Lost Masonic temple, Los Angeles,

Something Lost: The Los Angeles Scottish Rite Cathedral

window, sculpture, Scottish Rite
Stained glass in Los Angeles Acottish Rite Temple.

I spent some time last weekend visiting the Marciano Art Foundation (and gallery) in Los Angeles. It is an amazing space with near limitless potential almost in the heart of the city of angels. What makes the space relevant to Freemasons is that the space that the Foundation Galley occupies was once the jewel of modern Freemasonry as the Los Angeles Scottish Rite Cathedral.

Building a Masonic Temple

sculpture, Albert Stewart, Los Angeles
the Double Headed Eagle of the Scottish Rite.

Built in 1961, the Scottish Rite Temple was the design by Millard Owen Sheets, a prominent American artist in the early century known for his mosaics on the mid-century Home Savings of America banks that populated California. His work stretched well beyond the Golden states adorning buildings with his mosaic and collections of collaborative artists work. Sheets was not a Mason but in his discussions with the then temple board, his charge was to construct a temple of epic proportions. Sheets own words in describing the project, recalls the project this way:

…I was surprised by the tremendous number of things that had to be incorporated in this temple. First of all, the upper degrees of [Scottish Rite] Masonry are given in an auditorium, and they are given in the form of plays. They have incredible costumes and magnificent productions of the basic concepts that are ethical and have at heart a religious depth, and they draw from many religions, as far as I understand. I’m not a Mason, but I do feel that it’s a tremendous attempt toward the freedom of man as an individual, and the rights of man as an individual, and respect for various races and creeds. I won’t say this is always obtained, but certainly, that’s been the spirit. They felt that they wanted to depict this in every form.

He goes on to describe the huge mural on the eastern wall, describing it as:

The huge mosaic on the exterior east end of the temple at that time was the largest mosaic I’d ever made. It starts out with the builders of the temple from the days of Jerusalem, and King Solomon, who built the temple, and Babylon. Then it jumps up to the Persian emperor, Zerubbabel. When the Crusaders went to the Holy Land, they built a place called Acre, which is still a very important historical monument to the period of the crusaders. Of course, there were other temples and I showed Rheims cathedral in the process of building. I showed the importance of [Giuseppe] Garibaldi, the Mason who broke away from the Roman Catholic church because of what he felt was its limitations and dogmatism. Ever since then, there’s been a certain quarrel, I gather, between the Masons and the Catholics. Then there is King Edward VII in his Masonic regalia as one of the great grandmasters. We had the changing of the guard at Buckingham Palace, which is part of the King Edward section. I think the final part of that mosaic shows the first grand master of California in his full regalia being invested in Sacramento. It’s a kind of historical thing going way back to the ancient temple builders and coming right up through to actual California history, which the California sun at the top symbolizes.

Millard Sheets, mosaic, Los Angeles, Scottish Rite
Millard Sheets History of Freemasonry mosaic in Los Angeles.

The mural he surmises represents that law and concepts of religion were involved in the great temples. Certainly, the Gothic cathedrals were the book for the people who couldn’t read. Well, they didn’t think of the American people not being able to read, but they wanted to show graphically the intensity of feeling throughout history toward the Meaning of Masonry.

In like manner, Sheets worked with sculptor Albert Stewart to adorn the master builders of history along the edifice.

The work and consideration alone that went into the temple might well be enough to say it was a great asset and jewel in the crown of Freemasonry. But like all crowns, they tarnish with time and often fall from the heads of the kings they once adorned.

Heyday of Masonry

By 1994, the Scottish Rite Temple in Los Angeles was all but abandoned. The Los Angeles Conservancy says of the space that it was the result of “years of declining membership” that the temple was vacated.

By their own telling, the Los Angeles Scottish Rite says of the temple that, “Due to zoning changes in Los Angeles over the years, it was increasingly difficult — and finally impossible — for the Valley to generate the revenue from renting the Cathedral necessary to maintain the building. It eventually became unavoidable that the building should be sold, which was accomplished in 2013.”

Ironic when you consider by its own admission that the Valley of Los Angeles held a “…one day class of 330 candidates in November 1974, [bringing] the membership to over 11,000. In 1980, Los Angeles was the largest Valley in the second largest Orient in the Southern Jurisdiction, and the 14th largest Valley in the Jurisdiction.”

And yet, this modern imposing temple fell into ruin.

After abandoning the temple it sat nearly empty save for a few unremarkable semi-urban businesses in the ground floor foyer. I remember that time, passing the building in awe at its grandiose presence and bewildered at the neon atm sign unintelligently fixed to its entryway. By all accounts, it could have been a Roman ruin in a landscape that had moved on and forgotten it.

But that was Freemasonry then

Millard Sheets, Scottish Rite, Los Angeles
Foyer at the Marciano Art Foundation.

In 2013, the temple was given a new lease on life in the hands of Maurice and Paul Marciano granting “the public access to the Marciano Art Collection (now closed) through presentations of rotating thematic exhibitions.”

Upon visiting, my first impression was that space is remarkable. Entering from the garage and walking through the foyer, it was impossible to not feel the energy of what it had been constructed for. Indeed, I had entered hallowed ground. It still felt like a once great Scottish Rite Hall. Standing at point, in the near pitch blackness of what was once the theater space, now the art installation of Olafur Eliasson’s Reality projector, I felt compelled to give the signs of the degrees — there, by my self, for the ghosts of the past to see that a brother had come to visit.

More on Masonic Art in Los Angeles.

Perhaps it was at this point that a deep feeling of sadness began to stir. That feeling stayed with me while I looked at the art. But, that stirring became a tempest of emotion when on the last stop in the space, in a small red-carpeted room in the north-west corner of the building. There, in the small ‘room’ sat the “artifacts” left by the “Masons who abandoned the building.” I use quotes here as these were the words used by the docent stationed in the space to tell interested visitors what the strange aprons and funny hats were.

Relics of the Life Masonic

relics, Freemasonry, Scottish Rite, hats, Los Angeles
The relic room of Masonic artifacts left behind at the Marciano Art Foundation in the Old Scottish Rite in Los Angeles.

Unremarkable to anyone familiar with the fraternity, in the room was an odd collection of ritual ephemera, staging books, old New Age magazines, odds and ends of the life masonic, and a padded altar bench. To the lay observer, these things are oddities in a building full of modern art — trinkets of a bygone era “…left behind by the Masons before they abandoned the building.”

