foresight: and accordingly the Blazing Star has been regarded as an emblem of Omniscience, or the All-Seeing Eye, which to the Ancients was the Sun.
And, lastly, for what it’s worth, the All Seeing Eye has worked it’s way into the material culture, at least with some humor.
In this segment of the Sojourners, this piece, Natya Raja, comes to us from Sanjay Mandaiker.
I met Sanjay through a few posts about his work with Esoteric Travels, of which Sanjay is the owner. Intrigued, Esoteric Travels specializes in sacred space tours of his homeland, India. At my request he contributed this piece or architecture on symbolism and aesthetics from his unique point of view.
Natya Raja The Cosmic Dancer, the tantric mandala, the Paragon of Symbolism Geometry and Aesthetics by Sanjay Mandaiker
Let me begin with a little bit about its background: according to shivit tradition, the rhythm of Lord Shiva’s dance is what created the universe. Dance being an allegory for:
Energy in perpetual motion,
Geometry and structure,
Rhythm and aesthetics,
Comprehension and expression
‘Natya’ means dance, and ‘Raja’ is the word for king. The ‘Natyaraja’ symbolizes Shiva dancing on the dwarf like figure of ‘Maya’ or illusion. The toes of his raised left foot open the eyes of humanity and his left hand shows them the true nature of reality beyond the veil of terrestrial illusions, our inner sprit so to speak. Man fear’s this truth because of his futile attempts to cling to his ego.
With this realization of his true nature he is forced to lose his ego, this death of ego is akin to death itself. With his raised right hand Lord Shiva blesses the newly awakened humanity, telling us not to fear truth. For truth brings the blessings of the gods, and always triumphs in the end no matter what the adversity it may face.
He has 2 more arms, one holding the drum of creation and the other wielding flame of destruction. This can also be interpreted the other way around, as the flame is in his left hand; the creative side, and the drum is on the right, the side of destruction. According to Hindu philosophy the left side of a human being is connected with the feminine, which symbolize our creative forces. The right side is associated with the masculine nature of humanity, which fuels consciousness and comprehension.
A ring of fire, symbolizing purity, encircles the entire sculpture. The geometry of the sculpture is based on an ancient tantric mandala symbolizing the perfect balance of the feminine and masculine forces. A mandala in itself is an intricate geometrical figure that shows us the path to the sanctum of our own temple. This particular mandala is known throughout the world, used by all cultures, in Europe it is called “The Star Of David.”
The mandala is placed within a circle which symbolizes ‘the whole’, from the head to the flowing garment to the raised foot forms the upward or masculine triangle, to complete the Star of David, the grounded foot to the upraised arms form the downward or feminine triangle.
The downward triangle symbolizes our foundation or true matter, energy, intuition, life forces, senses, and creative matter. All these aspects are creative therefore move upward to the fire of Shiva’s upraised hand, but if not controlled these energies become destructive, in this case they move to the drum; this represents the duality we constantly confront in every walk of life.
The upward triangle starting at the flowing garment like a spark of inspiration moves to the raised foot opening our eyes to our true nature, it then moves upward to the head symbolic of comprehension and understanding, there by channelizing the creative forces into true creativity and not uncontrollable destructive energy.
The upraised hands, the flowing garment, and the raised foot form a square. These are the cardinal points or ‘doors of perception’ of this sculpture. They also symbolize the duality of creation and destruction, and of dreams and reality. One cannot exist without the other; the balance must be constantly maintained. One has to judge and reflect on what is more important. This is the principal of karma and dharma.
The head to the upraised hands to the center of our physical balance form a losange, the base foot to the garment to the center of balance and raised foot form a second diamond shape.
The base foot is the substance we are made of, it is our truth mixed with the spark of intuition, which reaches a point of balance. The repository of life force passes through creation and destruction, one cannot live without the other, this constitutes life in its essence.
The lifted leg is bent at the knee giving it two distinct angels and the scarf on the other side is also divided into two segments using the second angel with the top of the head and out stretched arms we find the pentagram, who’s significance would be a chapter of its own.
Maya or illusion is portrayed as a baby signifying birth, playing with a serpent or the energies of life, merged in the locks of the Lord’s hair is a skull symbolic of death, death thus shows us when the “Corps De Glorie” is achieved, death is material and insignificant.
The Serpent also symbolizes Earth element. Lord Shiva wields the element of Fire in one of his upraised hand. The sound of the Drum and the flying tresses of matted locks, represent the element of Wind. In the Lords tresses sits the mermaid like aspect of the river Ganges,representing the element of Water. The encircling flames represent ether. Thus the five elements are also represented in this truly amazing sculpture.
The traditional south Indian Bronze figurines are not made of three but five metals, Gold, Silver, Copper, Tin and Lead. The Natya Raja also follows this same tradition.
Symbolism being universal one can relate Masonry to ones own beliefs or aspirations; this in my opinion is also the essence of Hinduism. I correlate the two, which helps me, gain a better understanding of life, Masonry, and Hinduism.
The “NATARAJA” form of Lord Shiva, or the Lord of Dance, is to me the most precious of them all. I relate this perfectly captured essence of Shiva to the fundamentals of our initiation: The Three Lights, The Seven Liberal Arts, and Alchemy.
Sanjay Mandaiker, (Master Mason Lodge Universal Charity 273, Royal Arch Mason, Mark Mason, Secret Monitor, and 18th degree India Rose Cross) has been a tour guide based in India for over 20 years. He combines his extensive knowledge of Hinduism with Masonry to bring a truly unique traveling experience for masons and non masons alike. For masons recognized by the UGLE visits to a Lodge will also be included. Esoteric Travels allows you to be led through India by a brother.
Jesuits, Illuminism, and the Royal Arch of Enoch with Robert W. Sullivan IV
Robert Sullivan is a newcomer in the world of Masonic scribes with his first work, The Royal Arch of Enoch, hitting the bookshelf late in 2012. What makes Sullivan’s work interesting is the degree of focus he puts on the Apocryphal figure of Enoch in the Masonic degrees, a figure that most, at best, consider briefly in their progress and, at worst, completely ignore all together. Sullivan’s work takes on the historic, esoteric, and political implications of including the biblical figure of Enoch in both the York and Scottish Rite and why that inclusion may not have been with the purest of Masonic intents but rather a happy accident of allegoric construction like so often happens in the secret traditions, including those of Freemasonry. I found the conversation to be extraordinary and I think you will too as we gain a bit more insight on the keeper of the lost word that is found anew, at least in part.
Greg Stewart (GS) – Before we delve too deeply into the subject matter, I’d love to start by finding out about you. Who is Robert Sullivan, how long have you been a Mason, and to what orders are you a member of?
Robert W. Sullivan (RS) On my website I describe myself as a philosopher, historian, antiquarian, jurist, theologian, writer, and lawyer. I am the only child of antique dealers and I was born on October 30, 1971 in Baltimore, Maryland. I graduated high school from Friends School of Baltimore (the oldest private school in Baltimore, founded in 1784) in June 1990 and attended Gettysburg College in Pennsylvania becoming a brother of Lambda Chi Alpha (Theta Pi, member #1199) fraternity. I earned my B.A. in History in 1995 having spent my entire junior year of college (1992-1993) abroad at St. Catherine’s College, Oxford University, England studying European history and philosophy. While in Oxford I was a member of the Oxford Union, the Oxford University Conservative Association, and the Oxford Law Society. Upon returning to the United States in June 1993 I took a year off from Gettysburg College to serve as office director of the Washington International Studies Council located on Capitol Hill.
Prior to attending law school in the United States I spent the Michaelmas Term 1995 at Trinity College, Oxford University studying jurisprudence and international law. From 1997 to 2000 I attended Widener University School of Law, Delaware Campus, from where I received my Juris Doctorate.
I have been a Blue Lodge Mason since 1997 having joined Amicable-St. John’s Lodge #25 in Baltimore, Maryland. I became a 32 degree Scottish Rite Mason in 1999, Valley of Baltimore, Orient of Maryland.
GS – Thinking back, what induced you to originally want to become a mason?
RS – Since being a child I have always been interested in the mysterious and the unexplained. Growing up I always tuned into In Search Of hosted by Leonard Nimoy. My interest in Masonry had to do with its mystical origins and esoteric symbols, however I was primarily motivated to become a Mason to continue a family tradition; my Grandfather Robert W. Sullivan Jr. was a Freemason, his father-in-law, my Great Grandfather, Frederick J. Wheelehan was as a Past Master (former Worshipful Master) of Freedom Lodge #112.
