The Knights of the Masonic Roundtable

They are known as The Knights of The Masonic Roundtable or simply as The Masonic Roundtable. They are five innovative, hard working, and extremely nice Masons who got together in 2014 to spread Masonic light around the world via their weekly show.

Phoenixmasonry (and Freemason Information) is delighted to have had the opportunity to meet the Knights and publish this interview so we can all get to know them better.

From left to right, The Masonic Roundtable Brothers: Nick Johnson, Juan Sepúlveda, Jason M. Richards, Jon T. Ruark, and Robert Johnson. Photograph taken at the Masonic Village in Elizabethtown, PA. Phoenixmasonry would like to thank The Masonic Roundtable for kindly allowing us to display this photo for the first time in this interview.

The Masonic Roundtable show airs live every Tuesday at 10pm ET on their website and YouTube channel. You can find audio versions of all of their episodes on iTunes and Stitcher Radio.

Jon Ruark
Jon Ruark

Elena Llamas, Director of Public Relations for Phoenixmasonry: Hello, Knights, thank you for this interview. It is an honor and privilege to interview you. It has been two years since you got together and you are going strong, meeting every single week. Is it fair to assume that you will be around in the foreseeable future? I hope so!

Jason: Hi, Elena! Thanks so much for spending some time with us. The hosts of TMR always told each other that we’d keep going until the show stopped being fun. We’re still having a blast, so things are looking good!

Robert: Agreed. It’s become a highlight of the week for me.

Elena: That’s great! Why the name Knights of the Masonic Roundtable? And how did you get started? I understand Jon’s love for technology, gadgets, and Masonry was the starting point.

Jon: It was! Being a self-proclaimed Android nerd, I followed a site called Droid Life which introduced a live show talking all things Android that week (new phones, new announcements from manufacturers). What was neat was that they also added commentary very organically, and you could tell they knew their material. I figured someone should do a similar show but for Masonry. I didn’t anticipate that someone to be me!

Scene from the Droid Life Show
Scene from the Droid Life Show

I was such a huge fan of other Masonic podcasts, such as The Winding Stairs, and Whence Came You? and blogs like the Millennial Freemason, and although I had “friended” most of them in the past, I did not really know them well. On a whim, I asked all of them if they would be willing to try it out as an experiment. Ego stroking worked in my favor.

Robert: It sure did, Jon. Ha!

Juan: When I first heard Jon explain the concept and when I found out that Robert was also on board, I didn’t need to hear anything else. I saw it as an opportunity to continue learning about the Craft and sharing that knowledge with other Brothers.

Jason: We wanted the show to be a roundtable discussion, so we kept the “Roundtable” name and The Masonic Roundtable was born. We added in the Knights as a homage to the York Rite (Knights Templar, specifically), of which four out of the five hosts are members.

Robert: We’re working on Jason. 🙂

Jason: Yes, I’m the host with the vintage Knight Templar triangle apron hanging up in his studio who isn’t a member. Oh, the irony!

Jason's Studio
Jason’s Studio

ElenaI noticed it! Jon had a great idea and, in turn, you all have been part of the inspiration for Phoenixmasonry’s own show, airing soon, which will be different from yours, of course, and also online.

Jason: We can’t wait to see it! The fraternity desperately needs new sources of quality, well-researched Masonic education. We’re looking forward to seeing what Phoenixmasonry comes up with.

Elena: Thank you! You have certainly laid such a standard for others! Tell us about your logo. Is this your design? And please explain its meaning.

Jason: Yes! This is our trademarked design. The logo is absolutely critical to the show’s branding. Juan came up with some early designs for the artwork and I added the symbolism and other enhancements. I try to pack as much symbolism into my designs as possible while keeping them minimalist in style.

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Elena: That certainly was accomplished with the logo.

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Jason: The essential design elements of our logo include the following:

First, you’ll notice the circumpunct: represented by the outer rings and the dot in the middle of the square and compasses, which is an admonishment to ourselves (and our viewers) to manage time wisely. Our time on the Earth is finite. It is our duty to God to manage the time that we have as best we can. The circumpunct has historically represented Deity, and its inclusion in our design emphasizes the centrality of our duty to God.

Second, the triangle, which interlocks with the circumpunct, represents the three tenets of Freemasonry: brotherly love, relief, and truth.

The five five-pointed stars represent the five original Knights of The Masonic Roundtable. They also allude to the five orders of architecture.

An order of architecture is a style encompassing all parts, proportions, and ornaments of columns in a building. The Five Orders of Architecture depicted above have always been closely associated with operative masonry and their influence and symbolism were carried into speculative masonry. Source: MoF Masonic Library.
An order of architecture is a style encompassing all parts, proportions, and ornaments of columns in a building. The Five Orders of Architecture depicted above have always been closely associated with operative masonry and their influence and symbolism were carried into speculative masonry. Source: MoF Masonic Library.

Jason: Each order of architecture is unique in its own way, adding a very specific kind of beauty to the building a given column adorns. Each of the five hosts is unique in his own personality and perspective, and each host adds a flavor to the show that would be sorely missed otherwise.

Elena: I agree.

Jason: As stars produce light, the representation of the hosts as stars alludes to the entire point of the show, which is to spread Masonic light and knowledge everywhere we can. As stars bring light, we attempt to do the same by sparking constructive Masonic discourse.

Elena: What beautiful symbolism!

Jason: Finally, the words “MORE LIGHT,” which appear in the bottom of the design, allude to our sign off, “Keep searching for more light!”, which is our admonishment to our viewers and listeners to keep the discourse going long after the episode ends. Every Mason has a duty to use his/her time on this earth to learn as much as he (or she) can.

As you can see, this design is the very heart and soul of our show, which is one of the reasons why we turned it into a set of lapel pins we sell on our website to cover our production and hosting costs. We packed even more symbolism into the pins by using specific colors as an homage to the Royal Arch (red), Cryptic Council (purple), Allied Masonic Degrees (green), Scottish Rite (white), and Blue Lodge (blue) bodies of Masonry.

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Elena: The pins are lovely! You are on your 130th episode. I spent a lot of time on your YouTube channel and was so impressed by the range of topics you discuss. I recommend readers set aside a weekend or two for a Roundtable marathon. Your topics vary from what a Masonic political party would possibly be like to in depth discussion on Masonic studies, interviews with Masonic personalities, and discussion on different currents within Masonry and other religious observances. Do you have a system for coming up with each week’s topic?

Jason: We start with topics we ourselves want to discuss. We have a backlog of topic ideas (and potential guest hosts/experts to bring onto the show to complement the topics) that we pull from. Our best show topics, however, have come as suggestions from our listeners. We love taking listener recommendations for topics. Our episodes on Racism in Freemasonry, Essentials of Lodge Leadership, the Kabbalah, and Masonic Ciphers were all requested by listeners. We get new suggestions each week, and never tire of hearing topics about which listeners would like to learn more. Some of our topics span episodes (like our four-part series on the four cardinal virtues), but most of our episodes are standalone.

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Elena: I have noticed that you are very responsive to questions and comments from your audience.

Jason: Social media is my favorite part of each episode!

Juan: I agree with Jason. Social Media, when used adequately, can be a very versatile tool. There have been many times when we have a particular opinion on a topic, only because we have ignored some alternative explanations. All it takes is a Brother to share his view on our Facebook page and now we have a new perspective to consider.

Robert: It’s always fun and nerve racking to be put on the spot with a position you’ve decided to take on the episode when a listener who is watching live decides to ask you right there on the show about what you just said. I love it. It’s an exercise in logical discussion and that’s what is truly different about this program and why I think it’s gotten the success it has.

Nick: Coming from the blogging world, I still get comments from posts I wrote years ago. I think that is useful and helpful. Since The Masonic Roundtable is a topical show by design, I definitely like the questions that keep coming in, even from episodes we did from a while back. It keeps my mind humming with new thoughts and new perspectives.

Elena: You start out each episode with a bit of trivia, Masonic news, conversation, and more. It is a great way to keep your viewers updated and interested while having fun.

From the “Masonic Time Travel” episode (featuring Jon and Jason from The Masonic Roundtable)
From the “Masonic Time Travel” episode (featuring Jon and Jason from The Masonic Roundtable)

Jason: It took us a lot of trial and error to find the right balance of special segments and discussion. If you go back to our early episodes (please don’t judge too harshly!), you’ll find much more inconsistency in the format. Over time, we’ve refined how we do the show (largely due to feedback we receive from our listeners). We’ve got the format down pretty solid nowadays, but we can always change it up as our audience’s needs evolve.

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Elena: You film from your personal offices, living rooms, and sometimes even hotel rooms. You must have worked out a system for making sure your families give you time every week for the show. Jason’s cat isn’t having any of that (see image below). 

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Juan: In my home, I have a dedicated Art Studio/Office space that is separate from the rest of the house. My family knows that Tuesday Nights I am recording TMR and they know to stay away from the Studio (It’s too messy in there anyway).

Elena: With a weekly show, plus your non-Masonic jobs and other Masonic endeavors, how do you manage to remain enthusiastic about the show, week after week?

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Jason: It’s difficult. From the very beginning, we had to make a conscious effort to make the show a priority. I’ve had plenty of nights where I would have much rather gone to bed early then stayed up late doing the show. Every Wednesday is a big struggle for me at work because I’m dragging from staying up late the night before. But what I’ve personally found is that the discussions I have with the other hosts and the interaction we get from those watching live makes the sleep deprivation totally worth it. There’s a reason we keep coming back every week; that reason is that our listeners are amazing.

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Robert: It is definitely a struggle sometimes. There will be times (frequently) I’m “live from mobile masonic command”, as the fellas have called it. As you’ve said, with work, kids, families it gets a bit nuts. I’ve blown off Masonic meetings to do the show at times but the District Deputy Grand Master meetings are the ones I can’t miss and why I am sometimes driving and doing the show. The listeners have not complained about the noise in the car…which I am deeply appreciative of. 😉

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Juan: I enjoy doing the show and I love my Fellow Knights, but there are times when I may have had a rough day and don’t feel particularly motivated. All it takes is for me to let the Brothers know how I feel and they cheer me up, just in time to sit in front of the camera and forget the difficulties of the day. It’s the cheapest therapy in town, if you ask me.