I can’t say for certain if it was the space, the items in the space or the words taken in the context of the aforementioned relics of what Freemasonry once was. Leaving the relic room, I was moved to tears — not for the casual housing of materials sacred to me, but tears for what those relics once represented to the people in the space. To the owners of the history that poured the foundation and raised the marble edifice. Perhaps more so, the thought that this was the future of Freemasonry. That an empty building full of abandoned “relics” was really what lay at the end of it all.

Yes, the building is just a building, but it effects the priest no less to see the church he loves dearly, laid low by a fire or an earthquake.

Masons are builders and buildings can be replaced. Walking through the bones of a structure built to show the “intensity of feeling throughout history toward the Meaning of Masonry” felt like a priest walking through the ashes of his fallen church.

working tools, past master jewel, trowel, mallet, rough ashlar
Some of the “relics” of Freemasonry at the Marciano Art Foundation in Los Angeles.

I wanted to feel optimistic about the space. I wanted to appreciate it for what it once was.

Instead, I left haunted—feeling depressed and overwhelmed. Not at the space or the modern art within its walls.

I left feeling haunted by the ghosts of what it once was.

Sheets went on to design the San Francisco Scottish Rite Masonic Center building, a structure in perpetual use to this day. And, the Scottish Rite’s Valley of Los Angeles retains a presence meeting at the Santa Monica Masonic Center.

And yet, the bones of the cathedral remain in the heart of the city. A fitting fate for the Royal Art in the city of angels.

Lost Masonic Art

The following is some of the imagery and iconography that still adorns the exterior of the old Scottish Rite in Los Angeles.


You can read more on the theme of being a Priest for Freemasonry in the book, The Master Mason.

Is 2b1ask1 Working?

2b1ask1, joining freemasonry

The mechanism behind the aphorism simply implying that if someone wants to be a mason, they need to ask one. Short, simple, and to the point.

The phrase encompasses the admonition that no Mason will (or can) ask someone to join or become one, because then the decision to join is solemn one—a turning point if you will. From existing in the profane world and a desire to enter into the company of like-minded individuals in pursuit of moral excellence, a theme I explore in the book The Apprentice. 

2b1ask1 is a mantra familiar to every mason today. But does it work?

So, to join those in pursuit of that moral excellence, you have to ask for admission.

This website, itself, saying of 2b1ask1, that: 

This process is as old as the fraternity itself and ensures that the individual seeking the degrees is doing so of his desire and will.

But is that the right interpretation of the 2 be one—ask one mantra? Should it be used in a way to necessitate those interested in the fraternity too, literally, have to ask to be one?

Or, should 2b1ask1 (alternatively written 2be1ask1 or tobeoneaskone) be interpreted as a slogan illuminating the process of how to become a mason, but NOT a barrier of admission necessitating the potential member to know beforehand.

In writing this, I went looking through a grand lodge constitution, but couldn’t find anything that implicitly said that the only way to become a member was to ask someone who already was one. In a more roundabout way, it implied the prospective member need fill out an application and then undergo the requisite investigation. It was in this process that it seemed to me that 2b1ask1 idea found resonance by ensuring the investigation went smoothly and avoided any hiccups causing the applicant apprentice from failing out of the process or receiving a cube in the vote.

Tradition

So then, is the probation of having to ASK a Freemason to become a Freemason really a tradition from time immemorial?

Or is it a process to ensure the vetting process of admission be a near guarantee of entry—for a variety of reasons, all of which were mostly positive but to a degree (pardon the pun) the most beneficial to all involved on every level.

With that in mind, is the 2b1ask1 mantra working?

To assume someone would know to ask is a leap. The fact of necessitating it requires the asker knows in the first place their task. This would seem to be a barrier to entry without a large marketing campaign behind it telling prospective members “…Hey, you have to ask to join.” Maybe looked at in another way, it should be said: “Call us, we won’t call you.”

What would be the cumulative net value of flipping the script on this? Rather than necessitating a public who might not know anything about the fraternity to have to ask about it, approach it from the other way and work on a referral basis. Almost like an affiliate or feeder pipeline. You refer a friend, and they refer one, and so on… Yes, this would fly in the face of tradition to an extent, but wouldn’t solve the pipeline issue facing American Masonry today?

Morality Question

If people don’t know about something, they can’t join in. Think about this same concept in other terms.

Would you NOT invite people to come to your church? What about joining another social group you may belong to A club outing, a fantasy football league, a seminar on some social or political issue. Certainly, these are not necessarily on par with joining a Masonic lodge, but they still involve group participation with individuals you trust and hold in esteem. 

What is it that Freemasonry demands to morally obligate people to have to ask to be part of?

Imagine how different things would be if the onus of asking was on the other foot.

Imagine how different things would be if instead of relying on others to ask to join, the fraternity instead turned outward and asked those it believed in amity with the ideals to join its ranks. 

Maybe the idea of requiring outsides to ask has been the root cause all along for the decline in membership. 

What do you think?

symbol, ouroboros, time, freemasonry

Ouroboros | Symbols and Symbolism

In this edition of Symbols and Symbolism, we look at a reading on the Ouroboros, that serpent devouring its tail as a representation of eternity and the passage of time. This symbol, while existing in a mainstream context, is little known outside of most esoteric and occult circles. Its use triggers very specific meanings for those utilizing it as part of their overall allegorical narrative.

You can find more installments here: Symbols & Symbolism and on YouTube.

ordoThis symbol appears principally among the Gnostics and is depicted as a dragon, snake or serpent biting its own tail. In the broadest sense, it is symbolic of time and of the continuity of life. It sometimes bears the caption Hen to pan—’The One, the All’, as in the Codex Marcianus, for instance, of the 2nd century A.D. It has also been explained as the union between the chthonian principle as represented by the serpent and the celestial principle as signified by the bird (a synthesis which can also be applied to the dragon). Ruland contends that this proves that it is a variant of the symbol for Mercury—the duplex god. In some versions of the Ouroboros, the body is half light and half dark, alluding in this way to the successive counterbalancing of opposing principles as illustrated in the Chinese Yang-Yin symbol for instance. Evola asserts that it represents the dissolution of the body, or the universal serpent which (to quote the Gnostic saying) ‘passes through all things’. Poison, the viper and the universal solvent are all symbols of the undifferentiated—of the ‘unchanging law’ which moves through all things, linking them by a common bond. Both the dragon and the bull are symbolic antagonists of the solar hero. The ouroboros biting its own tail is symbolic of self-fecundation, or the primitive idea of a self-sufficient Nature—a Nature, that is, which, à la Nietzsche, continually returns, within a cyclic pattern, to its own beginning. There is a Venetian manuscript on alchemy which depicts the Ouroboros with its body half-black (symbolizing earth and night) and half-white (denoting heaven and light).