GS – Did you realize your vision in your first few experiences of joining? (Did it live up to your expectations?) Or did you discover something else?
RS – Yes, the Masonic ritual experience was everything I imagined it would be, however, it was not until a couple years later that I truly understood the esoteric symbolism and the themes of Gnostic ascension that are contained in the third degree ritual. I had a much better understanding of the ritual after I finally read the works of the Masonic greats such as Albert Mackey, Manly P. Hall, and Albert Pike. After that I discovered the real meaning and purpose of Masonic ritual and its underlying occult philosophy.
GS – Gnostic Ascension, elaborate on that. What does the idea mean or look like to you?
RS – Gnostic ascensio [Ascension] is being brought from a state of symbolic death to a resurrected life or darkness to light which is the main theme of the third degree ritual. Once re-awakened, the candidate’s divine spark is ignited, their slumbering Prometheus is conscious, and the newly resurrected initiate is ready to effect positive change in his life and in society in general.
GS – What ultimately led to your crafting your book, The Royal Arch of Enoch?
RS – The research for the The Royal Arch of Enoch began back when I was an associate student at Oxford University in 1992-1993, however the true writing of this book began in 2005 on the old social networking site Myspace. I started posting blogs and uploading photos that reflected my research and much to my delight, was very positively received. I was then approached by a fellow Mason who had seen the page and encouraged me to memorialize the information. Since this was what I was planning on doing anyway, I began putting pen to paper writing and editing the book. The Royal Arch of Enoch: The Impact of Masonic Ritual, Philosophy, and Symbolism was completed and published in August 2012, approximately seven years later.
GS – For those who don’t know about Enoch, describe briefly who he was and why he bears symbolic significance to Freemasonry and more broadly to esoteric or occult circles.
RS – Enoch is one of two people in the Bible to never experience a physical death; the Prophet Elijah is the other. Enoch is taken into Heaven at Genesis 5:18-24 and the Book of Enoch (or I Enoch) documents Enoch’s interactions with both Arch-Angels and Fallen Angels the latter being known as the Watchers. He is important with Masonry because the High (or Haute) degree ritual that bears his name, the Royal Arch of Enoch, sees the recovery of the Tetragrammaton thus philosophically ending the “mission statement” of the Blue Lodge. Enoch’s corporeal travels in the afterlife are very esoteric in nature including the gleaning of knowledge from the Watchers which ultimately become the seven liberal arts and sciences (Medieval Quadrivium and Trivium). My book documents components of I Enoch being incorporated into the Royal Arch of Enoch high degree ceremonial which should not be occurring since the Book of Enoch was lost to Western Civilization from approximately 2-3 C.E. to 1821 when it was first translated into English. This historical anomaly and its influence upon material culture is the thrust of my book.
GS – Without giving too much away, why do you think this anomaly is important?
RS – My book is the first to document it; in other words, prior to the publishing of The Royal Arch of Enoch, this anomaly was unknown to historians in the East and West. The incorporation of the Book of Enoch into the degree ceremonial is a genuine mystery and it is this ritual in particular that has defined, among other things, the American national character. Carrying this Enochian iconography forward, The Royal Arch of Enoch also documents the symbolic restoration of the sun as the premier icon in all of Freemasonry and as the supreme emblem of imperial administration and religiosity lifted from the Ancient Mysteries, incorporated in the Abrahamic Faiths, and carried on in both blue lodge and high degree Masonry.
GS – It’s interesting to me that Enoch comes in tangentially in two different degrees in two different systems (York Rite and Scottish Rite). Why do you think that is (how did that happen)?
RS – Both the York Rite and Scottish Rite owe its origin to the premiere high degree system which was known as the Rite of Perfection. The twenty-five degree Rite of Perfection was developed by the Society of Jesus [aka the Jesuits] as part of the on-going Counter Reformation in an effort to undermine the English Monarchy and destroy the Protestant Church via subterfuge. The Rite of Perfection was mid-wifed piecemeal into the United States and a Temple of Perfection was established in Albany, New York by Henry Francken. The Lodge of Perfection is the forerunner to the Ancient and Accepted Scottish Rite while T.S. Webb’s Illustrations of Freemasonry of 1797 bear all the hallmarks of Francken’s Lodge. Webb, of course, was the driving force behind the York or American Rite of Freemasonry.
GS – Do you think the two parallel one another in any way? What does one suggest that the other omits and vice versa? Do the two compliment one another?
RS – Yes, the two Rites parallel each other in that the Name of God or the Tetragrammaton is recovered. This is the “Lost Word” that goes missing in the Blue Lodge with the death of Hiram Abif. The two degrees have differences as well. For example, in the York Rite the Name of God is located on the Ark of the Covenant while in the Scottish Rite it is found on the Foundation Stone upon which the Ark once sat, so both Rites associate themselves with the Ark of the Covenant and by default the Decalogue and Hebrew Kabbalah.
GS – Can they be taken together, or do they exist as two separate tellings, unique unto themselves?
RS – Once a man becomes a third degree Master Mason, he is then eligible to join the York and Scottish Rites. He can join one, both, or neither – the decision is his. Since these two rites are not mutually exclusive, a person could receive the Royal Arch degree twice: once in the York Rite and once in the Scottish Rite. So in that sense an initiate can “take” the degrees in each separate haute degree system.
GS – I heard you say, in another interview talking about the book, that the degree is a re-telling of the Book of Enoch. I’m curious how so? Is it an interpretation of its existence (like acknowledging the BoE by the degrees existence) or could it be construed as a literal retelling?
RS – Although the ritual does not mention quotes or mention I Enoch per se, the ritual that bears Enoch’s name contains elements and components that come out of the pseudepigrapha. For example the Royal Arch ceremony parallels Enoch’s apotheosized ascension from the Book of Enoch thereby transforming the Masonic candidate into a sublime initiate (or parfait [French for “perfect”]) who, by beholding the name of deity as the emanation of all wisdom, becomes a symbolic god-like Enochian (or hermetic) divine figure in his own right. This degree under the T.S. Webb system was thus the premier and most sublime degree in Masonry. The movement of the essential elements of the Book of Enoch into the framework of the pre-history and paragon iconic myth of Freemasonry’s relationship to the broader world can be traced to the transformation of Enoch into a heavenly king. This king was not only a virtuous and wise Pythagorean ruler – an image that had fateful consequences for Freemasonry’s association with Illuminism: the means to the transformation of the world into a perfected Masonic Temple: a one world government – outwardly democratic yet inwardly ruled by an occult theocracy; and with the actual imagery of Pythagoras as the supreme Masonic initiate. The Masonic-Enochian Ritual utilizes the currency of platonic thought, notably that found in Plato’s own Timaeus, as the medium or method for the achievement of Pythagorean kingship with its array of symbolic effects transforming the candidate into a symbolic Enoch, Pythagoras, and Hermes Trismegistus. The Royal Arch of Enoch ritual, on a symbolic level, transforms the Masonic initiate into a divine, apotheosized monarch by beholding the Kabbalistic Tree of Life (or Wisdom) as an emanation of the Tetragrammaton; this concept comes directly out of the Book of Enoch. There are others, but I would refer one to read my book
GS – I have an idea what you mean, but if you can, define what you mean by an “…occult theocracy.”
RS – A society that is outwardly democratic yet inwardly ruled by hidden leaders or masters who rule behind the scenes without the consent of the populace. This can be seen in the early days of the Republic where DeWitt Clinton used high degree Freemasonry as a vehicle to formulate public policy across states’ lines without electoral consent.
GS – Interesting, by saying it represented a perfected temple, vis-à-vis a one world government, do you think that was the notion behind the degree or just an allegorical bonus to utilizing an Enocian theme?
RS – The degree was part of the original twenty-five degrees of the Rite of Perfection, and as the title suggests, by beholding the Tetragrammaton in the Royal Arch ritual the Masonic parfait becomes “perfected” and now can perfect or formulate society as a whole. This was the penultimate goal of what can best be defined as the Thomas Smith Webb-DeWitt Clinton-Salem Town ritual synthesis.
GS – Is one degree (York or Scottish) closer to that retelling?
RS – Not necessarily, but the placement of the Tetragrammaton on the Ark of the Covenant in the York Rite correctly associates the “Lost Word of a Master Mason” with Hebrew Kabbalah in keeping with Enochian and arcane mystical themes and concepts.
GS – Do you think it would have the same meaning if it were given immediately following the third degree?
RS – In some English “Antient” Lodges, the Royal Arch was given after the third degree. Today it is given as part of the higher degree systems and I think the ritual works much better that way.