Elena: Are you invited to Lodges and Masonic events as a group to talk about your show? I think you are a great example of how technology and Masonry can combine to produce refreshing and new possibilities.

Jason: We have had the privilege of speaking individually and collectively across the country, both virtually and in-person! In June, I was invited to do a virtual presentation in a lodge in Wisconsin. It was a great instance where we were able to use technology to enhance and promote Masonic education! On a larger scale, we were invited to be the featured speakers at the Pennsylvania Academy of Masonic Knowledge in March of this year. We streamed the entire event live–a first for the Academy–and had an amazing turnout!

Juan: The Pennsylvania Academy of Masonic Knowledge event was an amazing experience, but we recognize that it is a little more difficult to bring all five of us to speak at an event (It’s possible though). However, we get invitations to speak at Lodges individually on a regular basis. I’m one of those strange creatures who really enjoys public speaking and I love doing it to spread Masonic Education. Getting to sit with Brothers from around the Country is a great privilege of our profession.

Robert: It has been wonderful to share fellowship with lodges all around the country. I think we really had an amazing opportunity and experience when we all were in PA for the Academy.

The Masonic Roundtable panel discussion at the end of the PA Academy of Masonic Knowledge, 2016
The Masonic Roundtable panel discussion at the end of the PA Academy of Masonic Knowledge, 2016

Jason: Brethren tuned in from as far away as Texas! The event itself included individual presentations from each of the hosts and a combined presentation at the end. Best of all, you can still go back and watch the entire event on our youtube channel! It’s just another way that we were able to use technology to expand the reach of Masonic education.

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Elena: If a lodge wanted one or more of you to come speak, what would they need to do?

Jason: The first step, like everything in Masonry, is to ask us! We’ve got a calendar of speaking engagements listed on our website. I’m personally happy to do presentations virtually any time I can fit them in, and if you’re near the Washington, D.C. metro area (or want to do something virtually) you might be able to get me and Jon as a 2-for-1. If I can help contribute to your lodge’s commitment to providing quality Masonic education to its members, then I’ll do so in any way that I can!

Robert: True story. Just ask. I maintain a page on the Whence Came You? website, and I try to get those dates to Jon, since he does most of the website work. He does a great job. We will travel far and wide to share fellowship and have discussion with the brothers.

Juan: If a Lodge wanted to invite us as a group, TheMasonicRoundtable.com is the place to go. If a Lodge wanted to invite me personally, they can do so through TheWindingStairs.com or through Facebook. My presentations are usually related to the practical side of Masonry. How to Apply Freemasonry to our everyday lives.

Elena: You provide an amazing and unique Masonic service.

Jason: Thanks so much!

Elena: The sound and video on your shows is always top quality, your settings are always well put together (as in, not a mess), you are always well groomed and wide-awake. Us viewers appreciate your effort and presentation. There is nothing worse than trying to plow through a poorly produced video with audio problems, with a distracting background, or unprepared hosts.

Robert: I totally agree. How many times have you started listening to an old .mp3 file and the quality was horrible? You know people make podcasts like that still? In 2016! When we decided to make the show an audio podcast as well, yes it wasn’t always so, we wanted to make sure we didn’t have this same problem. For the audiophiles out there, 320 kbps stereo is where I wanted to go. That’s what I did on Whence Came You? However, after playing around with cost / benefit we settled on 192 kbps stereo. I think it’s easy to listen to and it sounds like we’re there in your car, or your house or wherever you listen to us. It’s a crucial element. You could have a great show but if the audio is tinny etc. I know I’m not even going to give it one minute of my time. We didn’t want to ever have that as a problem for our listeners.

Jason: Post-production of our show is huge. We record it live, and started the show thinking we’d do video only; however, our audience begged for an audio-only version and after a couple of weeks we gave in. Good thing, too, as most of our audience listens to our audio-only podcast these days. We don’t do any post-production on the videos at present, but RJ is the man when it comes to making our discussions sound as good and clear as possible on the audio podcast.

Elena: After watching so many of your episodes, I walked away with a sense that all of you are very inquisitive, very respectful of your guests and topics, and well rounded and diverse as to points of view. The variety you provide as a group is unique and a real innovation in Freemasonry.

Robert: Whoa! Innovations!? We can’t have any of that. (Jokes) Being respectful is what we do as part of being Freemasons. While many of the topics and discussions we have on the show are highly charged and many more could not even be discussed in lodge, we’re not in lodge. We ask ourselves “How would a Mason discuss this topic?” Juan has been instrumental in keeping us grounded.

Juan: We are there for one another. We share a common interest, but don’t always share on the same opinions. The diversity of opinions helps us get out of our comfort zone and evaluate things from a more objective viewpoint. I like it when we present our Brothers as many facts as possible and allow them to formulate their own conclusions. We refuse to shy away from difficult subjects, so we have to be careful that our opinions are expressed as just that, our opinions.

Elena: Thus, your shows are more about exploring and discussing topics than about explaining each of your positions on the subjects. You don’t seem to want to teach or preach as much as you do propose, introduce your topics, and learn from your guests and issues.

Jason: We’re not experts, nor do we purport to be. We’re here to encourage Masons to arrive at their own conclusions vice imposing our personal worldviews on our listeners. We try to structure our discussions in such a way that there’s no right or wrong answer. We’re all here to learn, not only from each other, but from our listeners as well. That’s why we place such a heavy emphasis on audience interaction.

Robert: To be fair, there are times where I and others will openly disagree. I’ve gotten grumpy on a few episodes. But it’s usually on a topic in which there is heated debate. Again, something about the compasses keeps me out of trouble. As for teaching, well, I think we are all teachers already. And since our show is a discussion, it helps to think about it in terms of a bunch of teachers sitting around with other teachers, who would be the listeners, talking about these topics. We’re not out there getting preachy.

Juan: I’ve come to accept our level of responsibility grows proportionally as the size of our audience grows. Like that old sage, Ben Parker, once said “with great power comes great responsibility”. Although we have to be clear in our message, I don’t think we need to hit our listeners over the head with forced opinions. We are here to discuss, not to convince.

Jon: I try to apply the liberal art of rhetoric every show.

Elena: Do you have a large non-Masonic following?

Robert: The analytics and data show we have a huge following. I’d defer to Jon at this point. But I would point out that the non masons we do have usually are courting the fraternity and later join. We get letters all the time that say things like “ …I joined because your show finally gave me the push I needed. I receive my EA degree next week!” It’s humbling to say the least.

Jon: Facebook and Google analytics don’t have an “is mason” metric, so it’s a little hard to determine those who have taken the degrees and who haven’t. Get on it, Google!

Elena: Do you have other demographic data as to your followers? Age, region, that sort of thing?

Jason: Jon’s the Masonic data expert. He’ll give the best answer on this one!

Jon: Yup. Me again. Although all ages, genders, and areas listen to the show, our largest audience is men, 25-35, in the United States. That tells me that the connected generation wants to hear more about Freemasonry and younger Masons want to have more masonic education. I’d love for Grand Lodges to make our show irrelevant (Ok, maybe not quite, but close).

Elena: Ha, ha. Interesting data, thank you! Individually, you have some very interesting projects. Let’s start with Jason. You are a blogger. You have The 2-Foot Ruler: Masonry in Plain Language blog. Tell us about it.

Jason Richards
Jason Richards
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Jason: Ah yes, the 2-Foot Ruler. It began as a play on the Masonic working tool known as the 24-inch gauge. I began the blog with the intention of trying to explain the Craft in plain language so that non-Masons could understand us a bit better, but I’ve found that–at least for me–it’s difficult to write with consistency. That’s why the blog has languished as I’ve gotten more involved with TMR, the Midnight Freemasons, and other projects. I typically only write about things about which I’m very passionate. This is why you’ll see a number of my blog posts dedicated to topics of religious anti-masonry, marriage equality, homosexuality in Masonry, and transgender equality. For me, writing is cathartic. Even if my opinions or pieces don’t influence policy at the Grand Lodge level, I still feel as if I’m contributing to positive discussion through my writing.

Elena: That is great, Jason, thank you! Robert, you are the managing editor of the Midnight Freemasons.

Robert Johnson
Robert Johnson

Robert: Yes, years ago, when I started with “Whence Came You?” podcast, I read a piece called “Freemasons and Beer” and I ran across the piece on this website called “The Midnight Freemason”. It was run by Illustrious Bro. Todd E. Creason who is a famous Freemason in and of himself, having published half a dozen books. I asked for permission to read his piece on the show and Todd approved, but he had never heard of the a podcast before. We struck up a mentor mentee relationship of sorts. Eventually he got too busy and “The Midnight Freemason” was going to go dark, as we say. I stepped up to the plate. He gave me everything I needed to run the site and here we are. We changed the name from “The Midnight Freemason” to the “Midnight Freemasons”. We went from just one author, Todd, to having half a dozen to having thirteen or fourteen at one point. We have over a million views and climbing. I may be biassed but I think it’s the best Masonic blog out there. Three new articles every week. It’s really an online magazine. Consistency is the name of the game and I think we have achieved that.

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Elena: That is amazing consistency, yes! Jason, you are also a regular contributor to the Midnight Freemasons blog.

Jason: Yes! I’ve been fortunate enough to have the opportunity to share the blogosphere with RJ, Todd, and a bunch of other deeply insightful Masons who make up the writing cadre of The Midnight Freemasons. I was talking to RJ at one point about a long piece I was writing on Christian Anti-Masonry, based partially off of an experience I had with a narrow-minded individual in a coin shop. He suggested I write the piece as a guest contribution to The Midnight Freemasons, and things snowballed from there. As my 2-foot Ruler posts waned, I devoted more time to my work with the Midnight Freemasons.