Freemasons and the New World Order

Is Freemasonry part of the New World Order?

To the unassuming public, the Freemasons are a society of likeminded men who come together to donate and raise money for good and charitable causes. But is this really true? Is the government a component of an underground Masonic society whose whole organization is a plot to form a new-world order?

Let’s look at the evidence.

A New World Order

The one world government, also referred to as the New World Order, is a theory that a select few elite people have a globalist agenda and aspire to rule the world as an authoritarian world government. This will replace sovereign nations and states and every country will become one under the same government. Culled in modern times out of Woodrow Wilson’s speech to Congress on January 8, 1918, in his Fourteen Points statement of principles for peace, he called for a League of Nations on the heels of World War I. In his list, point XIV calls for the formation of:

A general association of nations must be formed under specific covenants for the purpose of affording mutual guarantees of political independence and territorial integrity to great and small states alike.

He closes that speech, saying:

An evident principle runs through the whole program I have outlined. It is the principle of justice to all peoples and nationalities, and their right to live on equal terms of liberty and safety with one another, whether they be strong or weak.

Unless this principle be made its foundation no part of the structure of international justice can stand.

George Bush, in 1991, took up the phrase in a speech to Congress, not ironically in reference to making the world safe. In the address, he said:

I come to this House of the people to speak to you and all Americans, certain that we stand at a defining hour. Halfway around the world, we are engaged in a great struggle in the skies and on the seas and sands. We know why we’re there: We are Americans, part of something larger than ourselves. For two centuries, we’ve done the hard work of freedom. And tonight, we lead the world in facing down a threat to decency and humanity.

What is at stake is more than one small country; it is a big idea: a new world order, where diverse nations are drawn together in common cause to achieve the universal aspirations of mankind — peace and security, freedom, and the rule of law. Such is a world worthy of our struggle and worthy of our children’s future. (minute 6:40 in the video below)

He says further on,

We will succeed in the Gulf. And when we do, the world community will have sent an enduring warning to any dictator or despot, present or future, who contemplates outlaw aggression.

The world can, therefore, seize this opportunity to fulfill the long-held promise of a new world order, where brutality will go unrewarded and aggression will meet collective resistance.

(minute 49:42 in the video below)

You can read the full text of the speech at The American Presidency Project

Seemingly, this had less to say about world domination and more to insinuate peace, security and prosperity.

So where do the Freemasons come in?

Freemasonry and the New World Order

Great Seal of the United States, novus ordo seclorum

As one the world’s oldest secular fraternal organizations, the Freemasons have been at the heart or involved in a number of the world’s most pivotal moments. Let’s take the United States for example. The most powerful country in the world and yet on of the newest. George Washington and Benjamin Franklin were both Freemasons, and the influences of this society are seen throughout American state craft and culture.

Take a closer look at the Great Seal of the United States or the one dollar bill, The Great Seal bears the Latin phrase ‘novus ordo seclorum’ on the reverse, as proposed by non-mason Charles Thomson, translating to ‘new order of the ages.’

Ben Franklin, seal, united states
Rebellion to Tyrants is Obedience to God

Yes, Ben Franklin was on one of the early committees to craft the early seal, but in the end, it was not his seal that was selected. Franklin’s seal, chose the more modest motto of “Rebellion to Tyrants is Obedience to God” Some believe that the final motto selected alludes to the phrase New World Order and is a preamble for “Freemasonry is the Church of Satan masquerading as a fraternal mystical philanthropic order.” and are “fronts for Illuminati (Masonic & Cabalist Jewish) central bankers who started the US as a vehicle to advance their New World Order” pinning the phrase to “Illuminati bankers [who] have been plotting the ‘new order of the ages’ (featured on the US dollar along with the uncapped Masonic pyramid) for thousands of years.”

Was the American government created with the purpose of one day becoming the one world government?

One of the main reasons that the Freemasons have been the subject of the New World Order theory is that they rejected the traditional and orthodox authority because it didn’t fall into line with their idea that all people were equal. Not just this, but Masonic societies around the globe been known to treat all people, regardless of religion, as equals. This belief is often seen as highly un-Christian and, therefore, made masons a focus for people who believe in the one world government.

Secret World Government

But why are the Masons so secretive? What do they have to hide?

In this day and age where men and women are equal, why aren’t women invited to the Lodges all over the globe where these meetings take place? Many people believe that they are hiding something. Because of this secrecy, no one knows what really goes on except those who are involved in them. The Freemasons claim to be a charitable group yet they make no claims on the charities they donate to, and they ask for no official recognition. Why be so secretive?

Perhaps it comes out of another organization that has been linked to the Freemasons, the Illuminati.

Illuminati, founder, Adam Weinhaupt, philosopher
Adam Weishaupt

The Illuminati was founded in 1776, which coincidentally is the same year that America became independent. The main focus and beliefs of the Illuminati was a mixture of several different religions, mysticisms and even heavily borrowed the Freemasons ideologies. The main goal — that they spoke about — was to make people happy and people could become happy by becoming good. They want people to reject judgment and prejudices and believe that everyone should out for everyone. Sound familiar?

The Illuminati and the Freemasons are closely linked, and their beliefs are very similar, and its founder tried to infiltrate his organization into the contemporary Masonic lodge, but Weishaupt’s dream never say its full manifestation. Despite this fact, this is another reason why many believe that, together, they are one organization working together to bring about the New World Order. Because they want everyone to be treated as equals regardless of status, religion, gender, race or background, people believe that they are looking to create a world in which everyone is the same. What better way to do this other than create a one world government? If one government ruled the entire world then none of those things would matter and people would be truly equal.

American Founding Fathers

One of the other big reasons that people believe that Freemasons are looking create a one world government is because of what happened in the founding of the United States.