GS – I’m curious, from the work you’ve done, do you find parallel passages in the Book of Enoch to support the ideas of both the Scottish and York Rite workings, or do you see them as fanciful extrapolations of an Apocryphal biblical figure?
RS – Neither, I see the hands of Counter Reformation Jesuits hard at work in the development of this ritual to undermine the Church of England and inject a heavy dose of Roman Catholicism into Freemasonry. Since the Council of Trent of 1545, the Jesuits have been charged with thwarting Protestantism. Since the formation of the Church of England by Henry VIII, England has been in the Jesuit’s crosshairs. The Spanish Armada of 1588, the Gunpowder Treason of Guy Fawkes, and the “Catholic” Rite of Perfection were all designed to put England under the yoke of Rome. This was the Jesuit’s modus operandi.
GS – So then do you suggest the degree is (was?) really a subversive conversion tool?
RS – The purpose original French-Jesuit Rite of Perfection was to Christianize Freemasonry and serve as a vehicle to restore the Catholic side of the Stuarts back to the Throne of England in violation of the Settlement Act of 1701. In that aspect one could say it was subversive. However, the high degrees flourished on the continent of Europe and by the time they reach the United States, the Jesuit influence and control over the degrees seems to have waned.
GS – What you’re suggesting sounds almost as if it’s the creation of Francis Bacon’s New Atlantis or the embodiment of John Winthrop’s City upon a hill. Do you think these forbearers were thinking of that one world illuminism you mentioned with the Enocian arch degree?
RS – Yes, these works clearly anticipate a new “Order of the Ages.” One can add John Bunyan’s The Pilgrim’s Progress, Tommaso Campanella’s The City of the Sun, and Thomas More’s Utopia to that list.
GS – So with Enoch, are there other lessons we can pull from the texts about him that inform Masonry?
RS – Yes, in The Royal Arch of Enoch: The Impact of Masonic Ritual, Philosophy, and Symbolism I present evidence that the haute degree that bears the Biblical patriarch’s name is the defining template for the United States of America. This can be seen in the architecture and design of Washington, D.C., it can be found in the Masonic architecture of Baltimore, Maryland, and can be seen in the “rising sun” template of Union College of Schenectady New York which was first college established after the Revolution to offer degrees in civil engineering or operative masonry.
GS – What you’re suggesting sounds almost as if it’s the creation of Francis Bacon’s New Atlantis or the embodiment of John Winthrop’s City upon a hill. Do you think these forbearers were thinking of that one world illuminism you mentioned with the Enocian arch degree?
GS – Do you see any parallel components between say the rituals of Masonry and the practice of Enochian or Solomonic magick?
RS – Yes and Yes. Naturally, Solomonic Magick, as discussed in the Testament of Solomon and Ars Goetia, documents 72 demons that Solomon commanded to construct the first Temple of God. Since the third degree Masonic ritual centers on the construction of Solomon’s temple the nexus is obvious. Further, the 72 demons symbolize a secret name of God, Shemhamphorasch, which is composed by 72 Hebrew letter groups. Again, here we have a “name of god” which is lost in the third degree ritual when Hiram dies and the word is lost yet recovered in the Royal Arch ceremonial which is reflecting Solomonic Magick.
With regard to Enochian Magick, if one is looking for a likely candidate to have possessed a secret copy of the Book of Enoch prior to its official discovery in the West, look no further than the inventor of Enochian Magick, Dr. John Dee. If a copy of I Enoch fell into Masonic circles Dee is a likely source for the copy and the evidence is compelling.
First, Dee’s sorcery, Enochian, is a way to summon angels and demons and is obviously named after the Biblical patriarch and reflects Enoch’s interaction with these ethereal beings.
Second, Dee had one of the largest libraries in Europe and was a purveyor of esoteric texts so a copy (or a detailed summary) could have been in his possession.
And third, and most interesting, is Sir Walter Raleigh. Raleigh, like Dee was involved with Sir Francis Walsingham’s spy-ring that protected Queen Elizabeth I and Raleigh actually mentions in his History of the World that the Book of Enoch contains an Astronomy/Astrology book which begs the question: How did Raleigh know this when the I Enoch was “officially” lost to history at the time. Where is Raleigh getting this information? The answer points in one direction and one direction only: Dr. John Dee.
GS – Do you think this idea of the name of God in the degree is a manifestation of Dee’s work with Enocian magic, or an older idea that we can find some parallels in say the Kabbalah or some other tradition?
RS – I would say it is kabalistic more than anything. In the Book of Enoch, Enoch beholds the Sephirotic Tree of Wisdom as an emanation of the name of God and the source of all wisdom.
GS – You mentioned earlier, and in other interviews for the book, the connection between the Jesuits and Higher degree Freemasonry. I’m curious, do you think that most of what we know or see as esoteric Masonry today comes out of this notion that mythologizing the Catholic experience was an inducement for those 17th century occultists to come back to the Catholic Church?
RS – I think that the high degrees are more mystical and occult laden than the Blue Lodge degrees and one can make an argument that the Jesuits were injecting the high degrees with mystical Roman Catholicism. The evidence for this is overwhelming. Ignatius of Loyola’s Spiritual Exercises are mystical in nature and the works of the Jesuit Athanasius Kircher are very hermetic and arcane leading some within the Society of Jesus to believe they were the real Rosicrucians. The high degree system was itself a Jesuit invention employing subterfuge and even espionage to secretly lure Protestants back to the Roman Church while serving as a vehicle to restore the Stuart Pretenders back to the throne of England violating the Act of Settlement of 1701.
GS – Do you think this is a point many Jesuits would agree with today? And, do you think they feel the same way?
RS – The Society of Jesus of 2014 would likely not be aware as this happened 300 years ago while the Jesuits were put out of business from about 1773-1815. Like Freemasonry, the Jesuits of today’s influence and power has been undercut, although the pendulum does appear to be swinging back towards the other direction for both groups. One has to bear in mind that the Jesuits of 1545 to 1773 were Europe’s version of the CIA while Ignatius of Loyola designed the order based on the mysticism of the Knights Templar and the arcane priesthoods of Egypt. The inner workings of the Rosicrucians, the Illuminati, and Freemasonry are all based upon the occult machinations of the Society of Jesus.
GS – So, moving beyond The Royal Arch, one of my fascinations is the notion of esoteric Masonry. I’m curious your take on the subject. Do you think Masonry has a deeper esoteric, or even an occultic, side?
RS – Yes absolutely. Many of the symbols and rituals contain occult and hidden meaning. For example, the third degree Master Mason ritual is a retelling of the Egyptian Osirian Cycle where the candidate, portraying Hiram Abif, is killed and resurrected which reflects the murder of Osiris and his resurrection. In Christianity, the dying and resurrected “sun-man” character is, of course, Jesus Christ. Hiram Abif is surrounded with solar symbolisms; for example he is buried west of the temple representing the setting, dying sun. Twelve Fellowcrafts go looking for Hiram symbolizing the twelve houses of the zodiac looking for their lost solar ruler, and finally Hiram is raised from the grave with the “Strong Grip of the Lion’s Paw” which is an esoteric reference to the sign of Leo which is the sole house of the sun.
GS – How much of this, do you think, is just absorbed Christian Mysticism which is borrowed from these traditions or more broadly absorbed from their source?
RS – I believe it owes its origins to sources other than Christianity. Freemasonic symbols and rituals derive from the Ancient Mysteries (of Egypt, Eleusis), Mithraism, Zoroastrianism, and Pythagoreanism among others while incorporating Judaic-Christian Biblical themes.
GS – Do you think there is a practice of esoteric Masonry still happening today?
RS – I do not know if I would call it a “practice”, but I believe there is a renewed interest in the esoteric side of the Craft. This seems to be the motivating factor that is influencing the younger generation to join Freemasonry. I definitely see a pendulum swinging back to the mystical side of the Craft where in the past the primary motivations to join a Blue Lodge was community involvement and/or family tradition.
GS – What’s next? What’s on the horizon for Robert Sullivan?
RS – I will be publishing my second book titled Cinema Symbolism: A Guide to Esoteric Imagery in Popular Movies in May/June 2014. This book is a continuation of the final chapter of The Royal Arch of Enoch where I discuss hidden occult, Masonic, Enochian, and solar symbolism in films such as The Ninth Gate, National Treasure, The Da Vinci Code, and Being There amongst others. I am currently writing its sequel, Cinema Symbolism II and I am writing my first work of fiction as well. I have also begun outlining another book on occult Freemasonry.