Elena: Juan, you were a professional artist prior to producing Masonic art. Shortly after joining Freemasonry, you developed a collection of Masonic Art and Custom Masonic Aprons. How is that project going and where can people view and purchase your work?

 Juan Sepúlveda
Juan Sepúlveda

Juan: Shortly after becoming a Mason, I began working on a collection of Masonic Art for me. I set out to create the kind of work I would love to have hanging on my office walls. The collection has now grown to include paintings, fine prints and hand painted aprons, which can be purchased by visiting www.TheWindingStairs.com/Shop.

Elena: Your artwork is part of private and corporate collections in the United States, South America, The Caribbean, Europe and Australia now.

Unlocking Knowledge, by Juan Sepúlveda
Unlocking Knowledge, by Juan Sepúlveda

Juan: I feel very fortunate that I was able to pursue my dream of being a professional artist. Before I created any Masonic artwork, I had been living off of my art for over 6 years. I have displayed my work in New York, Las Vegas, California, Florida, and Puerto Rico. From there, and through my online sales, I now have collectors in many countries around the world. I feel very honored to be able to say that.

Juan Sepúlveda in studio
Juan Sepúlveda in studio

Elena: Congratulations, Juan! You are also the host of The Winding Stairs Freemasonry Podcast. Tell us a bit about that project.

Juan: I describe The Winding Stairs as being dedicated to Masonic Education and the art of self improvement. I strongly believe that many Brothers miss opportunities to improve their lives, because they are not given the proper instruction of applying the lessons of Freemasonry to their personal lives. I try to bridge that gap through my podcast episodes, videos, and online courses.

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Earlier this year I started a project within The Winding Stairs, called Applied Freemasonry. In this program, I give Brothers exclusive access to in depth lessons and tools to help them find the practical aspects of Freemasonry. It includes a weekly video conference where we help each Brother individually find real life solutions to the problems they may face in life, by using the teachings of Freemasonry. It is almost like a virtual mentorship session, every week. I am very proud of this program and what it is doing for the Brothers who have joined it. You can learn more about it by visiting www.TheWindingStairs.com/mentorship

Elena: What a fantastic service! Nick, you are the lead blogger on The Millennial Freemason blog. Can you share something about your blog?

Nick Johnson
Nick Johnson

Nick: I was raised in March of 2006. Being a Mason for a decade now, I have gotten to see and experience a lot of online Masonry, including this site. When I started in Masonry, we were in the bad old days of Masonry on the Internet. Most lodge sites were either 5 years behind on information or filled with construction worker gifs and bad patriotic MIDIs.

I never really intended to blog for as long as I have. When I started the blog, it’s main focus was my time at the Annual Communication of the Grand Lodge of Minnesota as Junior Warden, just months after I had been raised. I think it was more therapy than anything else. People were still maintaining LiveJournals, knowing that most weren’t being read.

One day, after writing a few blog posts, Jeff Day, who ran the blog aggregator “King Solomon’s Lodge”, noticed my site. He asked if he could include it and not thinking of it, I said, “sure.” That was the watershed moment. Now, I was getting comments daily, posts were hitting the thousands of hits in a day, and my voice was being amplified.

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I have been lucky. Many of the past bloggers, all great content creators, have disappeared. It was the golden age of Masonic blogging but only a few of us are still here, like Tom Accuosti of the Tao of Masonry. And, because I’ve been blogging for so long, I sometimes feel like the old guy on the Masonic Roundtable, which is good in a way; Masonry without a grumpy Past Master would just not be Masonry.

I hope I can keep at it because of the friendships I’ve made. It’s also still a way for me to keep sane in an otherwise topsy turvy Masonic world. It’s just a nice way to stay connected. Masonic blogging still has a place and I hope to be a strong part of it.

Elena: Looks like you will, after all this time! Robert, you produce and host the weekly Podcast/internet radio program Whence Came You?

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Robert: It started in 2011. I’ve been writing, hosting and producing the show for more than 5 years now. We have over 250 episodes. It started out as an idea to just do one show. That’s it. Is Freemasonry secret or not? I read a paper on that subject, hosted it and put it out on iTunes. Once I saw how many people downloaded it, I started producing it every other week and now it’s every week. So here we are, over 250 episodes, over a million downloads and it’s been ridiculously successful and so rewarding to hear from the fans of that show. The show has grown organically from the start. Now we have a whole WCY team, largely behind the curtain, but they are there. Adam Thayer is my guest host and book reviewer, Matt Dobbrow is our digital media archivist and study group coordinator, Ill. Steve Harrison is our guy for The Masonic Minute, Bill Hosler is developing a ROKU channel for us and some other tech stuff, and Frater O is our anonymous esotericist. We have a lot of fun and it’s another endeavor to spread the light of Freemasonry all over the world.

Elena: That sounds like a great team! Wait, did you say anonymous esotericist? Your information on The Masonic Roundtable website says you are also a photographer and an avid home brewer, AND you are working on three Masonic books!?

Robert: I am! I think we are all working on Masonic books, that is every Freemason who writes. I’ll believe myself when I finish one of them. Photography has always been a love of mine. I did it professionally for some years when I lived in Orange County, CA. But, when you do something for a living, the hobby becomes the burden. I still enjoy photography but now I use my phone to document everything, my SLR is packed away. As for the beer? Who doesn’t love Zymurgy?

Elena: What aspects of Freemasonry are you writing about and why in three different books?

Robert: My main project is something which has been in the works for three years and has consumed tons of time. It’s largely a book on Occult Anatomy but like nothing that’s ever been done before. I’m co-authoring the book with a good friend and brother. The hope is that it will be a book for all, not just Freemasons. The other two books focus on the Craft specifically. One will be a collection of my unpublished essays and the other is a book on Anxiety and Depression, something I’ve struggled with for the last ten years. That book ties into the craft as well, albeit loosely. It is a book I would hate to market to just one group of people, namely Freemasons.

Elena: That is wonderful, Robert. It is evident that each of you is a lover of technology, online advancements, and social media. You make great use of the programs available!

Jason: We’re constantly looking for innovative ways to leverage technology to expand the reach of Masonic education. We’re blessed to live in a world that is, for the first time in its history, truly connected. As technology continues to evolve, we hope to evolve with it. Who knows? Maybe one day we’ll all be sitting in a virtual lodge meeting together from our respective bedrooms. UGLE, the Grand Lodge of Ireland, and the Grand Lodge of Manitoba in Canada have all set precedent for a virtual Masonic experience. I think we’re on the cusp of seeing virtual lodges become normative, and I’m excited to see that happen.

Nick: I have met so many friends, including my now co-host Jon Ruark, through the many Internet hotspots I frequented, including the Sanctum Sanctorum and the Masonic Society forum. Internet Masonry has been good for me and good for the Craft as a whole because it forces us to see outside of the four lodge walls. The world is wide but flat in this new era.

In my opinion, one of the biggest issues in Masonry today is what I term, “provincial Masonry.” Masons, particularly new Masons, leave because they aren’t exposed to new and different styles of Freemasonry. It’s somewhat by design. The lodge serves as locus for Masonic activity and many brothers like that. But this lack of travel breeds insularity which, for new Masons, tells them to conform to a local style or be left outside. I’ve chatted with so many brothers who have stayed because of Internet Masonry. It’s powerful and strengthens a bond that would have otherwise broken.

Elena: Lodges, Grand Lodges, and Masons should take notes. Writing is obviously another interest you all share, in addition to your great enthusiasm and dedication to Freemasonry through technology.

Robert: We do love to write. It’s therapy.

Jason: RJ nailed it here. Writing is cathartic. It’s a way for us to express ourselves and get heard, even if our opinions don’t translate into policy changes at the Grand Lodge level.

Elena: You are definitely being heard! Jon, I need to ask a silly question. You have two cats, Tesla and Edison. I am sure this isn’t the first time someone asks you this: do they fight a lot, given that scientists Thomas Edison and Nikola Tesla had a rather famous disagreement?

Jon: Ha! Edison’s the younger one and they do tumble around quite a bit still, but I still root for Tesla as part of a redemption for history! AC/DC!

Elena: How funny.

Jason: This picture really captures the essence of who we are: five brothers and best friends who get to spend quality time together each week on YouTube.
Jason: This picture really captures the essence of who we are: five brothers and best friends who get to spend quality time together each week on YouTube.

Elena: Thank you again, Knights, for this interview! Phoenixmasonry hopes to catch up with you at a later time to see what is new with the show and hosts. It was a true pleasure to interview you and good luck with year number three of this wonderful show! Don’t forget to tune in to catch The Knights of The Masonic Roundtable live every Tuesday night at 10pm ET.

Jon, Jason, and RJ at Jason’s mother lodge, Acacia 16.
Jon, Jason, and RJ at Jason’s mother lodge, Acacia 16.

Below are more interesting biographical facts on each of the Knights, more photos, and the links to all their sites:

Jon T. Ruark is a Past Master and charter member of The Patriot Lodge No. 1957 in Fairfax, VA. His Masonic interests lean toward the esoteric and philosophical aspect. He lives in Virginia with his wife, 4 children, and 2 cats; Tesla and Edison.

Jason M. Richards is the Senior Warden Acacia Lodge No. 16 in Clifton, VA, where he was raised in 2012. He is also active in the Allied Masonic Degrees and the Royal Arch. His favorite Masonic research topics include the history of American Freemasonry, the sociocultural impact of Freemasonry, and the history and evolution of Masonic mythos. He is passionate about the way Freemasonry presents itself to the outside world and, to help promote a healthy image of the fraternity, works regularly with the Grand Lodge of Virginia Committee on Public Relations. He lives in Virginia with his wife, child under construction, cats, and ever-expanding collection of bow ties.