In the 1776, the United States of America didn’t exist. It was simply known as Mundus  Novus (New World) from a pamphlet written in 1503 by Amerigo Vespucci. The term was in opposition to the notion of an “old world” from which the age of exploration sprang. As the “new world” grew it took shape to include the 13 British colonies — each isolated from the other with degrees of different beliefs, different ideologies and even different religious practice (again, to a degree). They were made up of different races and ethnicities and all held widely differing political and societal beliefs. It was the organization by the Founding Fathers that sought to unify these disperate colonies under one government into a country that, after much bloodshed and heartache, would become known today as the United States. And what do we know about the founding fathers? That they were Freemasons.

founding fathers, America, history, new world order

It was the work of these founders that many see as the Freemasons unifying America under one government to be spread to the rest of the world. They started out with the United States, which many people dub the “practice country” and now have their sights set on the rest of the world.

The Big Picture

Obviously, none of these plans for world domination are proven fact.

Yes, the founding fathers were Freemasons and yes they did work together to unite the 13 colonies to become the United States. And yes, the Illuminiaiti sought to infiltrate European Masonic lodges to spread their ideology across the globe, but there is no real evidence that they did so because they wanted to rule the world under a “one world-government” despite what Wilson and Bush said in front of Congress to the American people (neither of whom were Freemasons).

The Freemasons are not a secret society, they are simply very traditional — a fact that many people don’t understand. And in that tradition, world domination is the last thing on its mind, unless that domination is in the form of doing good works and promoting civil society.

Ultimately, masons do a lot of good in the world and they do it without expectation of anything in return. There could stand to be a few more people who aren’t in it for the glory and just in it for the good of mankind. And really, if it were to come to light that they were looking to establish a world free of judgement a prejudices, would that really be the worst thing in the world?

Selected Sources

the master mason, book, masonic author, gregory b stewart

Between the Sun and Moon, A Master Mason is Born

the master mason, book, masonic author, gregory b stewart

Almost 6 months ago, on the day of the August, 2017, solar eclipse, I launched a project to publish the third book in the Symbolic Lodge series, The Master Mason. And, (almost) to the date of the January, 2018, lunar eclipse, that book went out to its backers and is available now to the public.

The Master Mason, our third step in becoming a Freemason, is out now.

The blurb for the book reads:

book, freemasonry, masonic, gregory b. stewart, master mason

The Master Mason: The Reason of Being – A Treatise on the Third Degree of Freemasonry

The Master Mason: The Reason of Being – A Treatise on the Third Degree of Freemasonry

Third, in the journey of the Symbolic Lodge, The Master Mason is a formal exploration of the symbolism and allegory at work in the third degree of Freemasonry. Through that lens, this work seeks to find the hidden esoteric connections and their connections with the centuries-old ritual that crowns the process of becoming a Freemason. As with its predecessors, The Apprentice and Fellow of the Craft, this work seeks to find parallel with its esoteric siblings, the Golden Dawn, Thelema, numerology, tarot, the Kabbalah and other arcane and occult traditions.

The Master Mason is a work that strives to understand the process of becoming a Freemason.

As many traditions hold the keys to achieve a degree of perfection, within the Masonic tradition we are shown this path through the becoming of a master. Truly, this degree opens as a mystery, and concludes on another, illuminating a path towards perfection and purpose.

You can find the book online at Amazon and other select sellers. Plus, if you’re a collector, there are a small number of special offers of The Master Mason available for a limited time including signed editions, very limited edition prints, and a collector coin — all of which you can find here.

flat earth, freemasonry, conspiracy

Is Freemasonry Behind Flat Earth Theory?

This article is one in a series exploring some of the ‘iconic’ notions of Masonic conspiracy theories.

As a Mason, there’s nothing better than a plausible conspiracy theory. However, one that makes even less sense now than it did a few centuries ago. This conspiracy says that the Earth is flat as a pancake and, for the really dark and mysterious, that it’s been one of the many attempts made by Freemasons to stifle intellectual progress and ignore scientific proof that says otherwise. So, with this in mind, let’s explore the conspiracy that says the Freemasons are behind Flat Earth Theory.

The Flying Pancake

Freemasons cooked this one up some time ago. The argument is that, since the Earth is flat, the place we call home is in fact the shape of an average pancake. If you were to fling that pancake across a room, you would be closely replicating the orbit of the Flat Earth which would account for tidal action and all kinds of weird tilting activity on the planet.

A flying flat earth pancake would certainly help to explain why rain and snow sometimes comes down sideways as opposed to straight down.

via GIPHY

The Ice Edge

Thanks to the wonderful minds of the wizards of Freemasonry (or is that magicians?), they claim that there is a reason why all of the water in the oceans don’t suddenly fall off the edge of the Flat Earth pancake. That’s because the edge of that pancake is encrusted with ice. The ice is so thick. In fact, that nothing can pass through it and slip off the edges. In other words, the Earth is more or less similar to a raised crust pizza. Just like the thick crust of a pizza keeps your toppings from slopping elsewhere, the crusty ice edge contains all the things on the planet.

The Solar System

By the way, wouldn’t you think that if the Flat Earth Pancake/Rising Crust Pizza was spinning through the air that it would eventually smack into another flat planet going the other direction? Well, the Freemasons have thought of an answer for that. Simply, there is no solar system.

We are the only pancake/pizza planet floating, or spinning, through the universe. In fact, we really aren’t spinning, rather we are, more or less, hovering around a section of space that is just big enough for our flat planet to exist in.

Did Hieronymus Bosch know know something about the Flat Earth when he painted The Garden of Earthly Delights tryptic exterior?

Hollywood Science Fiction Is Fake

Spoiler Alert! Movies produced in Hollywood that hint at anything related to life outside of the tiny atmosphere our flat pancake/rising crust Earth is hovering inside is straight up bunk. We know this because Freemasons created the sci-fi genre to entertain the masses and to make us all feel insignificant in a ginormous universe that does not exist outside of the imagination of Hollywood. The same goes for the small screen, too. Star Trek is a fine example. Why was it that each ‘foreign’ land that the Enterprise explored had gravity, people who resembled humans — most of whom could speak and understand English and oddly enough looked like an Earth landscape? Simple. Because none of it is real.

NASA is in On It

It really doesn’t take a rocket scientist to see through this one (pun intended). All the work put into creating the fake solar system and the equally fake landings on the Moon and other space exploration is part of the façade.