GS – That sounds interesting, the Ninth Gate is one of my favorite films. Do you think there is an intentional evocation of these themes by the film writers, directors and producers, or are they playing to some underlying zeitgeist?
RS – In some cases it is clearly intentional while in others it could be accidental. If it is accidental, concealed symbols in film appear by way of Carl Jung’s Collected Unconscious psychological mechanism which is a descendant of Plato’s Theory of Forms.
GS – And, I like to conclude with asking who, or what, has been your greatest Masonic influence? Who do you look up to and why?
RS – Albert Pike and Manly P. Hall have been the greatest Masonic influences upon me. I really enjoy their work and have learnt a lot of kabalistic and esoteric information from reading Morals and Dogma and The Secret Teachings of All Ages. In fact I modeled The Royal Arch of Enoch after both of these books. Although I may not “look up” to them, they are both by far the greatest Masonic influence upon me. As to Masons that I look up to, that would be George Washington for his sacrifice and commitment to something he believed in when others may have not shared his vision.
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Robert, thanks so much for taking some time to talk about your work and the intricate connections of Enoch and the Haute Degrees of Freemasonry. You can read more about Robert W.SullivanIV on his website and you can find his book The Royal Arch of Enoch on Amazon.
Fred Milliken is a man who needs little introduction, least wise to anyone who has had an ear to hear the heartbeat of Masonry for more than the last 15 years. With a finger, hand, foot and toe in just about every corner of the digital space, Fred either knows what’s going on or someone who does. Never afraid of tackling the wrongs in the craft, some might say that Brother Fred Milliken is Quixote-esque in his championing of what many see to be the status quo of an immovable force. But unlike Quixote, Fred see’s the challenges before him as opportunities to inspire and inform others rather than tilting insistly at allegoriphical windmills. If one thing can be said, Fred is unafraid of Change. To the contrary, he embraces it as easily as a man takes in a breath of air. If ever there was a valiant knight in shining armor who took on every dragon beset before him, Fred would be that knight. In every instance from which I’ve had the vantage of seeing the results of his work, Fred Milliken has demonstrated that he is the epitome of a just and upright Mason. A brother to me, I find his story fascinating. I think you will too.
Greg Stewart (GS)You’ve been in Masonry for some time; what has your Masonic journey been?
Fred Milliken (FM) Well it really starts with joining DeMolay in Lexington, Massachusetts on an invitation from my lifelong friend. Here I got to see the world of Freemasonry through the eyes of Dad Advisers and through meeting at a Masonic Temple.
I entered the line and became a Master Councilor. One of the really interesting events that my DeMoaly Chapter participated in was the state ritual competition when I was Senior Councilor. Pitted against many other Chapters from all over we made the first cut, the second cut, the third cut, the fourth cut and in the runoff won the coveted state prize of DeMoaly ritual champions for the state of Massachusetts. Those skills I learned were pivotal to my success as a Master in Freemasonry. I learned how to speak before a crowd, how to memorize ritual and how to organize a Lodge.
Much later (30 years later) when I was working in Plymouth, MA, I asked to join Plymouth Lodge. I was appointed to office and went up the line. When I became Master I had five Past Master Councilors and five Past Masters from Simon W. Robinson Lodge in Lexington install me and my officers. As Master, I invited the DeMolay Chapter from Brockton, MA, to perform the DeMolay Degree for us.
It wasn’t long before I joined Paul Revere Lodge in the city in which I lived. Paul Revere was in another Masonic District. I can remember doing the First Degree Master’s ritual on a Monday night for Plymouth Lodge and the next night, Tuesday, doing the Senior Deacon’s Middle Chamber lecture for Paul Revere Lodge. One of the first things I did upon joining Paul Revere Lodge was to become a member of the Paul Revere Colonial Degree Team which performed the Third Degree in Colonial costume attaching a patriotic message at the end of the degree. All of us were required to also adopt the name of a Revolutionary War Mason. When I joined the team all the really famous names were already taken so I researched my own name. After doing some research at Grand Lodge I chose Brother William Munroe from my home town of Lexington, Massachusetts. Lexington was the birthplace of the American Revolution when on April 19, 1775 Paul Revere rode into town hollering, “The British are coming, the British are coming.” There to meet him in the early morning hours was Captain Brother William Munroe of the Lexington Minute Men who was on an all night vigil on the Lexington Common. Years later William Munroe would become the first Master of Lexington’s first Lodge and he would journey to Grand Lodge to get his charter from Grand Master…Paul Revere.
The Paul Revere Colonial Degree Team traveled … everywhere. And we were always well received.
Colonial Degree Team before the altar is at Simon W. Robinson Lodge in Lexington, Massachusetts
As Master of Plymouth Lodge I brought the Colonial Degree Team to Plymouth Lodge where we performed before five different Masters and three District Deputies, one delegation being from Rhode Island. I had to hire a police officer to control the traffic, parking and the crowd.
In due time I became Master of Paul Revere Lodge and one of the first things I did was to take the Colonial Degree Team to Simon W. Robinson Lodge in Lexington. It wasn’t just a performance of the Degree Team, however. It was also the first Tri Table Lodge in the state. Three Lodges got together with permission from the Grand Master to perform a Table Lodge together. So there were three Junior Wardens in the South, three Senior Wardens in the West and three Masters in the East. We started at 4:00 PM with the degree and finished the Table Lodge at 11:00 PM on a Saturday.
But our biggest trip was one which I started working on as Master and didn’t bring to fruition until I had stepped down from the East. And that was the Paul Revere Colonial Degree Team’s longest and farthest performance to Monroe Lodge in Bloomington, Indiana. On a Friday afternoon we flew 18 Colonial Degree Team members into Indianapolis where we were met by a Past Grand Master of the Grand Lodge of Indiana in a small bus and transported to Bloomington. After a stop at the Shrine Club for a steak dinner and welcome we were transported to the state DeMolay Chalet for billeting. The next morning we were picked up and transported to the Lodge for Breakfast followed by a bus tour of Bloomington. We performed the Degree Saturday night raising one Brother to the sublime degree of Master Mason and flew back to Boston Sunday afternoon.
Now there is a lot more to tell…but there are other questions waiting to be answered.
GS – That’s an incredible early journey, I have to ask does the Masonry you do today match what your ideal of it was before you joined?
FM – Yes and no. It does in my own personal Lodge and Grand Lodge because I have chosen them because they do match that ideal. But in other jurisdictions across the U.S.A. it clearly does not. Today many Grand Lodges are out of control and overstepping their bounds at every turn.
GS – At some point in your Masonic career, you demitted from your, then, ‘regular’ grand lodge to join a Prince Hall system. What motivated you to move over?
FM – When I moved to Texas from Massachusetts I naturally transferred from the Mainstream Grand Lodge of Massachusetts to the Mainstream Grand Lodge of Texas. After joining a Lodge near my house I stated to travel. I love traveling as a Mason, meeting new Brothers and sharing ideas and thoughts. About the third Lodge I visited demonstrated to me a problem in Texas Mainstream Masonry which has been reported to me many times over by Brothers in other Southern jurisdictions. After the meeting we all gathered in the dining room for some fellowship with coffee and cookies. I was having a discussion with a group of Brothers around a large table when one Brother piped up,
Do you know what the difference between Masonry down here in Texas and up where you come from is?
I took the bait and said no.
We don’t allow no niggers in Lodge down here.
Now this wasn’t out in the boondocks somewhere. This was in an affluent suburb of Dallas.
Later, a friend of mine who I had corresponded with on one of the Masonic forums was getting raised to the sublime degree of Master Mason. So I trekked the 40 miles to his small town to help in his raising.
About three months later he got in touch with me all upset.
They are making racial jokes in an open tyled Lodge. I don’t know what to do. I cannot condone this outrage, yet some of these Brothers are my bosses at work, some are in my church and others are leaders in the community. If I make a big stink my life will be hell.
So I told him, keep your mouth shut and stop attending Lodge, if you want. I’ll make the big stink for you.
I wrote to the Grand Lodge of Texas and explained the situation without mentioning names or location, asking them if they would please get back to me with some plan of action to curb this abuse. No reply came.
At the time I was the feature writer on [Stephen] Dafoe’s Masonic Magazine and I wanted to publish the story there. Dafoe said that absolutely no names or locations could be used because of possible legal retaliation, but otherwise the story was a go. So the story went out.
Now somehow, who the article was directed at leaked out – but as it was just a floating rumor and could not be directly placed in our court. Finally a Brother from England wrote the Grand Lodge of Texas and demanded an answer and posted his question and answer he received publicly. Here was the response of a Grand Lodge officer who must, even to this day, remain nameless.