Juan Sepúlveda is a member of Orange Blossom Lodge No. 80 F. & A.M. in Kissimmee Florida. A member of the Orlando Valley of the Ancient And Accepted Scottish Rite, S.J. He is a professional artist and public speaker focused on helping men in their pursuit of excellence. He is passionate about history, Masonic education and allegorical teachings.

Nick Johnson is a lover of codes, symbols, esoteric craziness, and “secret” stuff; he became interested in Freemasonry and its symbols as a young man. With the help of his grandfather, Bro. Nick joined Corinthian Lodge No. 67 in Farmington, MN in the spring of 2006 and served as Master in 2010. He is also a Past High Priest of Corinthian Chapter No. 33, RAM, Past Illustrious Master of Northfield Council No. 12, R&SM, the current Grand Chaplain of the Grand Council of Cryptic Masons of Minnesota, and Past Commander of Faribault Commandery No. 8. He’s also involved in AMD, Knight Masons, the York Rite Sovereign College, and is a member of the Royal Order of Scotland. He lives in the Minneapolis-Saint Paul area with his wife and kids.

Robert Johnson is a Freemason out of the First North-East District of Illinois who serves as a District Education Officer and will be following up in October as a District Deputy Grand Master. He is a Past Master and current Secretary of Waukegan Lodge #78. He’s also a member of the York Rite bodies, AMD and the Scottish Rite. In addition, he produces video shorts focusing on driving interest in the Fraternity and will write original Masonic papers from time to time. He is a husband and father of 4. He works full time in the executive medical industry. Also, he does not have any cats.

Robert, Jason and Jon recording an episode from Jason’s dining room. Robert was out of town for work, but oddly enough, in their town.
Robert, Jason and Jon recording an episode from Jason’s dining room. Robert was out of town for work, but oddly enough, in their town.

Links to the Knights’ projects:

The Masonic Roundtable website: http://www.themasonicroundtable.com

The Midnight Freemasons site: http://www.midnightfreemasons.org

The Millennial Freemason blog: http://www.millennialfreemason.com

Whence came you? podcast: http://www.wcypodcast.com

The Winding Stairs Podcast: http://www.thewindingstairs.com

The Winding Stairs Shop, Bro. Juan Sepúlveda’s art: http://www.thewindingstairs.com/shop

The The 2-Foot Ruler: Masonry in Plain Language blog: https://2footruler.wordpress.com

The Art, Masonic Aprons, and Magic of Ari Roussimoff

artist, Freemasonry, Ari Roussimoff
Ari Roussimoff
Photograph January 2016
By Vivian Forlander

Phoenixmasonry is thrilled to have had the opportunity to interview the multi-talented artist, Ari Roussimoff. His Masonic themed paintings are phenomenal, as are his painted Masonic Aprons through which he hopes to revive an interest in the largely lost art form. It is our hope that Masons and non-Masons alike will take an interest in his work, if they haven’t done so already, as it is well worth the time!

Ari Roussimoff’s art has been shown in places such as The Metropolitan Museum of Art, The Nicholas Roerich Museum, and the Chancellor Robert R. Livingston Masonic Library and Museum. Ari’s paintings are colorful, daring, culturally rich, spiritually rounded, geometrically stunning, and a clear reflection of a profound character.

Elena Llamas, Director of Public Relations for Phoenixmasonry (EL): Thank you, Ari, for this interview. Please tell us about your background.

Ari Roussimoff (AR): Thank you, Elena, for inviting me. I have been impressed for years with the Phoenixmasonry site and what it is doing to promote the culture and history of Freemasonry. As to my background, I am one of those people who cannot be pinned down to one specific place. My family and ancestors have lived in Russia, Ukraine, Poland and even Moldavia among other countries. Although I was born in Germany, the Russian and other East European cultures have always been close to my heart, as much of my artwork reflects this.

Literature, music and art were on the daily menu in my home. Over the years I have been privileged to live and work in both Europe and America.

The Magical Troika, Ari Roussimoff, art, painting
The Magical Troika

EL: Where do you feel most at home?

AR: For the most part, I am at home inside my head and also in my heart. But certain places are quite special to me.

In Europe, Zürich, Switzerland where Mother Nature is at its finest, Amsterdam, Holland with its great collections of Old Master paintings. Any place Rembrandt lived is great.

In the United States, Miami Beach, Florida with its vivid, tropical color is fabulous. I painted its festive carnivals, cafes and crowds. Sometimes I’d even add a little nod to Freemasonry.

MIAMI BEACH CAFÉ LIFE
MIAMI BEACH CAFÉ LIFE
Ari Roussimoff, Beach Café, Shriners, ice cream
Detail – Miami Beach Cafe Life

For example, in my panoramic Beach Café painting, I included a merry group of Shriners crossing the street while nearby stands a bearded lady holding her little son’s hand.

Another favorite place is Southern California. When based in San Diego, I’d visit Hollywood and fantasize about the great historic film world of days gone by.

A painting I did of Hollywood Boulevard features many of the classic movie stars congregating in front of the old Masonic Temple (now a television studio where they film the Jimmy Kimmel show).

Featured in the very front of my picture is silent movie legend Harold Lloyd wearing his Imperial Potentate’s Al Malaikah Shriner Fez. There are other masons in there as well: Harpo Marx, Clark Gable, John Wayne and Oliver Hardy.

Ari Roussimoff, Hollywood, art
Hollywood Eternal
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EL: When and how did you first become interested in art?

AR:
 My father was a writer. So I grew up in a cultural European household. The first artist that spoke to me was Van Gogh. I discovered him at age seven when watching a television documentary devoted to his life and work. Van Gogh became an early passion.

Since then, I’ve collected many books on him and have hunted down his paintings in museums throughout the world.

At fourteen I discovered Rembrandt. My second passion in art. By the way, I started drawing at age three and did my first oil at seven.

[I] also started to exhibit as a child. Luckily, I had parents who supported my love of art.

HOMAGE TO VAN GOGH Van Gogh in his studio with Van Gogh’s paintings on the wall.
HOMAGE TO VAN GOGH
Van Gogh in his studio with Van Gogh’s paintings on the wall.
The Boardwalk of Atlantic City
The Boardwalk of Atlantic City

EL: How wonderful! Did any current or artist in particular inspire or influence your work?

AR:
 As an artist, you become a sponge of sorts, soaking up influences from many sources. My breath is taken away by the Old Masters. Rembrandt, Leonardo da Vinci, Rubens, the list is endless. Leonardo was the ultimate artistic genius. Each of his paintings are hypnotic.

Some of my other loves include Byzantine art, Russian and other folk arts, Van Gogh and numerous of the moderns. Too many to mention.

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“This photograph of me was taken around 1990. Salvador Dali once said that an artist should look like his work. Sounds fine to me. In this photo, I am holding a 19th century Italian Paper Mache Commedia dell’arte mask. The coat I am wearing was once worn by the great Russian Opera singer Feodor Chaliapin. He wore the coat while performing as Ivan the Terrible in Rimsky-Korsakov’s Opera, “The Maid of Pskov” in Paris. I cherish this coat with its unique theatrical history.”
– Ari Roussimoff

EL: And as a teenager, you were invited to lunch with Salvador Dali and his wife Gala. What was that like?

AR: At the age of fourteen I was being managed by Theodore Karr, a representative of the Shorewood Art publishing company, a noted publisher of lithographs by some of the greatest artists in Europe.

A meeting was arranged for me to meet the great master Dail for lunch at a restaurant in the Hotel St. Regis in New York, where he lived for half the year. Our small group consisted of Dali, his wife Gala, Mr. Karr, my father and myself. Naturally I was very nervous when introduced to Dali. My knees were trembling. Surprisingly, Dali’s personality was completely different from the “crazed” image he promoted. Handsomely dressed in a three piece suit, holding a beautiful cane, Dali was polite, soft spoken and to me, he seemed a bit sad.

Then there was Gala. There was a quiet, but hostile dynamic going on between Dali and his wife. Dali’s command of English was far better than how he presented himself during filmed interviews. Oddly enough, he talked mostly about movies. He liked Hitchcock and John Wayne films. Early on Dali had collaborated with the Spanish surrealist filmmaker Luis Buñuel on two avant garde movies and in later years he worked for Alfred Hitchcock in designing a scene for “Spellbound.” Dali told us he hoped to yet do another film. Toward the conclusion of our lunch, Dali pulled out a portfolio from which he gifted me a signed artist’s proof lithograph. A man in the restaurant had recognized Dali and approached our table to ask for an autograph. Immediately, Dali turned into the eccentric madman he usually portrayed. He propped himself up, soldier like. His eyes bulged and his voice became amplified, with his language having changed into the familiar chaotic Dalinian jargon of English-French-Spanish. He graciously complied and gave the man an autograph. Upon the man’s retreat back to his table, Gala shot up off her chair and berated her husband loudly in French. Customers in the restaurant were glaring. Quite embarrassing! After we left the place, Mr. Karr attempted to explain that Gala’s rant, saying that she resented Dali drawing attention to himself, creating a spectacle. That pretty much describes my encounter with Salvador Dali.

Hiram’s Apron
Hiram’s Apron

EL: That’s an amazing story! Thank you for sharing it with us, tell us about your relationship with Masonry.

AR: I have always appreciated the great achievements of humanity while also being very much aware of the shortcomings. There isn’t a thing about the human condition that cannot be found in the Bible. Since much of my way of thinking is of biblical origin, I understood that humanity was given the ability by God to rise up to advance itself and achieve wonders to benefit one’s self and mankind.

Masonic Melody
Masonic Melody

Art played a significant role in leading me toward Freemasonry. I never felt Art was limited to esthetics. For me it became an expression of the soul. Art is a universal language. French, German, Spanish, Greek, Russian, Polish or African. Any genuine work of art transcends its ethnic origins, and translates into a universal language that speaks to all.