If the Earth is like a pancake, why do we see pictures and video of other planets that don’t look like our flat one? That’s because the top astronauts and scientific officials at NASA are all deeply involved in Freemasonry. Their goal is to keep us thinking that there is more out there and, by giving us round looking objects to gaze at with wonder, we grow to appreciate our flat pancake we call home just a bit more. Don’t even get me started on the fake Space Shuttle.

via GIPHY

Flat Earth Has a Meaning

The word ‘flat’ has a secret meaning to Freemasons.

It’s sort of a secret code word, you know, part of the ever-growing list of secrets that include special handshakes, phrases, riddles, symbols and games used to identify one Freemason from another. F.L.A.T. stands for “Freemasons Live Above the Rest of You.” Admittedly, Freemasons are supposed to be brilliant but Mensa intelligence may not be part of that package. Otherwise the statement would really read F.L.A.T.R.O.Y.

via GIPHY

Freemasons Have Infiltrated the School System

One place where Freemasonry has gained its best foothold is in the education system. With a particular focus on Earth Sciences, have you ever wondered why maps of the world are flat? That’s not because it makes them easier to draw on. It’s because Masonic teachers in your educational past were slowly planting the seeds of doubt into your young and impressionable minds. Sure, there were globes present in the classroom, but that was just to satisfy the non-believers. Take a look at any published atlas, road map or tourist street map — They’re all flat.

via GIPHY

Sure, if you can ever figure out how to fold them back up you may sense why flat maps work so well in keeping the theory alive.

The Flat Earth – Theory or Reality?

Well, there you have it. The flying pancake/rising crust pizza of a planet of ours could very well be flat. We’re just not all that interested in racing off to the ice edge to find out for sure. So, we’ll just accept the things we have learned and dream about the possibility that Freemasonry has screwed it up from the start in an attempt to dumb us down and take over the world. The entire flat world. We can’t really explain sideways snow or rain nor can we say for sure whether there are other planets as flat or round as we’ve seen pictures because we really only have pictures and video to go by. CGI may have been invented by Freemasons in order to solidify the Flat Earth Theory. We’d like to think of our planet as a round marble spinning around other, brighter space marbles but the pizza analogy keeps grabbing our attention. Especially the rising crust part. Maybe Freemasons cooked that up idea to distract us with a tasty food example to keep us off their trail.

Are Freemasons behind The Flat Earth Theory?

To say there is a Flat Earth Theory to begin with is an absurd enough notion. To suggest the Freemasons are behind the Flat Earth takes things down that conspiratorial rabbit hole of suspended belief in reality. The earth isn’t flat. Freemasonry isn’t hiding that it is. Freemasons celebrate the round globe atop one of its pillars when entering the masonic lodge (something the ancient world did, too) and utilize the compass (or dividers) as one of its key symbols. If you think the earth is flat, you probably need to get off the internet and spend some time in a text book.

via GIPHY

American Freemasonry, Inner Traditions, Alain Keghel,

American Freemasonry – The Noble Goal

An interview with author Alain de Keghel.

author, Alain de Keghel, American Freemasonry
Keghel is the author of the new book American Freemasonry: Its Revolutionary History and Challenging Future from Inner Traditions.

American Freemasonry, in context, is challenging to understand as it relates to the rest of the world. In many ways American Freemasonry mirrors the form and function of the lodge but, because it grew-up in the crucible of democracy that was itself, at the time, unique and new to the world at large. American Freemasonry is so different, that it has its own unique designation as “American.” But why does this difference exist? To understand this question, it would take an outsider to examine American Freemasonry. And who better than a Frenchman.

To put American Freemasonry into context I spent some time talking to Alain de Keghel, who is the author of the new book American Freemasonry: Its Revolutionary History and Challenging Future (you can read the press release on the book here) and help shed some light on Freemasonry in North America.

Gregory Stewart (GS) Why write American Freemasonry? What inspired Alain de Keghel to be the one to write it?  

Alain de Keghel (AdK): American Freemasonry is an issue which keeps rather controversial in some countries abroad,  while people writing, reporting  or simply delivering messages about it, not always simply knowing what matters. Quite often they sincerely believe to be aware but they never, by themselves, experienced American Freemasonry which is very diverse. America, as a whole, is a wide country and the addition of people of different creeds, different ethnic origins, different languages and specific cultural areas of origin, making together what we call the “melting pot.” And because I had myself the privilege to live in the USA for a long period of time, benefiting  also from the Fraternity of American Masons before of that, for example in Germany and Japan, I felt that it may be useful to share this quite rare experience in writing a book without prejudice. Even though I keep of course a specific cultural French reference simply because my basic roots are there, I tried to do it without any partisan point of view. This requires being familiar with American history which includes also the political side.

Of course any one will agree that Freemasonry shouldn’t interfere in politics — but nobody can ignore the geopolitical dimension of the origins of the American Revolution and the French-British  competition of two major powers that included important Masonic Figures like Thomas Jefferson, Ben Franklin, La Fayette and of course George Washington. But we have to consider also other Freemasons and political actors like the Admirals Cornwallis and Grasse-Tilly who both took a decisive part along with Rochambeau in the famous battle of Yorktown (October 19, 1781) paving the way to the American independence.

Anyone may conceive that as a former diplomat and a Freemason I have indeed an acute interest in those aspects of French-American relationships as well from an international point of view as from both Masonic and historical ones. All these elements inspired me to write a book to try also to share the analysis from outside America. But I never intended to deliver a message which would pretend to be the “unique truth” which simply does not exist. Objectivity is a noble goal but I frankly believe that it does simply not exists.

GS: The French-British competition?  Do you mean the anglo war or some other conflict?

AdK: I was referring more generally to the geopolitics at this period of time where the two then “super powers ” and kingdoms where competing all over the world. And for sure in America during the American Revolution.

GS: The press release for the book puts emphasis on the fact that American Freemasonry was “deeply influenced by the experiences of many early American political leaders, leading to distinctive differences from European lodges.” I’m curious if you could elaborate on this or, perhaps, give an example of one of those influences and what difference it’s manifested into.

book, Alain De Kegel
American Freemasonry
Its Revolutionary History and Challenging Future
By Alain De Keghel.

