Fellowcraft of Freemasonry

Symbolism on the Winding Staircase – Five Steps Upon the Stair

Five Steps Upon the Winding Staircase

Modern Masonic second degree tracing board art

The second degree lecture holds a wealth of esoteric study and contemplation. In the preceding examination we looked at the depth and meaning of the first three steps as the conductor in Duncan’s Ritual and Monitor ushers the candidate into the allegorical chamber of King Solomon’s temple.  Now, the candidate is faced with a further rise of steps, Five to be exact, which is described in this text taken directly from Duncan’s Ritual and Monitor of Freemasonry:

Stepping forward to the five steps, he continues:

The five steps allude to the five orders of architecture and the five human senses.

The five orders of architecture are Tuscan, Doric, Ionic, Corinthian, and Composite.

Masonic Orders of Architecture

For any brother reading, it’s important to take a moment to look anew at your monitor, if supplied with one, to reacquaint the reference as it relates specifically to Masonry.  From an exoteric point of view, we must look to the point of origin to the Orders of Architecture, which turns our attention to the grand father of modern architecture – Vitruvius.

Marcus Vitruvius Pollio

Vitruvius (born c. 80–70 BC, died after c. 15 BC) is described on Wikipedia as having been a Roman writer, architect and engineer (possibly praefectus fabrum , the man in charge, during military service or praefect architectus armamentarius, the man in charge of architecture, of the apparitor status group), active in the 1st century BC.  By his own description Vitruvius served as a Ballista (artilleryman), the third class of arms in the military offices. He likely served as chief of the ballista (senior officer of artillery) in charge of doctor’s ballistarum (artillery experts) and libratores who actually operated the machines.

Vitruvian Man

The Vitruvian Man, as illustrated by Da Vinci, was based on Vitrivius’ proportions from his writings.  Those writings can be found in his collected works, commonly called De Architectura Libri Decem or Vitruvius, the ten books on architecture.  In the work, Vitruvius describes an assortment of things from town planning to aqueducts.

The rediscovery of his work in the Renaissance had a profound influence on architects of the age which started the rise of the Neo-Classical style. Period architects, such as Niccoli, Brunelleschi and Leon Battista Alberti, found in “De Architectura” reason for raising their branch of knowledge to a scientific discipline as well as emphasizing the skills of the artisan.

Further the English architect Inigo Jones, who crafted the Queens House at Greenwich in

Hortus Palatinus at Heidelberg Castle

1616 and the Banqueting house at Whitehall in 1619,  and the French hydraulic engineer  Salomon de Caus who designed the gardens at Somerset House and the Hortus Palatinus in Heidelberg  Germany (known for its then wonders of “a statue that resounded when struck by the rays of the sun, a water-organ, and singing fountains”), and were among the first to rethink and implement the disciplines of Vitruvius which were considered a necessary element of architecture, essentially art and science based upon number and proportion, which was reinvigorating to architecture of the period.  The 16th century architect Andrea Palladio who designed a number of villas, palaces, and churches in and around Venice, considered Vitrivius his master and guide, and made drawings based on Vitruvius’ work before evolving his own architectural precepts.

Inigo Jones, for those who are unfamiliar, is also the author of a Manuscript circa 1607), on the Origin of Masonry, amongst other things.  Lomas, in Freemasonry and the Birth of Modern Science, dates the time of Jones’ Freemasonry as 1607, while he was a surveyor to the crown under James VI.

The idea of divine architecture came directly from Vitruvius’s work as divine proportions were very much a consideration in every design.  In his book of Architecture, in Book IV the middle three pillars, Doric, Ionic, and Corinthian, are described in by their physical traits for use in the temples of their celestial counterparts:

“On finding that, in a man, the foot was one sixth of the height, they applied the same principle to the column, and reared the shaft, including the capital, to a height six times its thickness at the base. Thus the Doric column, as used in buildings, began to exhibit the proportion, strength, and beauty of a man.”