The respected and well known Grand Officer of the Grand Lodge of Texas said, and I paraphrase his remarks
Masons are all about toleration. We as Brothers have learned to tolerate different lifestyles, religions, political affiliations etc. Racism is just another point of view. As Masons we are obligated to tolerate this view even though we may not accept it. That’s what we are all about as Freemasons.
And that is when I demitted from my Texas Mainstream Lodge and applied to Prince Hall. Now you know the rest of the story.
GS – That’s a terrible story, with a conclusion that still seems to be playing out in slow-motion today. But I’m curious, why Prince Hall and not a Co-Masonic Lodge? Were you willing to leave Masonry all together if Prince Hall didn’t offer you up a home?
FM –I chose Prince Hall because even while in Mainstream Masonry I was outspoken for the admittance of African Americans to all American Grand Lodges. And that was what the quarrel with the Grand Lodge of Texas was all about, its treatment of African Americans. So, I thought, what better place to continue the fight than right there with many of them.
If Prince Hall didn’t take me, then I could maintain my Massachusetts affiliation and practice Freemasonry on the Internet only.
GS – Thus far, what’s your experience been like with Prince Hall Masonry? Do you find many differences or more similarities?
FM – The Freemasonry is remarkably similar. The Texas Prince Hall ritual is almost exactly the same as the Massachusetts Mainstream ritual with one word here or there changed and additional ritual added. One would not feel uncomfortable at all, ritual wise, coming into a Prince Hall Lodge from a Mainstream Lodge for the first time.
Style wise you will notice a difference. Prince Hall Freemasonry tends to be a little more religious. Christian Prince Hall Masons are vocal about Christianity and about politics. But don’t be fooled, all views and all religions are readily admitted and none are disparaged. You have to remember the history of African Americans. Back 200-250 years ago Blacks, free or slave, were not allowed to congregate except maybe in New England. There were no Black picnics or BBQs, no club meetings, no horse races and no Black Grange nor sports events. The one exception was the Black church. Here African Americans were permitted to congregate without interference. So to the church came the politicians, Freemasonry and meetings and social events of every kind. Everything operated out of the church because that is the only place Whites were comfortable letting blacks assemble.
Consequently African Americans did not, until recently, recognize a sharp division between church and state. Hence many aspects of Black society intermingled in the same venue producing a giant mixing bowl that seemed to bring all aspects of society together into one big recipe rather than to have separate distinctions.
Thus, until recently, almost every Prince Hall Freemason came out of the church. That is, he was a church member recommended by a Brother. That’s where everything emanated – from the church. African Americans do not hesitate then, when 100% of a Lodge is Christian, to express that Christianity. Who would object? The vast diversity you find in Mainstream Masonry is not prevalent in Prince Hall. But times are changing and that is not so true anymore.
GS – How So? How is it not so true anymore, from your observation?
FM – Well, when I came into Prince Hall Texas in 2006 I was one of a few White men visible in the Fraternity. Today I see many, many more Caucasians. I saw almost no Hispanics in 2006. Today I see a small cadre of Latinos. Same with Asians.
Prince Hall has traditionally been mostly Christian, Protestant and heavily Baptist and AME. Today I can point to a number of Muslims, some Catholics and some spiritual men with no organized religious affiliation.
The other big distinction that I see is that Prince Hall Freemasons meet with their female counterparts. The Heroines of Jericho (HOJ) and the Order of the Eastern Star (OES) meet in Grand Session in the same building and at the same time that Blue Lodge holds its Grand Sessions. The women are included in many local Lodge social and charitable undertakings. Both sexes within the Prince Hall Family work very closely together.
GS – So then, what bodies do you still carry dues cards for?
FM – In Texas PHA, I carry dues cards for all the York Rite Bodies and Blue Lodge. When I was in Massachusetts I was a member of the Scottish Rite and briefly a Shriner. I have not continued these affiliations in Texas because I do not have the time to belong to everything.
GS – So, let’s flash forward to more recent times. You were the appointed director of Phoenix Masonry, the on-line archive of Masonic texts, artifacts, and materials. Where do you see Phoenix Masonry going in 2014 and beyond? Any big plans you can share?
FM – Phoenixmasonry started as a website only, and one that featured mainly the old Masters of literature in the library and Masonic antiques in the museum. Even before I signed on as Executive Director, President, and curator, David Lettelier was posting my articles. The 21st century article section kept expanding after I signed on. Some “newer” books were added. Upon becoming Executive Director I turned Phoenixmasonry on to Social Media.
First it was a Facebook Page, then Twitter and lastly Rebel Mouse. After that I opened a Prince Hall Section to the website. The first thing posted in this new section was the six part YouTube video series of the William H. Upton Unity March & Memorial Dedication conducted by The Grand Lodge of F. & A. M. of Washington State and The Prince Hall Grand Lodge of Washington State. What a great story. If you don’t know it William Upton, Grand Master of Mainstream Masonry in the Grand Lodge of Washington State recognized Prince Hall in 1898. After he stepped down the next Grand Master rescinded the recognition. In his will PGM Upton demanded that no marker be placed on his grave until the two Grand Lodges once again recognized each other and coexisted in peace and harmony. Well it took until 1990 for that recognition to occur. And in 1991 both Grand Lodges met at the cemetery and in a special ceremony installed a headstone on the grave of PM William Upton. The videos show this ceremony.
The years went by, and as we came closer to the present the Museum was transported to Utah and set up in its own special housing. David stepped down from the Presidency portending a gradual turning over of the reins to youth. And that is what the future portends. David and I will gradually fade into the background and new fresh, young blood will take over management. Where they take Phoenixmasonry remains to be seen but it will always be a place of universal Freemasonry.
GS – For as long as I’ve known you, you’ve always had your ear to the Masonic web, how did that happen? Do you have any favorite haunts on the web that you still frequent?
FM – It all started with surfing the web in the late 90s. I came upon a Masonic E-forum called Masonic Light run by Jeff Naylor out of Indiana. Chris Hodapp was one its early members. I became a regular poster and when that kind of petered out I moved over to The LodgeRoom.com run by Stephen Dafoe who was also a regular on Masonic Light.
Over time I became one of the Moderators of the [Lodge Room] site. Theron Dunn and I used to have an ongoing head to head debate. I was the first interviewee on Dafoe’s Radio Free Mason in March of 2005, something I would repeat on Masonic Central a few years later.
Fred being presented the Cup Of Knowledge at the 2014 Phylaxis Convention.
I joined the Knights of the North but after about a year left charging that they were all talk and no action. When Stephen Dafoe pulled out of the Lodge Room forum, his moderators took over and renamed it The Three Pillars. I bowed out from that responsibility and stuck around for awhile but ultimately the position of the site [became one] that one could not criticize a Grand Lodge no matter what it did or did not do, leading to a parting of the ways. I switched over to MasterMason.com and became a moderator but ultimately the same problem cropped up and I faded away to use my talents elsewhere.
I formed my own Masonic Blog the Beehive and merged that with Freemason Information upon invitation by Greg Stewart.
I pretty much stick to Freemason Information, MyFreemasonry and Phoenixmasonry as well as The Phylaxis Society where I am a Fellow. Facebook is now a primary Masonic Source. I don’t need to haunt any locations because people are sending me stuff all the time.
GS – So where does eMasonry stand today? Do you have any observations or insight on the pulse of the eMasonic world?
FM – Masonic blogs, forums and Yahoo groups are out. That is, they are passing out of existence.
Outstanding Masonic websites still have a following, such as Freemason Information, MyFreemasonry and Phoenixmasonry. Freemasonry on Facebook, Twitter and YouTube are in. It’s an ever evolving change in tastes. Tomorrow it will be something different perhaps in an entirely different form.
GS – Switching gears here, I know that the subject or Prince Hall and mainstream recognition is very close to you. Given your position as having been in both denominations of Masonry, do you still see them as two branches of the same family tree or do you think the two have grown and evolved into their own separate entities?
FM – Both mainstream and Prince Hall practice the same Freemasonry. In this aspect they are two parts of the same tree.
But, at the same time, they are their own separate entities.
Traditions, ways of doing things, Masonic government, and the Masonic approach to society have evolved over the years into just two different ways of doing the same thing. Those on the Mainstream side that call for Prince Hall to merge into Mainstream are too late. They should have welcomed Prince Hall into their ranks when over and over again Prince Hall requested such a merger 200 or more years ago. The two now have grown apart as any society would do after more than 200 years of separation.