AdK: In answering your previous question, I was just referring to major figures and early American political leaders while explaining why I choose to report and analyze American Freemasonry “with French eyes.” America, meaning the United States of America, is a young Nation and it appears to me important to refer to the early roots of this First power in the world today if we try to better understand how it evolved in the run of centuries since the famous arrival of the Mayflower with European refugees looking for absolute freedom of religion. Since absolute freedom of thought belongs to the most fundamental aims of Freemasonry, I would say that many of the first American political leaders spontaneously felt very comfortable with the political philosophy of the Enlightenment which is important for Freemasons all around the world. If you read the Bill of Rights and the Declaration of Independence from Philadelphia on July 4, 1776, you very easily will find references to basic principles and values which belong to the patrimony of the Masonic Order. And it is not by chance because many writers of these texts were Freemasons. By the way, we see here the long lasting influence of this way of thinking since the values they referred to,  are still accurate today. It is, to me, the most convincing demonstration that Freemasonry, while preventing of mixing in politics, is by definition a place where the civil society may find some references to ideals and principles of an ethical and political nature.

But, unlike in Europe, the same American segments of the society who emigrated to preserve their sacred right to practice their belief without fearing prosecution, these segments of society have also sometimes developed “protective reactions” which may seem contradictory to their aims. I refer here more specifically to the famous Morgan affair which I explain in my book. This was a major challenge to American Freemasons leading once to the candidacy of an “anti-Masonic party” running for federal elections. Since then, we can observe that the memberships of American Freemasonry kept totally away from its involvement in the political life of the American society.

European lodges never experienced this kind of extreme challenge and still keep outmost interested in debates over new issues like bioethics, control of birth, justice or death penalty just to list a few examples. In some countries, like France, lodges used to be a kind of “laboratory” or think tank where these kinds of issues belong to, of course beside and outside of the political partisan debate. This is one of the major distinctive differences with American Freemasonry which avoids playing any societal role and privileges the practice of ritual and of charity. It is not a critique but simply a matter of fact.

Another major difference remains, of course, and reflects specific social specificities on both sides of the Atlantic. In America white and black lodges work, mostly but not exclusively, seperately. In France, Masonic lodges are places where this kind of separation simply does not exist and could not be possible. But here again it is part of different histories.

GS: I’ve had the chance to speak with both Margaret Jacob and Arturo De Hoyos, so I’m familiar with their exemplar work on Freemasonry, but I’m curious why you chose them to pen the forwards for this book?

AdK: Because I am today mainly dedicated to research and academic activities, writing books and  sharing my knowledge as a scholar all over the world. I spend  a lot of my time working with Universities and Libraries which simply belong to the natural environment to collect and share accurate information and reliable sources. Having spent many years in the USA and still keeping the good habit to visit your country at least once a year, I have an ongoing good relationships with American academics.

Margaret C. Jacob, PhD, is best known as  a professor of history at the UCLA and is one of the world’s foremost Masonic scholars. She is considered a pioneer in the field of the history of civil society with emphasis on Masonic history. For that reason it was important to me to have her delivering, also to American readers, a point of view which matters.

For other reasons, my old friend Art de Hoyos appears to me as one of the American Masons best entitled to write comments on my research since he also is recognized worldwide for his sophisticated Masonic education and knowledge. A Grand Archivist and Grand Librarian of the Scottish Rite Southern Jurisdiction he allowed me, as a French life member of the Scottish Rite Research Society, to implement very important research activities in Washington, DC in order to put more light on the French-American Masonic ties throughout time.

But let me also refer here to my other friend, the past Grand Master of the Grand Lodge of California, John Cooper, who also agreed to write an important afterword taking into account what we together did in the nineties and later on for the promotion of inter-Masonic exchanges in Sacramento, Edinburgh and in Paris.

As a matter of fact, these choices reflect a reciprocal confidence of people having different experiences but sharing the same values and one goal: building bridges among people of goodwill!

GS: The title of the book, its dust jacket and interior art leans heavily on the pantheon of American early American Freemasonry. In your work, how deeply did you delve into the other ‘American’ Freemasonry in say Mexico, Canada and further down into South America?

AdK: I am very grateful to you for this question which provides me the opportunity to embrace American Freemasonry in its diversity as I honestly did in my research. If you read my book you will learn that I was also for several years a French Diplomat in charge of representing my country at several inter-American bodies: Organization of American States, ECLAC (a specific body of the UN for economical affairs in Latin America and the Caribbean countries), the Inter-American Bank of Development and the American Regional Health Organization (OPS). My American overview includes, for this reason, a global analysis with a special focus on Latin America. But in my present book, I do not write about this specific and very important dimension. But I just have directed and published, early in July 2017, a new book totally dedicated to Latin America and the Caribbean region. It may be soon also translated in Spanish.

GS: What is this book? Is it out now or is it coming soon?

AdK: This book was meanwhile published — in French so far — in July 2017: L’ Amerique Latine et la Caraibe des Lumieres, Dervy, Paris. It is about to be translated into Spanish and edited in Buenos Aires, Argentine.

One word more about Canada: the Freemasonry in this country belongs to the Conference of American Grand Lodges and I have of course also included a chapter to present it to English speaking readers.

GS: Interesting in your follow up there, you say Canada belongs to the CoAGL (Conference of American Grand Lodges) Why do you think that is?

AdK: It is not an opinion but a matter of fact. Mexican Grand Lodges similarly also included into this masonic regional conference.

GS: In the press release, you establish that there’s a difference between American and European lodges. Could you illustrate a few of what your work defines as differences? 

AdK: The answer to this important issue is in fact easy: I have honestly tried to compare both sides and readers will discover in my book what I consider as fundamentally different. So if you allow me would prefer not to elaborate here and to keep the “surprise” for those who will read. But you may have already noticed that I was referring to one major difference. The “racial issue” simply does not exist in European lodges — unlike in America. It appears to me to be a very important difference but there are others which I address in my book. Maybe some reactions of American readers and a kind of dialog could arise from that.

I must confess that this would be of outmost interest for me and some way a privilege to establish such an exchange and dialog with American readers.

GS: Do you think these differences have affected membership levels on both sides of the pond? 

AdK: For sure these differences had and still have, in my opinion, an impact on the memberships — but mainly on the influence or input of the Masonic values in the civil society. If you simply look at American statistics — and I do it also quite extensively in my book — you will realize that the memberships is steadily declining in American Lodges since the late 40s of the last century, while it is increasing in France. It is clearly one of the results of differences in addressing Masonic education, societal topics and actual issues.