Walking through the streets of Los Angeles, New York and through Europe, my eye often fixated on old buildings that incorporated mystical looking designs. Often I wondered if these were Masonic decorations. My curiosity about Freemasonry started taking form.

I began to read up on the subject and absorb the philosophy and the rich culture accompanying it. What struck me early on is that some of the iconography I had known from early Christian art, such as the All Seeing Eye of God was an important essential component of Freemasonry, as is the Holy Bible. Then I was surprised to recognize similarities between Masonic symbolism and some of the mystical imagery that had been appearing in my own pictures for years.

Detail from Pyramid Of Light
Detail from Pyramid Of Light

Fascinated with the moral philosophies of Freemasonry, I was awed by the abundance of illustrious members, the great philosophers, leaders, authors, artists, musicians, philanthropists, scientists, inventors, poets, physicians. Mozart, Goethe, Voltaire, George Washington, Benjamin Franklin, Booker T. Washington, Kaiser Wilhelm I, Sir Arthur Conan Doyle, Pushkin, Oscar Wilde, Mark Twain. In my triptych that currently hangs in the Livingston Library there is a tribute to quite a few illustrious individuals who have been Masons.

Detail from Rebirth
Detail from Rebirth

Just a matter of note, in comparison to music, literature and entertainment, there were relatively few artists who were Masons.

There were numerous fine engravers. The most important sculptors and painters included Bartholdi, Hogarth, Mucha, Grant Wood, the great German expressionist Lovis Corinth (who did illustrations of lodge ceremony) and the Cubist master Juan Gris (he served as Master of his Lodge in Paris).

My keen interest eventually led me to the point where I wanted to do a film on Freemasonry. With that project in mind, I visited the wonderful Chancellor Robert R. Livingston Masonic Library & Museum of the Grand Lodge of New York in Manhattan. Their collection of materials is awesome. And everything was generously put at my disposal for study. This was in 2002. Although this particular film project has not as yet materialized, this was my road to joining. It has been an ever inspiring journey.

zzz
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EL: Your work is a very skilled and inspiring contribution to the smaller body of Freemasonic art. Currently, you have art on display inside the Grand Lodge of New York building. Is there anything you would like to share about the exhibition?

AR: Yes, my paintings called Hiram’s Apron and King Solomon’s Vision, which have become widely known, were the first to be exhibited at the Livingston Masonic Library & Museum.

KING SOLOMON’S VISION
KING SOLOMON’S VISION

Currently, the museum is displaying my triptych titled Parable Of Light and Dark which consists of three paintings, which tell a symbolic story about Freemasonry through the past, present and an eye toward possibilities for the future. The first piece is called Foundations. It depicts the beginnings of Freemasonry, starting with Hiram and the building of the Holy Temple. The composition then moves upwards to Medieval times with Knighthoods and Cathedrals paving the way towards modern times.

"FOUNDATIONS" (2008) LEFT SIDE PANEL OF MASONIC TRIPTYCH
“FOUNDATIONS” (2008) LEFT SIDE PANEL OF MASONIC TRIPTYCH

At the very top in Foundations, I depict art and culture with portraits of Mozart, Mark Twain, Oscar Wilde, Pushkin and Voltaire.

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The middle painting is called Eclipse. The idea behind ‘Eclipse’ is that within any darkness, there is a light of inspiration that can, if recognized for the possibilities it offers, lead one to a positive path.

Eclipse
Eclipse

The last painting in this group is called Rebirth. Hiram and King Solomon appear at the bottom amidst the ruins of a city. The King, like Noah years before him, sends a dove out into the future. Inspired by Masonic fundamentals, the future is represented by builders constructing a new and improved civilization.

Rebirth
Rebirth

EL: Profound symbolism. It is nice that you always include your thoughts on each painting on your website and social media. Tell us about your painted Masonic Aprons. What inspired you to make them, what do you hope to accomplish through them?

PAINTED MASONIC SYMBOLIC APRON BY ARI ROUSSIMOFF
PAINTED MASONIC SYMBOLIC APRON BY ARI ROUSSIMOFF

AR: Painted aprons are a lost art within Freemasonry.

During the 18th and early 19th centuries, many Masonic aprons were beautifully hand painted and also embroidered. Some were folksy in style, others elaborate. Eventually came the standardization of aprons and the painted ones were relegated to the pages of history.

For my part, I wish to bring this lost Masonic tradition up into the here and now and also hopefully into the future.

My painted aprons are never imitations. They are highly symbolic, as I instill in them the classic ideals and virtues of Freemasonry. But I do this as a modern artist, with the voice coming from my soul.

THE AMERICAN FREEDOM MASONIC APRON
THE AMERICAN FREEDOM MASONIC APRON

Being signed artworks, it is not necessary for my aprons to be worn. They can be displayed on a wall. I am happy to say that my painted Masonic aprons are in fine collections throughout the world. And I very much love making them.

THE KNIGHTS TEMPLAR This rather Medieval themed Masonic painting dates from 2013. The symbolism encompasses lessons in regards to morality, spirituality, chivalry and the mortality of all humankind. Ari Roussimoff.
THE KNIGHTS TEMPLAR
This rather Medieval themed Masonic painting dates from 2013. The symbolism encompasses lessons in regards to morality, spirituality, chivalry and the mortality of all humankind.
Ari Roussimoff.
Receiving The Light
Receiving The Light

EL: Your aprons are incredible! You also do special Masonic portraits where you combine painting with photography. Tell us about that.

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These are pictures I do on commission.  I integrate portrait photography with my painting. Likenesses can sometimes be tricky and problematic. Even a great master like Rembrandt had occasional problems in this department.

The story goes that a man commissioned Rembrandt to do a portrait of his wife (or daughter). Upon seeing the final painting, the man was displeased because he did not see a likeness and demanded his money back. Ha. Ha. Can you imagine?!!

What I do can be called mixed-media portraits. No one will ever complain about a lack of likeness. The process consists of first, the client gives me a favorite photograph of themselves or whoever they wish me to create a portrait for.

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Next, I have the photo enlarged and transferred onto a canvas of the desired measurements.

The last step is for me to paint a complete composition surrounding the photo, which I do not alter. The painted elements will reflect elements in that person’s life or imagination.

Voila! Never an issue regarding likenesses. A Lodge commissioned me to do one of the retiring Grand Master of California. It was gifted him during a special presentation ceremony. And I did one as my personal gift for the retiring Grand Secretary of New York, a wonderful man.

By the way, these pictures are also made for non-masons. I’ve created them for weddings, anniversaries, births, people’s parents. Anything someone might like to have.

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Abraham Sacrificing Isaac
Abraham Sacrificing Isaac
Ari Roussimoff, Art, ukraine
Spirit of Ukraine

EL: I read that, for you, art is a spiritual experience. Would you share with us something about the process of bringing forth such wonderful images? Spiritually speaking, what is it that you experience?

AR: For me the act of painting is like praying.

It originates in my heart and my soul.

Spirituality in art is not limited to the confines of one or another religion. It is at the very core of all life.

Painting, like prayer, is a spiritual experience. Magical in many ways. And I am certain that being a painter is what God intended for me to be.

Otherwise I’d be doing other things. Too many people depend only on the limitations of their eyesight. They’re not able to touch base with the soul. Hence the four eyes in some of my paintings.

EL: I love your four eyes theme!

Detail from Eclipse
Detail from Eclipse

AR: In this self-portrait, the two pairs of eyes have a mystical meaning.

It is my belief that one should try to develop two sets of eyes.

One set represents our innermost self: the heart, passions and spirituality. This is the soul. The other set are those of the mind: logic and intellect. All four eyes together can give one excellent vision.

Selfportrait With Pipe In Red
Selfportrait With Pipe In Red

In art, it isn’t required that an artwork depict a religious subject in order to be spiritual. That special spirit is very much embedded within any true work of art. Spirituality can be felt in florals, landscapes, portraits, figurative or abstract compositions and whatever. Same holds true for music, literature and all other arts.

EL: On your website, linked here at the end of this interview, in addition to Masonic subjects, your art is presented in three other categories: Old Russia, Jewish life, Phantasmagoria.

AR: These are among the subjects I have painted throughout my life.

Art has been my lifelong passion. It is easiest to categorize works by subjects. There is also a general section called “Newest Works” featuring a cross section of paintings and also an interview. We are preparing to update the site. There are lots of new additions and improvements coming!

VALLEY OF MYSTICAL SECRETS
VALLEY OF MYSTICAL SECRETS

EL: I can’t wait to see what you’ll do next! You are also an award-winning director of motion pictures and have created sets for Broadway shows. You have done costume design, performance art, and have hosted a three-part television music program on MTV.

AR: All the arts are related. Being primarily visually oriented and a lover of classic movies, it had long been a desire to also express myself in film.

My first feature was a surrealist horror film featuring a cast of underground stars, even several Andy Warhol superstars. Federico Fellini, the brilliant Italian filmmaker, saw a rough edit of some of the early footage of bikers, and his admiration brought us further funding.

My best movie was the documentary Freaks Uncensored: A Human Sideshow which took years of research and dealt with the history of physical human anomalies throughout the ages. My significant other of many years Vivian Forlander wrote the screenplay and I directed it. It opened at the Anthology Film Archives in New York, to standing room only crowds and has been released on both VHS and DVD.

As for MTV, I hosted a special three-episode Russian style spoof of the MTV hits countdown. It was called MTV-ski and I was the Russian V-J, all dressed up in fur hat and rubaschka, peasant blouse. My old performance group went under the name “The Trans-Siberian Cossacks”, We performed in theaters, discos and art galleries.

As for the stage, I was chosen by impresario Ralph Mercado to create sets and paint a mural for an Eastern European show he was importing from Argentina.