They are like two Christian denominations that split apart and went their separate ways. After more than 200 years apart, forcing them back together would be a big mistake.
But they can and will, when allowed, exist side by side in peaceful coexistence. And they have since the first recognition to stick permanently was accomplished in 1989.
GS – You mention the recognition that happened in 1989. Which was that?
FM – 1989 is an important date in the Prince Hall Community. It was the first lasting recognition of Prince Hall Freemasonry that stuck – and stayed – by the Grand Lodge of Connecticut.
There were other recognitions in years past that were short lived and did not last. Today 42 states recognize Prince Hall. Look how far we have come since 1989. I am proud to have taken a teeny weenie part in all that. (You can see a up-to-date list of Prince Hall Masonry Recognition on Paul Bessel’s website)
GS – With that in mind, is recognition still an issue? Was it really ever?
FM – No recognition is no longer an issue as has been proven by 25 years of peaceful coexistence in all but a few states. That Mainstream and Prince Hall Freemasonry can exist side by side in the same state without incident cannot be challenged. The brotherly love and peace & harmony among regular Masons is now an American reality.
Those 9 states that are left who refuse to recognize Prince Hall no longer practice regular Freemasonry. The race issues aside, look at the Grand Lodge of Florida’s attempt at excluding non Christians. No Prince Hall Grand Lodge, no matter how vocal it’s Christian expression, would ever do that. This separation that exists in these 9 states is no longer a recognition issue. It is now an issue over the corruption of Freemasonry into something it was never intended to be. Those 9 Mainstream states no longer practice Freemasonry.
GS – Elaborate on that. What is it you think they practice?
Mike Bjelajac, Fred, Beaux Pettys and Victor Marshall of Gate City Lodge No. 2
FM – It’s not just the refusal to recognize Prince Hall, although that plays a part. It is also the refusal to admit African Americans. I remember vividly the battle with Victor Marshall and Gate City Lodge No 2 in Atlanta with the Georgia Grand Lodge who were ready to expel a Black man who “accidentally got raised” to be a Georgia Mainstream Master Mason. It was then we learned that the Georgia Constitution had a bylaw that prohibited non Whites. Freemason Information was in the forefront of that push back. We all have testimony that when Black Mainstream Master Masons from New York visited Florida that Masters refused to open Lodge and instead held Masonic educational sessions until said Black Masons left.
It is also the refusal to admit non Christians. Such thinking, long held quietly in the breast of local Masons who black-balled every non Christian who applied, became widely exposed when the Grand Lodge of Florida expelled Corey Bryson and Duke Bass for non Christian religious beliefs. Freemason Information was right there in the midst of this fight reporting all the details.
And the third big damning characteristic of these infamous 9 Grand Lodges is their refusal to follow Masonic convention or even their own Constitutions. The Grand Masters have taken over their Grand Lodges with total totalitarian rule. They expel Masons without a trial and close down Lodges without a reason or explanation. THEY GOVERN WITH FEAR.
We covered examples of this at Freemason Information with the stories of PGM Frank Haas and Derek Gordon.
In civil society when democracies rig elections and ignore the rule of law, they become Banana Republics, democracies in name only. When these 9 Grand Lodges govern their Grand Lodges in the manner described above, they become rogue Grand Lodges, Freemasonry in name only.
Not only do they give the rest of us in the Masonic community who live by the book a bad name, but they exist only because we have no national Masonic identity, no set of rules that would apply to all Grand Lodges in the United States.
GS – Why do you think the 42 other states still recognize them?
FM – The rest of the 42 states recognize them because of the tradition of standing together and not interfering in another Grand Lodge’s business and because, like politicians, they know if they stand by the indiscretions of their Party members, all the other members will stand by them when they step off the reservation. The problem with this is there is no check on the abuse of power in Freemasonry. In civil society we have The Constitution and the Supreme Court. What do we have in American Freemasonry?
GS – Wouldn’t that be taking it a bit to far? Is it, after all, an “at will” association meaning that we choose to be in and a part of it Given that it’s not a part of our day to day lives, like government, do you think most members are THAT actively engaged as to want to contribute like that?
FM – There must be SOMETHING to hold American Grand Masters responsible and accountable to acceptable Masonic practices. Otherwise Freemasonry in the United States is whatever a Grand Master and a Grand Lodge says it is, and you end up with 51 versions of Freemasonry, and sometimes Freemasonry out of control. There is a difference between differences because of tradition and differences solely for the purpose of an agenda that ends up corrupting the Craft. There is an urgent need in the United States for an American Masonic identity that binds all states and all members of the Craft in one common purpose and outlook.
This need not be some cumbersome bureaucracy added onto American Freemasonry. It could be as simple as a national Constitution and Freemasonry in the United States could be overseen by existing Masonic apparatus – the Conference of Grand Masters and the Masonic Service Association of North America.
Let’s look at an analogy – professional Major League Baseball. In the 20s you had the Black Sox scandal precipitated by abuses of the owners. In addition team owners were doing whatever they wanted with no standardized practices. Finally baseball realized it could not operate this way anymore, that the total freedom and separateness was dooming the national pastime. So the owners got together and appointed a Commissioner of baseball that still exists today. It keeps all the teams operating under the same set of rules and practices thereby eliminating corrupt and hurtful practices.
Like baseball teams, American Grand Lodges should not be able to do whatever they want. Now we perhaps don’t want a Commissioner of Freemasonry but we could continue on with a National Constitution with any administering or adjudication performed by the Council of Grand Masters with the help of the MSANA. This solution is simple, not adding any bureaucracy and keeps the sovereignty of each state Grand Lodge.
GS – You make an interesting point, one I’d like to come back to someday. But, let’s shift gears here and talk about your out of lodge work in the craft.You’ve written quite a bit over the years, about a lot of things, is there any one piece, or collection of pieces (Masonic or otherwise) that stand out in your mind as ground breaking or game changing?
FM – Well, I can think of four pieces that really stand out in my mind. One is a rather obscure piece titled Ballot Reform in which I make the point that we should no longer allow one Brother to hold the entire Lodge hostage to his personal prejudices. The way out of this enigma is something for you to find out by reading it. I will not spoil it just as I wouldn’t tell you who did it before you read a murder mystery nor explain the details of a good movie you have not yet seen.
In Of Revolutions and Reforms I make the point that before you market a product you best be sure the quality is up to snuff. I also say a lot of other stuff you can read about at your leisure.
Then there are the two papers I delivered in Alberta, Canada
First was World Peace through Brotherhood where I make the claim that if the majority of the world were Freemasons there would be no war. Again there is a lot of other stuff in more than 20 pages of point making if you want to look it up.
Lastly there is the intriguing Native American Rituals and The Influence of Freemasonry. Here I point to all Native American rituals that mirror Freemasonry as having been borrowed from the White Man – EXCEPT ONE – for which there is no rational explanation of how it got here (North America) or who designed it or how it happens to resemble a Masonic degree.
GS – So, given your history and experience, what do you see as the future of Masonry? Where do you think its heading?
FM – Take a look at the progression of human communication. First there was mostly hand written letter writing. Then came the telegraph which was more a message medium than a communication one. Soon after came the telephone and we could talk, voice to voice, to one another. Then along comes the Internet and we are all introduced to E-Mail. Not long after texting became the preferred method of communication which is really a personal telegraph in everybody’s hands. And today with venues like Skype and a webcam we can do it all!
So goes Freemasonry. From Lodge meetings attended by large numbers in person we have evolved into eMasonry that is trending now towards virtual Freemasonry. Soon we will have actual degrees being conferred in electronic Lodge rooms where all can gather from their smart phone or computer and see each other in a private (tyled) room. Just as personal communication is becoming more impersonal so is Freemasonry. Lodges are lacking attendance while web Masonry hums!
Look for more of the same. Today people value convenience and the ability to pop in and out just as quickly as a virtue. This is not your grandfather’s world. A 9 to 5 world no longer exists. Because of that Freemasonry will follow wherever technology goes. Already the rising stars in Freemasonry are the Masonic techies!
GS – So then, this leads me to wonder about the elephant in the room – membership has always been this invisible/silent specter for all moralities of the craft. Given your experience in both the Prince Hall world and mainstream world, do you see this is a universal issue between all branches?
FM – Yes, it is a universal issue in all branches of Freemasonry and I place the blame squarely upon Grand Lodges. Membership is the life blood of any organization and the way we replace ourselves. Without new blood we wither and die.
GS – Why do you think that is?