Masonic education and Masonic tradition are of course both important.  But young people connected with a very demanding society expect certainly more.

GS: Do you think the European version of lodge work could be implemented straight out of the box in America?  

AdK: I would never say: “Do like us,  and you will do better.” It would be, first, very arrogant — but also inaccurate because every society has its own rules resulting from history and culture.

But you raise a good question. Would it make sense to try to experiment with other practices? This is what some American Grand Lodges have already have begun to implement with some impressive success. It is the case in California, for example. No one has a miraculous recipe to offer. But “building the bridges,” a principle I was several times referring to in the run of this interview, may be part of the solution. It is my conviction that everyone has something to learn from encounters in a global world or a “world village” as someone once said. It is part of cross culture, a reality of modern times.

GS: Are there, or do you know of any examples of this implementation?

AdK: Of course yes. I know that specifically at least one Grand Lodge has recently engaged in this policy. It is the Grand Lodge of California.

GS:  What do you hope American’s take away from reading American Freemasonry? What do you hope European (or non-American) Masons to take away from it?

AdK: In writing American Freemasonry, first in French, I had mainly in mind to explain to my fellow European Masons what I have learned from my American Masonic experience because they too often have a poor knowledge of  America in general and quite often misunderstand it. I had claimed, in a previous answer, to build bridges, and my book is part of that. As an American Publisher, Inner Traditions (American Freemasonry’s publisher) accepted the idea to have my book also translated into English and edited in the USA. I was of course delighted to contribute this way to entertain a dialog with my American Fellow Brethren which is also part of building bridges and reciprocal confidence. At a period of time where the flow of information obeys the law of instantaneity and of superficiality, within the so called social networks with their “like” and “friends” who never encounter beside on the networks, I do hope that my writings may help to develop a better understanding founded on knowledge and not on prejudice.

Maybe, American Masons eventually could also be interested to discover how a French freemason sees them? But I may be mistaken and possibly nobody cares? Let us try!

I remain modest in my ambition.


You can find Alain de Keghel’s new book American Freemasonry: Its Revolutionary History and Challenging Future, published by Inner Traditions – Bear & Company, on its website American Freemasonry, and at American Freemasonry on Amazon.

33 and beyond

33 and Beyond – the Royal Art of Freemasonry

Johnny Royal, through TriCoast Worldwide, will release a new documentary this Friday, October 13, 2017, that’s set to be the world’s first documentary about the Freemasons made by Freemasons. 33 & Beyond, the Royal Art of Freemasonry is touted as a film that examines the structure of the American Masonic system. On the eve of the films debut, premiering at the Masonic Theater in the Grand Lodge of California in San Francisco,

I had the opportunity to talk to the the director of the work, Johnny Royal, and try to catch a glimpse of the Royal Art before it hits the big screen.

Haven’t heard of the film? You can catch a preview of it here:

33& Beyond: The Royal Art Of Freemasonry Trailer from TriCoast Studios on Vimeo.

Masonic Traveler (MT): Johnny, thanks for taking the time for this.

Johnny Royal (JR): My pleasure. Thank you for your time.

MT: Let me start right into the thick of it, why did Johnny Royal make this movie about Freemasonry?

producer, director, Johnny royal

Director, Johnny Royal

JR: In 2010, as I was going through the rituals of the Blue Lodge degrees, I felt a calling to share the depth of the emotional experience I had while going through the work. My dad died when I was 14 and I searched for answers and until I encountered Freemasonry, I was looking for answers on spirituality. The film is the hero’s quest and is a love letter to our fraternity.

MT: Reading some of the different blurbs on the film, it seems the final work took some time to emerge, seven years as the release tells it. I’m curious how the story you wanted to tell evolved over that time. Did it move in ways you hadn’t anticipated?

JR: When we finally finished filming we had over 140 hours of footage. One of the main reasons the film took so long was because I really didn’t understand what the story was until I studied all of the footage. I began to understand that there was an alchemical thread which ran through all of the dialogue. The more I understood this, the more I began to shift my story which added 3 years in post of editing, coloring, etc.

MT: Does the film end where you thought it would when you started the project?

JR: Not at all. It turned into a masterpiece and exceeded every expectation I had. In particular, using my own life experiences to create the umbrella of the story arc.

MT: For the title, you use 33 and Beyond. I have to ask, how does that play into the themes of the film.

JR: This movie covers the American Masonic system so we go through the Blue Lodge up through the 33rd degree and all of the York Rite bodies which constitutes the name of the movie.

one sheet, film poster, 33 and beyond, freemasonry

33 and Beyond – the Royal Art of Freemasonry film.

MT: I’m fascinated to see how the hero’s journey plays out in your film. I’m curious how you see the notions of the hero’s journey play out in the the masonic traditions. Do you find any other philosophical themes at play in the rituals that take place behind the lodge room door?

JR: The idea of the hero’s quest in the film aligns with the thinking of Joseph Campbell. In Masonic rituals we have all of these characters who represent heros and villains. This leads to the idea that we have the individual ability to either be the hero or villain in our daily lives.

MT: Who do you see as the audience for 33 and Beyond? Is it approachable by masons and non-masons alike?

JR: The audience is both public and Masonic alike.

MT: With the premier taking place this weekend in San Francisco, are their upcoming dates that readers can catch the film release in the coming weeks?

JR: We just launched the pre-orders for the Blu-Ray and DVD at www.TheRoyalArtMovie.com and will follow up with a full theatrical schedule.

MT: Any chance 33 and Beyond will make it to the digital streaming platforms for the wide audience?

JR: Yes early next year.

You can catch the red carpet premiere at The Grand Lodge of California in San Francisco and participate in an exclusive Q&A with featured Masons from the film as they answer questions and explore the Masonic tradition.

To get tickets for the October 13 premier, and find more information, visit: https://www.eventbrite.com/e/the-royal-art-of-freemasonry-tickets-37676125305.

Can’t make the premier? You can catch 33 & Beyond, the Royal Art of Freemasonry in select cities in the coming months, including: Nashville, TN, Los Angeles, CA, Phoenix, AZ, Guthrie, OK, Alexandria, LA, Charleston, SC, Philadelphia, PA, New York, NY, Chicago, IL and Detroit, MI.