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“LIVE APPEARANCE AT NYC’S LIMELIGHT DISCO (1991)

Here I am on stage in 1991 with my old performance troupe “The Trans-Siberian Cossacks”. We are doing a live multi-media show at the Limelight Club in New York City. While our group lovingly exhibited Russian style, the name cossack was used metaphorically for individualism and inspired rebelliousness against status-quo trends (the initial meaning of cossack was rebel). We performed our uniquely circus-like shows in theaters, art galleries and discos. Venues ranged from the Limelight to Howard Guttenplan’s Millennium Film Workshop. This was a great way to incorporate elements of theater, painting, music and film. Cast members would often be interchangeable (based on locations). Performers included: Big Bob Bear, Clayton Patterson, Valerie Caris, Taylor Mead, The Magnificent Lori “W”, Vivi-Vixen and Brooks Rogers. In this photo at the Limelight, Clayton Patterson is the man holding the flag and the Queen of house music herself, Screamin’ Rachel is doing her wild thing in the far right, under the big screen (where we presented excerpts from one of my films).

It has been quite a few years now since I have retired “The Trans-Siberian Cossacks” (although occasionally, I get an urge to resurrect them). Even nowadays when giving a talk on my paintings, I like incorporating various elements. It makes for a more stimulating and also fun presentation.”

EL: In a way, the group has been resurrected in your work. Ari, what else would you like to mention that I didn’t ask?

AR: 
Just this week, I completed a Masonic composition which I call Pyramid Of Light.

Currently I am putting finishing touches to a painted apron. There are a multitude of paintings stored inside me, each competing against the others to make its way out and onto canvas first. And I haven’t a clue which one it will be. Freemasonry, with its great teachings of morality and positive energy, provide me with tremendous inspiration. I hope to do many paintings in that direction.

EL: The readers and I are hoping too, Ari, I am sure.

Pyramid Of Light
Pyramid Of Light

EL: Let’s end this interview with some of your amazing paintings. Thank you very much for letting us pick your brain. We would love to check-in with you periodically to let our readers know what you are up to.

BUSY DAY AT THE MARKET PLACE This is where all the action is: the Marketplace. Painted in 1973 and I added some finishing touches to it in 2003. Ari Roussimoff.
BUSY DAY AT THE MARKET PLACE
This is where all the action is: the Marketplace. Painted in 1973 and I added some finishing touches to it in 2003. Ari Roussimoff.
GOING FISHING IN THE OLD COUNTRY Here are fisherman doing what they love to do in an old Ukrainian or Russian village. One of my fun Cubist style paintings from 2004. I have always enjoyed watching fisherman at work, even though I do not eat sea food. Ari Roussimoff
GOING FISHING IN THE OLD COUNTRY
Here are fisherman doing what they love to do in an old Ukrainian or Russian village. One of my fun Cubist style paintings from 2004. I have always enjoyed watching fisherman at work, even though I do not eat sea food. Ari Roussimoff

You can find Ari Roussimoff work online at his website at http://roussimoff.com.

Managing the Future of Freemasonry

Managing the Future of Freemasonry A Book of Optimism

Managing the Future of Freemasonry A Book of Optimism

A new book takes an optimistic approach to the vexing issue of declining membership. Managing the Future of Freemasonry: The Book of Optimism, by Dr David West, is a work by a man who understands philosophical thinking. A graduate in and of Philosophy from the University of Leicester, West has taught at universities in England and Canada and worked in top industries and holding government roles working to fathom the the future of work. He has been an adviser to a Cabinet Minister and founded The Working Manager Ltd, creating the core content of its management education process. An active Freemason of his mother lodge, St Laurence No. 5511, West suggests he sees the possibilities of the future.

From the press release about his book,

The numbers are staggering; since 1959, worldwide membership of Freemasonry has declined by almost 75%, akin to numerous other societies and groups tasked with being positive pillars of the community.

According to Dr. David West, this sudden decline is the result of significant negative changes to society as a whole. In his powerful and evidence based new book, West outlines the problem and suggests plausible solutions for a revival of Freemasonry.

Managing the Future of Freemasonry: The Book of Optimism calls on the author’s renowned management and leadership expertise in what is being seen as a true game-changer.

The golden years of Freemasonry have passed with the departure of a world never likely to return. We cannot pretend that our membership problem will simply go away. If we are to rescue our order, we must take an objective look at ourselves and understand the society we now face. Our challenge will be to renew our ideals and bring them to the attention of a new audience, one that we as yet know little about. This will require hard work, open-mindedness, creativity and above all leadership. The optimism which runs through this book depends upon our ability to change, knowing that holding on to the past will be the last thing our order does. West says,

I’m totally convinced that a resurgence of Freemasonry is possible, However, we must first take an objective look at how our society has changed, what has caused this change and what needs to be done to repair things. When we know this, we can ‘redesign’ Freemasonry to be a vital building block in getting society back on track. It’s all down to proper management, lateral thinking and a departure from our old mind-set.

Hard work, open-mindedness, creativity, and above all leadership are skills that Freemasonry needs to hone and be willing to put into action because, after all, reversal of the decline will be far from immediate. Complacency has already become our enemy and, with societal discord now at an all-time high, we have a bold opportunity ahead of us to work for tangible change.

You can find Managing the Future of Freemasonry: The Book of Optimism on Amazon.

The Chamber of Reflection

One of the greatest enigmas of contemporary Freemasonry, the Chamber of Reflection is a little-used aspect in the rituals of a newly made Mason. Yet, the symbolism of the Chamber has roots in Hermeticism, Rosicrucianism and other occult traditions.

More installments of Symbols & Symbolism are available here and on YouTube.

In the French and Scottish Rites, a small room adjoining the Lodge, in which, preparatory to initiation, the candidate is enclosed for the purpose of indulging in those serious meditations which its somber appearance and the gloomy emblems with which it is furnished are calculated to produce. It is also used in some of the advanced degrees for a similar purpose. Its employment is very appropriate, for, as Gädicke well observes,

It is only in solitude that we can deeply reflect upon our present or future undertakings, and blackness, darkness, or solitariness, is ever a symbol of death. A man who has undertaken a thing after mature reflection seldom turns back.

Manly P Hall, in his Secret Teachings of All Ages, writes of the use of V.I.T.R.I.O.L. – beginning with the word VISITA and reading clockwise, the seven initial letters of the seven words inscribed in the outer circle read: VITRIOL. This is a very simple alchemical enigma but is a reminder that those studying works on Hermeticism, Rosicrucianism, alchemy, and Freemasonry should always be on the lookout for concealed meanings hidden either in Parables and allegories or in cryptic arrangements of numbers, letters, and words.

book, fellow craft book, masonic education

Fellow of the Craft, the book

This was written as a second attempt at approaching how to introduce the new book Fellow of the Craft – a Treatise on the Second Degree of Freemasonry.

Passing

fellowcraft, masonic, second degree, masonic

Fellow of the Craft – a Treatise on the Second Degree of Freemasonry

The challenge has been in how to reveal something that is and should be already apparent and known. That is not meant as flippant or assuming. To the contrary, it is to express a sentiment we are each taught from the very earliest of days in our Masonic upbringing, that our progress is measured and celebrated in what we learn and how we grow from those lessons. That is the heart of what it means to be passed as a Fellow of the Craft.

That craft is the intangibility behind the scenes of doing Freemasonry. It’s in the catechism, the lessons of association and the mechanism by which good men become better. The intangibility comes in the day-to-day lessons of knowledge we gain and its byproduct of wisdom. Certainly, it has been written and codified in a myriad of teachings esoteric and exoteric, hidden in plain sight and cloaked in unintelligible symbols the meaning of which we devote lives to the study of.

So then, the becoming of a fellow is the degree of passing, the movement through time and space such that its transit is imperceptible and shapes our moral vantage point.

The importance of it all is in how we go about that transit. This is the heart of BECOMING – the path of time and space along the curve of the compass turn. In a more esoteric sense, it is the replication of the first which makes two – the same unit in its polar opposite, the Janus head or the opposite side of the same coin.

This understanding may seem unimportant, but that is not the case. It is as important as becoming the reflected image in the mirror who stares back in contemplation as one gazes into their soul. It is you, the same but no longer the Apprentice. It is as a fellow amongst many on that journey.

So would have begun the Fellow of the Craft. What was that alternate path? You can find that answer and more in the release of the new book Fellow of the Craft – a Treatise on the Second Degree of Freemasonry.

Fellow of the Craft is out now and available on Amazon in traditional hardbound and Kindle ebook format. Also available, The Apprentice – a Treatise on the First Degree of Freemasonry.

Henry Golden Boy Freemasons Tribute Edition Rifle

This seems a strange addition to the wide world of Masonic ephemera, especially given the recent news and press on guns and gun violence. But is would seem the world wants (needs) a vintage styled rifle branded with icons of the fraternity.

Henry Repeating Arms logo (PRNewsFoto/Henry Repeating Arms)

Henry Repeating Arms logo (PRNewsFoto/Henry Repeating Arms)

Out of Bayonne, New Jersey:

Henry Repeating Arms is pleased to introduce the newest rifle in its collection, The Henry Golden Boy Freemasons Tribute Edition. It recognizes the long history of this honorable fraternal order and rewards the work and dedication of Freemasons everywhere.

Freemasons Tribute 2The rifle is crafted with the highest attention to detail. The select American walnut stock depicts our first President in full Masonic regalia, with apron, trowel, and Warden’s column, standing on a “temple” floor in front of the Masonic staircase, in a painted tableau bordered by scrollwork in the same style as the receiver.

Freemasons Tribute rifleThe left side carries the famous compass and square retained from the earliest days of Freemasonry, the mason’s plumb and level, the letter “G” which stands for both God and Geometry, the All-Seeing Eye of God as the symbol of divine watchfulness, and the words BROTHERLY LOVE, RELIEF & TRUTH that the order considers its foundation, along with FAITH, HOPE, CHARITY, emphasized in a Mason’s First Point Ceremony, all in raised 24K gold relief against a background of classic floral engraving.