“Just so afterwards, when they desired to construct a temple to Diana in a new style of beauty [Ionic], they translated these footprints into terms characteristic of the slenderness of women, and thus first made a column the thickness of which was only one eighth of its height, so that it might have a taller look. At the foot, they substituted the base in place of a shoe; in the capital they placed the volutes, hanging down at the right and left like curly ringlets, and ornamented its front with cymatia and wide festoons of fruit arranged in place of hair, while they brought the flutes down the whole shaft, falling like the folds in the robes worn by matrons. Thus in the invention of the two different kinds of columns, they borrowed manly beauty, naked and unadorned, for the one, and for the other the delicacy, adornment, and proportions characteristic of women….”

“The third order, called Corinthian, is an imitation of the slenderness of a maiden; for the outlines and limbs of maidens, being more slender on account of their tender years, admit of prettier effects in the way of adornment.”

The story of the Corinthian column goes on to tell of its inspiration which was from the growth of an Acanthus through the basket of a young Corinth maiden’s possessions atop her tomb.  The Athenian artist Callimachus passed it and took delight at its “novel style” and built columns after its form.  Once he determined the dimensions and proportions it was established to the rule for the Corinthian order, thus setting, literally, into stone the symmetry of beauty.

In another instance in Vitruvius’s work he details the facing of temples so as they can be experienced in a manner in line with many of the great esoteric and religious traditions.  He oriented them to be entered from the West to…

“…enable those who approach the altar with offerings or sacrifices to face the direction of the sunrise in facing the statue in the temple, and thus those who are undertaking vows look toward the quarter from which the sun comes forth, and likewise the statues themselves appear to be coming forth out of the east to look upon them as they pray and sacrifice.”
– Book IV, Ch. 5

This certainly does not predate the idea of Solomon’s temple orientation, but its questionable if perhaps Vitrivius was influenced in any way by this Judaic Old Testament writing, or operating on an older principal of Temple building.  In its simplest of thought, the older idea of knowledge, better thought of as wisdom, came from the East in the rising sun as it has symbolically represented the idea of a daily new beginning.  The word used for one who undertakes the degrees in Masonry, an initiate, comes from the Latin initiare which means “to begin anew”.  It would, no doubt, mesh with Renaissance architects as designers would see the parallels between the Old Testament Temple and the Classical temple styling to follow that same pattern.[1]

From an esoteric stand point, we can start to infer much of how this translates to our work as a Freemason, building that unseen house . . . but this also has a practical application that would of been at the very forefront of our early forbearers thought, as with Inigo Jones, as they planned and built the neoclassical temples of the late Renaissance.  Perhaps in some ways this is a vestige to our very being a Freemason, homage to the ancient practicing of our brothers in antiquity and a means to making being a Mason relevant to the teachings.

But as the degree then turns from the idea of architecture so must we to the aspect of our human senses, five in total, and their specific link to our ability to hear, see, and feel.

The degree says:

The five human senses are hearing, seeing, feeling, smelling, and tasting, the first three of which have ever been highly esteemed among Masons: hearing, to hear the word; seeing, to see the sign; feeling, to feel the grip, whereby one Mason may know another in the dark as well as in the light.

Again, as the orders of architecture are of a specific physicality, so too is this treatise on the five senses of the physicality of man.  It speaks much to our physically interpreting the activity around us.  In many ways it is reminiscent of the motto “Aude, Vide, Tace” which from the Latin translates to say “Know, Dare, Be Silent” which goes further to suggest of the same three tactile senses said to be of greatest importance that they have a parallel union:

  • Hearing – knowing = to learn and understand what is being taught
  • Seeing – daring = to think on and consider its purpose and meaning
  • Feeling – touching = to be silent rather than attempting to stumble until fuller knowledge is attained

The longer Roman proverb reads – “Audi, vide, tace, si tu vis vivere” which means to “Hear, see, be silent, if you wish to live (in peace)” which can give us a cryptic undertone or a view to see the disharmony of not being silent.