Fred giving the On Yonder Book Charge at Grand Lodge Grand Raising
FM – Look at the answer above in the future of Masonry. Grand Lodges are still trying to operate in the modus operandi of yesteryear. They are all still driving model T cars. They can’t understand why people would rather text than write hand written letters. And that has been the problem from the start with Grand Lodges. When the world wide web first exploded across America they refused to participate in it and some even banned their members from becoming involved in it Masonically. It was like pulling teeth to get GLs to create a web page. A masonic forum, where Freemasonry was openly discussed, was considered heresy.
And now, as we are changing even more in our methods of communication, Grand Lodges have failed to come along. They are always lagging one step behind.
If we could find a Grand Lodge that would sell its building and operate out of a movie [theater] one to up to four times per year, with a live broadcast only available to you through your computer by a password protected (tyled) site, we might be getting somewhere. If, on a smaller scale, local Lodges could hold all their meetings in the same manner, then perhaps we would be on top of technology promoting it, instead of lagging behind, discouraging it.
If you can sit home and go to church from the favorite room in your house you ought to be able to do the same with Freemasonry. Personal meetings would then be confined to social affairs like BBQ’s, banquets and taverns.
GS – But, do you think that would change the tone of the lodge experience, or even masonry itself?
Fred beneath the Royal Arch
FM – While touting E-Degrees and all that modern technology brings us, I’m still old school enough to think that degrees should be done “in the flesh.” And you would want to do banquets and celebrations likewise. But other than that I think that Masonic Lodges meet too often and I compare them to the all news networks on TV. These networks, if they have no new news to report, have to make up the news just to keep broadcasting.
Masonic Lodges that meet often have to make up things to do in order to have their meeting. They do a very bad job at that. Many hurt their cause rather than help it.
My ideal Lodge would meet quarterly and gather for celebrations, trips and banquets as scheduled. Those four Lodge meetings might have a degree; always have a dinner and often a guest speaker. In my mind it is better to do a bang up job once in a while rather than a mediocre job more often.
Does that change the tone of Freemasonry? You bet. It gets rid of boring business meetings where you decide how many rolls of toilet paper to order with bad coffee and stale donuts afterwards. Business can be done online and by an Executive Committee with a quick Lodge sanction.
GS – Over the years, there has been drum beats for everything from a Masonic Congress, a national Grand Lodge, lifting territorial jurisdiction restrictions, break away Masonic lodges and even start-up Grand Lodges. Why do you think they have had only limited success, if any at all?
FM – If an organization is to exist across territorial bounds, if it is to be a movement open to everybody, everywhere, who meet certain basic qualifications, then it must have structure, it must be able to govern itself. Without structure there [would be] chaos.
My problem is that the structure that Freemasonry has chosen for the United States is woefully inadequate. This is no longer 1776. Our nation today has evolved into a centralized federal government of immense power. It long ago gave up the Articles of Confederation and evolved into a Constitutional federalized Republic. But Freemasonry has remained stuck in the 1700s.
This does not suit our modern mobile society. Today, unlike the 1700s, you could grow up in New York, go to college in Illinois, get your first big job in Texas, a promotion in California and then retire to Florida. And everywhere you go Freemasonry would be different. Sometimes radically different. Take it from someone who has experienced this first-hand, both in Northern and Southern Freemasonry.
We have 51 little fiefdoms with 51 variations of American Freemasonry. THERE IS NO AMERICAN IDENTITY TO FREEMASONRY IN THE UNITED STATES. And that’s a shame. People today don’t think of themselves as New Yorkers or Nebraskans or Arizonians. They think of themselves as Americans. But Freemasonry prohibits the adaptation of that concept to the Craft.
GS – So what do you think would remedy that?
FM – For awhile I was for a National Grand Lodge. But some wise Brothers pointed out that if states Grand Lodges are screwed up, think about the politics and control a National Grand Lodge would do. Also Prince Hall tried a National Grand Lodge and it didn’t last.
I am now of the opinion that there needs to be a national Masonic Constitution. This would not interfere with the sovereignty of each state Grand Lodge but would bind each one to some basic, general cornerstones. That would provide a national identity for the Craft in the United States and would eliminate the corruption of Freemasonry that can happen when separate entities remain apart for an extended period of time.
GS – What do you mean by corruption? Do you mean in a tangible way, as in a literal systemic corruption or in an intangible way such as in its ethos of corruption?
FM– No, [I mean] a corruption that alters and changes things. Like the English language as it is spoken.
Contrast the way English is spoken in England, America and Australia. It all started out the same, but separation over time introduced idiosyncrasies and a flavor that distinguished each version from the other. And that is really because they were apart for such a long time.
Now take 51 Grand Lodges and leave them to their own devices, totally separate and apart for a long period of time and you end up with 51 versions of Freemasonry. That’s corrupted Freemasonry. It would not be unexpected within the world, that is English Freemasonry or Australian Freemasonry, to be different. But, within the same country?
In a highly mobile society all you are doing is confusing people. And you end up with innovations like no Blacks allowed, Christian only, the Grand Master is God, cowboy hats and jeans, one year Grand Master terms, three year Grand Master terms, voting in Grand Lodge, no voting in Grand Lodge, a Grand Lodge line, no Grand Lodge line, an appointed Grand Master, five Landmarks, nine Landmarks, 13 Landmarks, no Landmarks at all and on and on and on.
Given enough time and you can find a Masonic Grand Lodge in the USA that is no longer Masonic.
GS – On that somber note, let’s talk about something more tangible. I always like ask what, or who, was your greatest Masonic influence? Who do you look up to in the Masonic world?
FM – There is no doubt in my mind that I owe an enormous debt to Stephen Dafoe.
Dafoe nurtured my writing and taught me how to do it right. He gave me a column in his magazines The Fourth Part of A Circle and Masonic Magazine. He encouraged me to keep at it and when I botched it up he showed me how it would read better.
Dafoe was instrumental in providing an all expenses paid trip to Alberta in 2005 for both me and my wife where I got the royal tour and the chance to address Alberta Lodges with two papers I had written. And a special thank you is due John Hayes who also joined Dafoe in welcoming me to Alberta and who was kind enough to board me and my wife at his house. There is nobody that did more to mentor me than Stephen Dafoe and I am eternally grateful.
And then there is also the encouragement and home for my writings provided me by David Lettelier. David was the one who offered me the post of Executive Director of Phoenixmasonry and I have grown immensely with Lettelier at my side.
GS – You mentioned writing in two places, in addition to the Beehive column, where you have written Masonic articles? Where else have you or do you now write?
FM – I started out by writing posts on Masonic forums in the 90s. When Theron Dunn and I went head to head those posts could be lengthy. That developed into articles for those sites. After Theron died my main antagonist became Grayson Mayfield. It was at this point that Stephen Dafoe took me under his wing and invited me to write articles for “The Fourth Part Of A Circle” and “Masonic Magazine.” After forming my own Blog “The Beehive” I merged it with Freemason Information. I also guest wrote at some other popular Masonic blogs. Then I began writing for Phoenixmasonry. Today I still write for The Beehive but I also write for my Grand Lodge publication “The Texas Prince Hall Freemason” where I am Associate Editor.” And I write for the Phylaxis Magazine where I help with editing and where I hold the office of Visual Archives Director. In March of 2014 I delivered a major paper to the annual session of the Phylaxis Society in Albuquerque, New Mexico. They presented me, as they do with anyone who delivers a paper, the award of the cup of knowledge.
I write in and for other fields of endeavor, owning some other websites, but as I like to keep the different aspects of what I do separate from one another, those shall remain in the dark here.
GS – It might be good to touch on one last thing about you and your Masonic journey, and that is your conversion to Catholicism. How difficult is it to be a Catholic Mason today?
FM – Well first of all for all those judgmental Catholics out there, I was not a Catholic who joined Freemasonry. I was a Mason who joined Catholicism. And I had two close Catholic Brothers in my Lodge who were by my side every step of the way. And my Priest, Father Jack, thought Freemasonry was great. At my first confession he said there is nothing bad about Freemasonry. Come into the church with full sacramental rights. You are most welcome.
The problem is that Father Jack isn’t in every Parish and I don’t always get the same approval. So I don’t push the subject. I don’t avoid it but I don’t go out of my way to mention it either. My conscience is my guide.
There is much acceptance of Freemasonry within the Catholic Church even though its official position is otherwise. It is going to be a long term re-education project. But I don’t intend to miss out on either world because some people have got their facts all wrong.
GS – Since you brought it up, your conversion to the Catholic Church, what was it that led you to that conversion?