The Henry Golden Boy Freemasons Tribute Edition Rifle. Visit henryrifles.com to learn more. (PRNewsFoto/Henry Repeating Arms)

The Henry Golden Boy Freemasons Tribute Edition Rifle. Visit henryrifles.com to learn more. (PRNewsFoto/Henry Repeating Arms)

On the right side, black and white mosaic squares represent the floor of King Solomon’sTemple to illustrate “human life, checkered with good and evil.” Ascending stairs remind a member of the path to higher levels of Freemasonry, with another “G” at the top as the ultimate goal.

It’s built with the same smooth action that all rifles in Henry’s award-winning Golden Boy family are known for. This model features a nickel-plated finish and the receiver engravings are plated with 24K gold. The buttplate and barrel band are brass. The American Walnut stock is engraved and hand-painted.

Freemasons Tribute 3It features a fully adjustable semi-buckhorn rear sight with a reversible white diamond insert and brass beaded front sight. It includes a blued octagonal barrel and is drilled and tapped for easy scope mounting. Offered in caliber .22 S/L/LR, capacity is 16 rounds of 22 Long Rifle and as much as 21 rounds of 22 Short.

Anthony Imperato, President of Henry Repeating Arms explains, “Many of our customers are Freemasons and it’s an honor to pay tribute to them with this rifle. Freemasonry dates back to the early 1700s, with one of its most notable members being our first American president, George Washington. Open to all levels of society from cab driver to Congress, the Freemasons have included such names as country western singers Roy Acuff and Eddy Arnold, astronaut Buzz Aldrin, South Pole discoverer Roald Amundsen, hotelman John Jacob Astor, western star Gene Autry, comedian Richard Pryor, actor John Wayne, magician Harry Houdini, jazz legend Count Basie, America’s literary icon Mark Twain, and boxing great Sugar Ray Robinson. Truly an impressive group.”
Model H004MAS is available through licensed Henry dealers. MSRP $1200.00.

For more information and product images visit Freemasons Tribute Edition Rifle or call 201-858-4400.

To review the entire line of Henry rifles please order a free catalog by calling 800-504-4731.

The Apprentice – A New Book From Masonic Traveler

At last, the little project is complete.

After months (and years) of conceiving, studying, plotting, writing and then assembling my little endeavor into the Great Work has come into the world.

I humbly submit to you my work:

The Apprentice, The World and the Universe as One: A Treatise on the First Degree of Freemasonry

postcard-4.5inx6.5in-h-front
The Apprentice by Gregory Stewart ISBN-13: 978-0986204104

This follow up book to my 2010 project Masonic Traveler – Essays and Commentary is a different approach to understanding the importance and meaning behind the First Degree of Freemasonry.

Taking the approach from the Scottish (French) Rite degrees, this work explores the nuance of symbolic initiation lost in the contemporary system at work in much of the main-stream practice. By using the Scottish Rite First Degree, the meaning and process of the masonic initiation takes on new dimensions why compared to Albert Pike’s First Degree treatise in Morals and Dogma. It is that dimension that this work seeks to explore celebrating the art and history behind the initiation process.

The idea behind this work is that the degree, whether intentional or as a byproduct of revision and deconstruction, is a metaphorical entry point onto the Tree of Life from the mystical tradition of the Kabbalah. That, the first degree, when examined next to the works of other esoteric writers, becomes the foundation degree of initiation as it blossoms into a rich allegorical journey from chaos into order.

While not a tell-all expose into Freemasonry, the work, at a deeper level, is an attempt to understand what it means to BECOME a Freemason.

In this work are:

  • Two never before seen original poems by the author
  • Original Art envisioning the meaning of the initiation
  • Three explorations of the work
  • Notes to support the thesis

An interesting note, all aspects of the book from its creators hand. Not a pain stream or commercially published work, its creation is with an artisanal work as the product of a loving devotion to the medium and subject matter. Also interesting about the book is that this work is the first of three to round out three ineffable degrees of the fraternity taking us ever higher into the allegorical tree of life.

And, with this announcement I want to publicly thank those who invested in the work through Kickstarter. So, a big round of thinks to:

Gord Echlin, Davide Riboli, Joseph James, Jorge Dagang, Jeffrey S. Kupperman, Carlos A. Rodriguez, Saint Cloud Lodge #221; Ann Arbor-Fraternity Lodge No. 262, F. & A.M., Michigan; John R. Merrick, Daniel Barston, Kelly Feldcamp, Randy Reese, Seth Allen, Nicholas Vettese, Jeff Ewing, John D. Spreckels Lodge #657; June E. Lennon, Freemason; Bro. Alex Towey, Johnny Arias, Gar Pickering, Chris Cochrane, Melissa Howe-Pomeranz, Gary Iverson, Luis A. Feliciano, Stewart A. Anderson, Andrew SmithKirk Bielskis, mmg86, Prenna Sergent, Matt Frye, Corey HiltonJason Hawkinson-Prater, Thomas Butler, J. A. Foster, Christopher Davis, Dominic J. Tufo, F.&A.M., California; David W. Douglas, Ireland, Shanan Hough, Shawn Michael and Philip Michael Hugh Lawson.

I couldn’t of made this happen without your support.

Hardcover
Published by FMI Publishing
ISBN-10: 0986204102
ISBN-13: 978-0986204104
Available on:
Amazon
Barnes & Noble
and through a special offer here.

Labor Day and the Masonic Nexus

Equality, Fraternity, Justice and Labor.

Can America celebrate Labor Day without celebrating the Laborer?

Could there be a connection between Labor Day and Freemasonry through which they share an intersection in the forgotten halls of history and why we celebrate this national American holiday?

The U.S. Department of Labor defines the Labor Day holiday as a day

…dedicated to the social and economic achievements of American workers. It constitutes a yearly national tribute to the contributions workers have made to the strength, prosperity, and well-being of our country.

As a day to recognize the common laborer in America, Labor Day can be traced to 1882 when it was first proposed as a holiday by machinist Matthew Maguire who proposed the idea while serving as the secretary of the Central Labor Union of New York.  In just a short time the momentum to make the day a National Holiday grew to a crescendo on the heels of the violent conflict between rail workers and the US military in 1894.

Stemming from, essentially, an unfair control of labor and housing, the Pullman Strike began as the result of a refusal to include reductions in housing costs for the laid-off workers forced to live in the company town of Pullman, today a suburb of Chicago in Illinois.

The town, George Pullman envisioned, would be

a model community, a total environment, superior to that available to the working class elsewhere…[from which] he hoped to avoid strikes, attract the most skilled workers and attain greater productivity as a result of the better health, environment and spirit of his employees.

When laid off workers, who had been forced to live in company housing, were let go the company who owned the town (and the housing therein) refused to lower their rents on company owned properties. The result of the layoff and unaltered rents created undue hardships for the laid off workers and their families who had few options because of the sudden loss of income. Company owner George Pullman refused to address the issue, or go into arbitration over it, prompting a wildcat strike with the local Pullman Palace Car Company.

Drawing from Machinists’ monthly journal, Volume 27, By International Association of Machinists, page 413, 1915, from Wikipedia.

Gradually the work stoppage grew into a national strike organized by the American Railway Union reaching its height when it became a national boycott that included train stoppages through the efforts of close to 250,000 workers in 27 states disrupting national transportation lines, and consequently mail delivery.

With a growing strike, the Federal Government under President Grover Cleveland, procured a court injunction and moved in with the Army to end the boycott and alleviate the obstruction of trains which (carrying mail) ultimately cost $80,000,000 in damage due to riots and sabotage. In the end 13 strikers lay dead and another 57 wounded.

At its conclusion the U.S. Army, with its court injunction, broke the blockade of trains in Lockwood, Montana, precipitating the end of the strike.

In the end the union was dissolved, the trains were moving, mail began to flow, the American Railway Union leader was imprisoned and American workers were given Labor Day as a national holiday six days following the collapse of the strike. 

Interesting to note, President Grover Cleveland, with the full support of Congress, unanimously voted to create the Labor Day holiday we celebrate today in a conciliatory gesture towards American Labor.

In its foundation, the national celebration of the holiday was to exhibit “the strength and esprit de corps of the trade and labor organizations, with the Sunday before the Holiday a Labor Sunday, dedicated to the spiritual and educational aspects of the labor movement.”

So how does Freemasonry factor into the complex composition of the creation of this national Holiday?

The Masonic Connection

George Mortimer Pullman

As it turns out, the city of Pullman,and its parent company, the Pullman Palace Car Company, were founded by Freemason George Pullman, a member of Renovation Lodge No. 97, in Albion, New York.

Pullman established Pullman Palace Car Company in 1862 with the goal of building luxury train cars with all the amenities of the day. 

In support of his early factory, the Pullman Company constructed a company town, uniquely named Pullman, within which some 4,000 acres housed 6,000 company employees and their dependents, many of whom were at the center of the Pullman Strike and the creation of Labor Day. 

In one entry about the town, it is suggested that employees were required to live in the town even when cheaper housing was nearby.  Reading the Wikipedia entry on the Pullman Company, its easy to see today how the conflict of corporate and worker interest would conflict. It reads:

The company built a company town, Pullman, Illinois on 4,000 acres (16 km²), 14 mi (23 km) south of Chicago in 1880. The town, entirely company-owned, provided housing, markets, a library, churches and entertainment for the 6,000 company employees and an equal number of dependents. Employees were required to live in Pullman, despite the fact that cheaper rentals could be found in nearby communities. One employee is quoted as saying “We are born in a Pullman house, fed from the Pullman shops, taught in the Pullman school, catechized in the Pullman Church, and when we die we shall go to the Pullman Hell”. Alcohol was prohibited in the town, as George Pullman found it a distasteful habit for his workers; though it was available in the company’s Hotel Florence, primarily for the benefit of the hotel guests as it was generally too expensive for laborers.

Pullman, a member of Renovation Lodge No. 97, Albion, New York, in his construction of the city of Pullman converted the swampy southern Chicago landscape into a planned industrial town complete with facilities for a Masonic Temple. The temple housed Palace Lodge No. 765, A.F. & A.M., Pullman R.A.M. Chapter, and Woodlawn-Imperial R. & S.M. Council.

