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Time in Freemasonry

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Continuing the series of the broken column and the weeping virgin, in this episode of Symbols and Symbolism we look at Albert Mackey’s entry into the Encyclopedia of Freemasonry as he examines the figure of time in the Jeremy Cross statue of early American Freemasonry. the statue, a newer invention in the collection of symbols, it remarkably follows in the vein of the 24 inch gage and the hourglass.

Mackey writes,

The image of Time, under the conventional figure of a winged old man with the customary scythe and hour-glass, has been adopted as one of the modern symbols in the Third Degree. He is represented as attempting to disentangle the ringlets of a weeping virgin who stands before him. This, which is apparently a never-ending task, but one which Time undertakes to perform, is intended to teach the Freemasons that time, patience and perseverance will enable him to accomplish the great object of a Freemason’s labor, and at last to obtain the true Word which is the symbol of Divine Truth. Time, therefore, is in this connection the symbol of well-directed perseverance in the performance of duty.

This symbol with the broken column, so familiar to all Freemasons in the United States is probably an American innovation.

The Weeping Virgin

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In this episode of Symbols and Symbolism we look at a short entry from Albert Mackey’s Encyclopedia of Freemasonry examining the figure of the weeping virgin. A newer invention in the symbolism of Freemasonry, Mackey draws an ancient parallel to its cryptic iconography.

Time, the weeping virgin and the broken column.

The Weeping Virgin with disheveled hair, in the Monument of the Third Degree used in the American Rite, is interpreted as a symbol of grief for the unfinished state of the Temple.

Jeremy Cross, who is said to have fabricated the monumental symbol, was not, we are satisfied, acquainted with Hermetic Science. Yet a woman thus portrayed, standing near a tomb, was a very appropriate symbol for the Third Degree, whose dogma is the resurrection.

In Hermetic Science, according to Nicolas Flammel (Hieroglyphics, chapter xxxii), a woman having her hair disheveled and standing near a tomb is a symbol of the soul.

Jeremy Cross (b.1783, d. 1861) became a mason in 1808 and soon became a student of Thomas Smith Webb. In 1819 he published The True Masonic Chart or Hieroglyphic Monitor, in which he borrowed liberally from the previous work of Webb. The Weeping Virgin first appeared as an illustration as rendered by the American copperplate engraver Amos Doolittle, appearing in Crosse’s The True Masonic Chart.

The Broken Column

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From Albert G. Mackey and his Encyclopedia of Freemasonry, this installment of Symbols & Symbolism presents his exploration of the Broken Column. Note, some links have been added as reference to the original quoted sources.

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The Broken Column

Time, the weeping virgin and the broken column

Among the Hebrews, columns, or pillars, were used metaphorically to signify princes or nobles, as if they were the pillars of a state . Thus, in Psalm 11:3, the passage, reading in our translation: If the foundations be destroyed, what can the righteous do? is, in the original, when the columns are overthrown, I.E..: when the firm supporters of what is right and good have perished.

So the passage in Isaiah 19:10 should read: her (Egypt’s) columns are broken down*, that is, the nobles of her state.

In Freemasonry, the broken column is, as Master Masons well know, the emblem of the fall of one of the chief supporters of the Craft. The use of the column or pillar as a monument erected over a tomb was a very ancient custom, and was a very significant symbol of the character and spirit of the person interred. It is accredited to Jeremy L. Cross (from the Masonic Chart) that he first introduced the Broken Column into the ritual, but this may not be true.

* This passage in Isaiah 19:10 reads: And they shall be broken in the purposes thereof, all that make sluices and ponds for fish. (KJV)