FM – A number of things led me to become Catholic. Since my wife has always been a Catholic, I was exposed to it all the time.
After worshiping as a Protestant for many years I came to realize that they were worshiping the Bible. For a Protestant everything is about scripture and scripture answers every question and solves every problem.
I would rather worship Jesus, so I converted to Catholicism.
We often talk about the mysteries of Freemasonry. Well, there are also the mysteries of Catholicism. In practice Catholicism can be quite mystical. Protestantism tries to explain the unexplainable with reason and logic. It is a church of the Word. Catholics have the mystical experience of the Eucharist. It is a church of the Sacraments. The ritualism and pomp and circumstance of Catholicism remind me of Freemasonry.
Given all that it still was a difficult leap to make. What pushed me over the top was this story.
I cannot tell you why, but when I was still a Protestant I began going to a Catholic healing services in a neighboring town in Massachusetts. After communion we would approach the front where there were groups of three – a Priest, a nun and a deacon or lay leader. They would surround you and after asking you what problems you had. They would lay hands on you praying – faster and faster, ending in a great crescendo. Many would collapse on the floor in what we call being slain by the Spirit. I never was.
A friend of mine, we worked together and I brought him into the Lodge, was diagnosed with pancreatic and liver cancer and given six months to live. He was a non practicing Catholic. I recommended he go to one of these healing services. He went, but I could not go with him as I had to work. I asked him how it went and he said well I don’t believe in all that mumbo jumbo, especially the fainting part. So I was surprised when he said he was going into Boston for a healing service led by a Priest who had just come in from Ireland. His report back was quite different this time. He said you won’t believe it, but I passed out for 20 minutes.
Within a month he had to go back to the doctor for a progress examination. His liver and pancreatic tumors were all gone. What was, he had been told, a 98% chance of dying within 6 moths now was a complete cure. That was 15 years ago. My friend is still alive.
GS – That’s an amazing story. I always feel in awe over mystical experiences like that. Before we wrap up, is there any other important piece to the Fred Milliken story that needs to be put on the record?
FM – I can’t leave this interview without mentioning how I became Squire Bentley.
When I first started out on the Internet I used Squire as a pseudonym because I feared censorship by my Grand Lodge. Today I no longer have that fear and have dropped the Squire camouflage in most applications.
I was invited by the Fellowship Players a Masonic drama club from Fellowship Lodge in Bridgewater, MA, to try the part of Squire Bentley in the Carl Claudy play A Rose Upon The Altar. That is a very emotional part and was a challenge I was up for. I can especially remember two performances. The first was before the local Knights of Columbus and their wives. And the second was before a delegation of visiting Masons and their wives from England. That performance was open to the public and members of my family came. Performing in this play was one of my passions in Freemasonry.
And right beside me as I write these words is my Squire Bentley lantern, a present from Stephen Dafoe.
____
Fred, as always, my respect and appreciation to you for your wisdom and time. I can say, every time I speak or listen to you, I learn something new – both about the fraternity and about you. You can read more from Fred “Squire Bently” Milliken at the Bee Hive.
Editor’s note – Fred has since stepped down and retired from the position of Executive Director at Phoenix Masonry and no longer occupies that position saying of it “It was a great moment in my life and I would not want to ignore it or sweep it under the rug”
The topic of Masonic Music came up recently in a sub reddit forum with the posting of the Grand Leveler video from up and coming artist Apathy. The gist of the discussion came down to what was art, and more particularly, what elevated Masonry in its art.
In one of the exchanges, Mozart’s Magic Flute was used as an exemplary example of the ideas of Masonry elevated in an artistic endeavor.
The argument aside, it made me wonder “How many of today’s Masons have actively sought out the Masonic connections in Mozart’s Great Work, let alone sat down to watch the three hour epic?”
So, not that a Google search wouldn’t facilitate this, here’s your chance.
And, if you need some enticements, I’ve brought in some commentary from just a couple of sources on the opera to give it some context and flavor to induce interest. Interestingly, look for the Vernunft, Weisheit, and Natur over the doors.
And, if the German Aria throws you, here is a German to English translation on what they’re saying.
Both Mozart and the opera’s librettist, Emanuel Schikaneder, were devoted Freemasons, at a time when the Masonic order was frowned upon by the authorities and mistrusted by the public. Its meetings were mysterious to outsiders and the order was believed to be connected to the principles of the Enlightenment, so established political leaders were a little nervous about it. The emperor of Austria even restricted the number of Masonic lodges allowed to operate in the country.
So, while Mozart’s drama fell into the general category of “magic opera” — works based on folk tales, with plenty of stunts, scene changes and spectacular stage effects — it was also a political statement in disguise. Mozart and Schikaneder crammed all kinds of veiled Masonic symbolism into The Magic Flute, and people have been trying to figure the whole thing out for more than 200 years.
Given the story, the numerous symbols and Masonic references, and the musical treatments Mozart employs, it is hard to dispute that Freemasonry played a huge influence over the creation of The Magic Flute. However, it is important not to view the work simply as a Masonic treatise. Much more than that, Freemasonry is used as a foundation stone from which the truly great elements of the opera spring.
So, rather than try and reinvent the wheel and re-explain something so well researched and commented upon already, I suggest rather sitting back and enjoying the Magic Flute in its totality, from this UGA Opera Theater production of The Magic Flute.
For those with an international interest in Freemasonry the organizers of the Summer 2014 International Masonic Workshop have planned a host of panels, debates and round tables inviting several distinguished speakers to deliver papers and lectures.
The event is a unique opportunity for Freemasons around the world, as well as for anyone interested in Freemasonry and their families and friends to meet, get acquainted and discuss options and opinions on Freemasonry, while they enjoy a summer break next to an idyllic beach in Athens Riviera.
Participants sharing an interest in the Craft will have the chance, in a casual laid-back atmosphere, to communicate, exchange ideas and thoughts, to see old friends and to make new ones.
The aim of this Workshop is to provide an overview of the most recent topics concerning the Fraternity, such as: The role of Freemasonry in the 21st century, Regularity, recognition and fraternal relations, Masonic research etc.
The Summer 2014 International Masonic Workshop will hold two different types of speeches: lectures during plenary sessions by the invited keynote speakers and short presentations by the participants in the Workshop.
The organizers have established a list of panels, debates and round tables and have invited several distinguished guest speakers, who will deliver papers and lectures: John Belton (Author of The English Masonic Union of 1813), Dr. Ric Berman (author of The Foundations of Modern Freemasonry and Schism: The Battle That Forged Freemasonry), Dr. Eveline Durie, Antti Talvitie (architect of the Masonic Hall for the Grand Lodge of Estonia), Dr. Anna Zarkada, etc.
The Workshop will take place in Alexander Beach, a 4 star hotel located in Anavyssos, in the Athens Riviera, in front of an idyllic, blue flag awarded beach, 47km from the center of Athens, close to Sounion.
Several packages including a variety of accommodation and hospitality services, have been released at the event’s website.
Not much I can say about this video, other than to comment that it seems to really come from the heart takes a serious and respectful approach to the fraternity in a very modern and contemporary way. It definitely belongs in the sphere of the Masonic nexus of the material culture.
Even if you’re not a fan of the genre of the music I think you’ll find some depth in the message.
From the YouTube Credits:
Apathy – “The Grand Leveler” produced by Smoke The World
From the album “Connecticut Casual” (June 3rd, 2014)
On Dirty Version Records
Video by Reel Wolf Productions
Special thanks to the officers and brethren of Coastal Lodge #57 in Stonington CT & Bro. Jim Johnson
, hitting the bookshelf late in 2012. What makes Sullivan’s work interesting is the degree of focus he puts on the Apocryphal figure of Enoch in the Masonic degrees, a figure that most, at best, consider briefly in their progress and, at worst, completely ignore all together. Sullivan’s work takes on the historic, esoteric, and political implications of including the biblical figure of Enoch in both the York and Scottish Rite and why that inclusion may not have been with the purest of Masonic intents but rather a happy accident of allegoric construction like so often happens in the secret traditions, including those of Freemasonry. I found the conversation to be extraordinary and I think you will too as we gain a bit more insight on the keeper of the lost word that is found anew, at least in part.
, Dr. John Dee. If a copy of I Enoch fell into Masonic circles Dee is a likely source for the copy and the evidence is compelling.
), Dr. Ric Berman (author of 
and 
), Dr. Eveline Durie, Antti Talvitie (architect of the Masonic Hall for the Grand Lodge of Estonia), Dr. Anna Zarkada, etc.