Such was Pullman’s association with Freemasonry that in 1894 he was given a Masonic Cornerstone laying ceremony in honor of his father, Lewis Pullman (also a Freemason), which hosted two hundred Masons from Albion, Medina, Holley, and Lockport who processed along the Main Street for the cornerstone ceremony at Pullman Memorial Universalist Church of Albion, New York, today part of the Unitarian Universalist tradition.

The Labor Connection

Eugene V. Debs

On the other side of the labor dispute was labor leader Eugene V. Debs.  Also a man of great passion, Debs was a man possessed with the welfare and well being of the worker who was greatly involved in the developing American labor movements making five runs for the White House under the Socialist Party, his 1912 run receiving 5.99% of the popular vote on a working man political ticket.  While not a Freemason, Debs was an interesting luminary becoming, the most well known socialist living in America.  As the organizer behind the Pullman Strike and boycott, Debs served a six month jail sentence for violating the federal injunction.

While Debs has no Masonic connection, what is interesting to note are his many associations that were grounded in the foundation of fraternal brotherhood namely in the trade unions which you can see carry the earmarks of that mystical chain of union in his  own motto of “Equality, fraternity and justice.” 

Personal ideals aside, Debs held memberships in several national unions including the Brotherhood of Locomotive Firemen, Brotherhood of Railway Firemen, the Industrial Workers of the World, and, of course, the American Railway Union.  Through those affiliations, you can get a sense of his passion for epitomizing what it means to be in fellowship with those you are in union with.

Ultimately, Debs passion was the betterment of the working class based on fairness, the basis for which he found in his saying “Those who produce should have, but we know that those who produce the most – that is, those who work hardest, and at the most difficult and most menial tasks, have the least.”  This could, perhaps, summarize his involvement with the labor movements.  Today, Debs work is remembered through a Terre Haute Indiana foundation founded in his name, The Eugene V. Debs Foundation, whose mission is to “keep alive the spirit of progressivism, humanitarianism and social criticism epitomized by Debs.

From these two, Pullman and Debs, we can see parallels in passion for brotherhood and, while at odds with the promulgation of those passions, both at the nexus of recognizing the importance of Labor in America.  Pullman, a Freemason, saw at some level the importance of the spiritual need to belong to a fraternal chain of union and Debs the physical political manifestation of that ideal in the real life condition of workers in brotherhood raising the common lot of those whose blood and sweat continue to serve the growth of American prosperity.

From their intersection of history, the Pullman and Debs conflict gave us the Labor Day holiday so that while we take a much appreciated rest at the end of summer we can celebrate the esprit de corps of the trade and labor organizations whose efforts have given us this day to be celebrated.

Happy Labor Day.

Dropping Masonic Titles

Can such a change defuse Masonic politics?
BRYCE ON FREEMASONRY

Harmony is an essential ingredient to any Masonic Lodge. It is one of the main reasons men gravitate to Lodge; to escape the harsh realities of the world and sit among men who enjoy the company of others and respect the dignity of each other. To this end, it is forbidden to discuss religion and politics, be it related to government or the fraternity. Even during Masonic elections, campaigning is rebuked as it may offend someone. Despite our best intentions though, politics creeps into Masonry, particularly at election time.

square and compass, freemasonry, S&C, freemason information

It is not uncommon to have Masons whisper behind the scenes to garner votes, to seek endorsements, and run a political machine to maintain control. Far too often we have seen people elevated to a level of responsibility, yet accomplish nothing of substance during their tenure, whether it is a Worshipful Master of a Lodge, a District Deputy Grand Master, or a Grand Master. In such cases, people are looking for nothing more than recognition to feed their ego. This is why such things as aprons and titles are coveted, thereby representing badges of recognition.

Read: The Mystical Meaning of So Mote It Be

It has become customary to recognize Masons as “Worshipful,” “Right Worshipful,” “Very Worshipful,” or “Most Worshipful.” Further, in correspondence we recognize ourselves as PM, PDDGM, PDI, PGM, etc. I have been guilty of this myself, but have been having second thoughts about such pompous titles. It is my belief Masons meet upon the level; that equality is of paramount importance in a Masonic Lodge; that each member’s voice weighs no more than another. Unfortunately, this is no longer true and we bow to men of title instead.

Wouldn’t it be an interesting experiment to drop the titles completely, particularly those no longer in office? Instead, we just refer to each other as “Brother” such as, “Bro. Bryce,” “Bro. Smith,” “Bro. Jones,” etc. Allow sitting officers to carry the title of their office, but when finished, revert back to the “Brother” moniker.

Some might resist and complain, “But I worked too hard for that title!” For whom did you work? A fraternity that promotes meeting upon the level or for your personal glory? Eliminating such titles could very well help defuse the politics of Masonry and encourage those people who truly have the best interests of the fraternity in mind.

What do you think?

Keep the Faith!

Note: All trademarks both marked and unmarked belong to their respective companies.

author, freemason, business management, from the edge
Freemasonry From the Edge

Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see:
timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2013 by Tim Bryce. All rights reserved.

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Merchants of Morality

“If not us, Who? If not now, When?”
BRYCE ON MORALITY

Men join Freemasonry for a variety of reasons, right or wrong, be it to make new connections, join what they believe to be a philanthropy, to use it as a stepping stone to the Shrine or whatever. As for me, I was looking for a sense of morality. Prior to joining, I had been embroiled in business dealings with some deadbeat customers and employees. Further, I had been president of my homeowner association (talk about a snake pit). Frankly, I was beginning to wonder if there were any moral men left in the world. My father and grandfather had both been Masons, but they never pushed me in the direction of the fraternity. I had to find my own way. So, I joined the fraternity to sit amongst men who were courageously honest and their word was their bond; a sense of truth and justice.

As I joined, I was hoping to learn more about the fraternity’s concept of morality. Instead, I had to memorize and recite catechisms. True, there are words of morality in our obligations, lectures, and charges, but little else. I also discovered Freemasonry was far from being a moral society itself, where petty politics plagued not only the Blue Lodges, but also the Grand Lodges. Instead of finding ways to work together, as I presumed Masons would, I found turf wars erupting within Grand Lodges and between grand jurisdictions. This is certainly not what I signed up for, and is a turn-off to new members who face it for the first time. It’s no small wonder membership is dwindling. There is enough political intrigue in the workplace and elsewhere, and Masons want a refuge away from it. Besides, I thought we were above such squabbling and acted like men. Inevitably, I came to the realization that Masons are mortal and, as human animals, are just as political in nature as anyone else. This was a grave disappointment to me.

As we become Master Masons we are admonished to embrace the tenets of Freemasonry, which are friendship, morality, and Brotherly Love. When I first heard these words, I had a glimmer of hope. I still do. If we truly believe in these principles, we should be practicing them, both in and out of the Lodge room. My interpretation of these tenets was that Masons should be considered the “Merchants of Morality,” that it is our duty to promote morality not only within the fraternity but out in the general public as well.

When I wrote my recent eBook entitled, “Stand Up for MORALITY,” I was pleasantly surprised by how it was received by members of the Craft. I had evidently hit a hot button. I reviewed the lessons of the book in my own Lodge under Masonic Education. The older members liked it, but it seemed to particularly strike a chord with our younger members. One such member said afterwards, “This is precisely what I wanted to learn in a Masonic Lodge.” Such comments are gratifying. I had been able to engage my audience and got them thinking about morality.

When I began my research on morality I found there weren’t too many people or institutions talking about it. I discovered morality is something we all claim to know, but never openly discuss. It’s no small wonder we find ourselves in a reactive mode of teaching morality in this country. Instead, teaching defaults to others, particularly the media who transmits questionable moral values. This is precisely why I wrote my book, to stimulate thought and help create a proactive approach to morality.

It occurred to me though, the “Merchants of Morality” have a vital role to play in this as well. I can think of no other group better suited to promote morality than the Masons. The clergy is hampered by religious barriers, civic groups do excellent work in the community but are not charged with morality, and schools are restricted in terms of defining what is morally right and wrong. So, if not us, Who? If not now, When? We should not be embarrassed of who we are and what we represent, but rather, we should come out of the darkness and offer a new age of enlightenment. Let us resolve to return to the active morality which defined us publicly and privately.

As I mentioned in my book, 73% of the country believes America’s moral values are eroding. How long will we allow this to continue? This also provides us with an opportunity: If we open our Lodge doors to the public in order to offer seminars on morality, this could greatly raise the consciousness of our communities, and it would also give Masons the chance to dispel misconceptions about the fraternity (that we are not the bogeymen people claim we are). Heck, we could even use it as a fundraiser to boot. I already know one group in Southwest Ohio moving in this direction.

If you are interested in promoting morality in and around your Lodge, please drop me a line and I would be happy to discuss it with you.

Again – “If not us, Who? If not now, When?”

Keep the Faith!

Note: All trademarks both marked and unmarked belong to their respective companies.

Tim Bryce is a writer and the Managing Director of M&JB Investment Company (M&JB) of Palm Harbor, Florida and has over 30 years of experience in the management consulting field. He can be reached at timb001@phmainstreet.com

For Tim’s columns, see:
timbryce.com

Like the article? TELL A FRIEND.

Copyright © 2013 by Tim Bryce. All rights reserved.

Listen to Tim on WJTN-AM (News Talk 1240) “The Town Square” with host John Siggins (Mon, Wed, Fri, 12:30-3:00pm Eastern), KGAB-AM 650 “The Morning Zone” with host Dave Chaffin (weekdays, 6:00-10:00am Mountain), and KIT-AM 1280 in Yakima, Washington “The Morning News with Dave and Lance” with hosts Dave Ettl & Lance Tormey (weekdays. 6:00-9:00am Pacific). Or tune-in to Tim’s channel on YouTube.