To preorder your DVD copy of the film, visit: The Royal Art Movie website.

Want more, read the press release from SFGate on about the World Premiere of The Royal Art of Freemasonry Documentary.

New Book Explores the American Masonic System, its Strengths and Failings

book, Alain De Kegel
American Freemasonry
Its Revolutionary History and Challenging Future
By Alain De Keghel.

New book coming in October, American Freemasonry: Its Revolutionary History and Challenging Future, by Alain de Keghel with forwards by Arturo De Hoyos and Margaret C. Jacob.

Freemasonry bears the imprint of the society in which it exists, and Freemasonry in North America is no exception. While keeping close ties to French lodges until 1913, American Freemasonry was also deeply influenced by the experiences of many early American political leaders, leading to distinctive differences from European lodges.

Offering an unobstructed view of the American system and its strengths and failings, Alain de Keghel, an elder of the Grand Orient de France and, since 1999, a lifetime member of the Scottish Rite Research Society (Southern U.S. jurisdiction), examines the history of Freemasonry in the United States from the colonial era to the Revolutionary War to the rise of the Scottish branch onward. He reveals the special relationship between the French Masonic hero, the Marquis de Lafayette, and the Founding Fathers, especially George Washington and Benjamin Franklin, including French Freemasonry’s role in the American Revolution. He also explores Franklin’s Masonic membership, including how he was Elder of the lodge of the Nine Sisters in Paris.

The author investigates the racial split in American Freemasonry between black lodges and white and how, unlike French lodges, women are ineligible to become Masons in the U.S. He examines how American Freemasonry has remained deeply religious across the centuries and forbids discussion of religious or social issues in its lodges, unlike some branches of French Freemasonry, which removed belief in God as a prerequisite for membership in 1877 and whose lodges operate in some respects as philosophical debating societies. Revealing the factors that have resulted in shrinking Masonic enrollment in America, the author explores the revitalization work done by the Grand Lodge of California and sounds the call to make Freemasonry and its principles relevant to America once again.

Alain de Keghel served as chair of the Supreme Council of the Grand Orient of France from 2002 to 2008. In 1994 he became a lifetime member of the Scottish Rite Research Society (Southern U.S. jurisdiction). The chair of an independent European Masonic Research Society, he has worked with the Philalethes Society in North America and with the research lodge Quatuor Coronati no. 8 in Germany. He is the former Consul General of France in Tokyo and Washington, D.C., and lives in Paris.

American Freemasonry: Its Revolutionary History and Challenging Future is published by Inner Traditions – Bear & Company. More on American Freemasonry, on the web.


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Deering Lodge, Freemasonry, masonic play

In The Interests Of The Brethren Masonic Play Coming to Maine

Deering Lodge, Freemasonry, masonic playOn November 13 Deering Lodge #83 AF&AM (102 Bishop Street, Portland, Maine deeringlodge.com), under the Grand Lodge of Maine (www.mainemason.org), will bring a momentous and unique event to Maine’s Masonic community.  The Lodge will host the debut of the one act Masonic themed play, In The Interests Of The Brethren, written and directed by Brother Aaron Joy of Portland, with a six man cast drawn from across the district’s nine lodges.

Calling this is a ‘unique event’ is meant quite literally. This will be the first time a play combines all the variables of being explictly about the Masonic experience, taking place present day and not historically themed or a dramatization of a historic event, written by a Maine brother and not a former Scottish Rite degree or Brother Carl Claudy play, and performed for the public with no cover charge. All those variables make for a unique moment in Maine Masonry and the Portland theater scene as no previous Masonically sponsored show has brought all these variables together.

The show is open to the public and all are invited, whether Masonic brother or curious about Freemasonry or just a theater attendee looking for a new experience, men and women, though the show is not thematically relevant for youth. This is not semi-public nor in open lodge, but a fully public informal event. Optional dinner at 6:30, show at 7:30, normally scheduled Stated to follow for attending brothers. Guests are invited to stay after the show to discover more about Masonry. No tickets or entry cost, but those who come for dinner are asked to give a small donate to cover food costs and RSVP for a head count. Other attendees, in lieu of tickets, are invited to instead contribute to the Lodge’s annual collection of personal items that are boxed together for the homeless. A donation can be something like a wool hat or a toothbrush.

The play, written 2016, was loosely inspired by the Rudyard Kipling short story of the same name, which is about a soldier discovering how a lodge transcends world problems and turns enemies into friends on the level. The play is about a guy that left Masonry after the first degree on the eve of his father not being voted in as Master, and who would also leave the Craft to soon die heart-broken. Years later, when Masonry is a forgotten bitter taste, the guy finds himself unexpectantly attending Lodge. Here he discovers what Masonry really means, comes to terms with his father’s death, and understands why even in the face of disappointment his father still encouraged him to stay with Masonry.

The play will be presented as a reading. This is not to be confused with poetry readings but is a performance without formal set or costumes and with script in hand. While eliciting interest in staging future or more eleaborate productions is welcomed, the goals of this reading is to share a local brother’s creative work, get writing feedback for further development, introduce a new social activity into Lodge culture, open the lodge to visitors and remind brethren that Masonry isn’t just about memorizing ritual but it can go wherever one wants to take it.

Its author/director has over 200 theater shows under his belt, ranging from community theater acting to historical re-enactments to technical work to directing Off-Broadway to writing an award-winning musical. Currently, he can seen acting lead in Scottish Rite Northern Masonic Jurisdiction degrees and in 2016 was in a largely improvised 2 act gangster themed show for DeMolay and Rainbow. To direct his own show is a lifelong dream and Masonry provided the much needed source of inspiration while seemingly aligning the stars. Brother Joy is a member of Portland’s Triangle Lodge #1, Gorham’s Harmony Lodge #38, Scottish Rite NMJ and is the webmaster for the Maine Lodge of Research.

For more information, contact playwright/director Brother Aaron Joy at aronmatyas@hotmail.com or call/text 646-597-1583 (leave a message) for more information, questions, and to RSVP for dinner.

What: A one act Masonic themed play, In The Interests Of The Brethren
When: November 13, 2017
Where: Deering Lodge #83 AF&AM, 102 Bishop Street, Portland, Maine
Cost: Free (donation suggested for dinner following)


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