This middle chamber, middle position, examination gives us much to reflect on especially as it relates to our physicality in the role of a Fellow of the Craft, but to get a broader feel we need to look more widely at the implications of the period understanding to what these five senses represented.

Cornelius Agrippa, in his Three Books of Occult Philosophy, says of the five senses:

There be five senses in man, sight, hearing, smelling, tasting, and touching: five powers in the soul…, five fingers of the hand, five wandering planets in the heavens…. It is also called the number of the cross, yea eminent with the principal wounds of Christ[2], whereof he vouchsafed to keep the scars in his glorified body.  The heathen philosophers did dedicate it as sacred to Mercury, esteeming the virtue of it to be so much more excellent than the number four, by how much a living thing is more excellent than a thing without life….  Hence in time of grace the name of divine omnipotence is called upon with five letters…the ineffable name of God was [expressed] with five letters Ihesu…

The five wounds of Original Sin – First, death to the soul (heart). Second, darkness in the intellect, the right hand. Third, malice, an inclination to evil, the left hand. Fourth, sensuality – disordered desires, the left foot. And fifth, irritability and aggression, the right foot.

Ihesu is the middle ages usage of the name of Jesus, often written in Catholicism as simply IHS which has run through both Greek and Latin translations.  In Greek, it looks like Iota-eta-sigma-omicron-upsilon-sigma which becomes IESOUS in English.  The H comes from the variance of eta which is epsilon, and rendered as H giving us Agrippa’s meaning.

Further in the work of Agrippa, he attributes the number Five beyond the senses touching on the planets, the animal kingdom, and five things as made by God: essence, the same (similarity), another (difference), sense, and motion.  He called the number five the Pythagorean number of wedlock and justice (such we could interpret as Solomonic justice) because the number divides 10 in an even scale – Five represents the point of balance.

Clearly, we can see that Agrippa found some greater importance in the 5 senses, broadening their occult interpretations.  What we can take from this is that the 5 senses can be as limited as we choose to see them or as broad as we can start to  interpret them to be as most interpretations of the number 5 have similar or like meaning.  In either case, they have a wide variance by which to perceive them than simply in the five points of perfection.

In these two discussions of physicality, Architecture and sense, we find two seemingly unrelated elements that in the second degree are intricately interwoven and presented by instruction as integral to the metaphorical building of Solomon’s temple, or more specifically, our own temple of inner Being.  Like the great Greek and Roman pillars our senses are ever increasing importance giving our physicality a dimension to the degree.  Yet, by digging deeper, through some of the more esoteric connections, we can get a sense of the power of this simple number that divides 10, a Solominc number, the number of perfection.  So here, we have reached our second landing upon the staircase.  We have surmounted our second series of steps in the middle chamber and come to a point of rest.  Before us is the next ascent which will take us up a dizzying flight of seven steps.  Though the number may seem small, its connections are many and varied and further round out the active role of our manhood which is our place of being as a Fellow of the Craft.  Behind us rests the previous three and five steps – a monumental feat of climbing indeed, but before we can claim a victory over them, we must surmount the next seven and explore their potentiality in meaning.


Read:
Part 1 – Masonic Symbolism on the Winding Staircase  
Part 2 – Symbolism on the Winding Staircase – 5 steps upon the stair
Part 3 – Symbolism on the Winding Staircase – Seven the Magic Number

 

Notes

[1] Vitrivius does give further instruction on temples when not able to orient them in an eastward facing saying “…if the nature of the site is such as to forbid this, then the principle of determining the quarter should be changed, so that the widest possible view of the city may be had from the sanctuaries of the gods. Furthermore, temples that are to be built beside rivers, as in Egypt on both sides of the Nile, ought, as it seems, to face the river banks. Similarly, houses of the gods on the sides of public roads should be arranged so that the passers-by can have a view of them and pay their devotions face to face.” So, what is the guide is not fixed in necessity.
 
[2] What then are the five wounds of Original Sin? First, death to the soul through the loss of sanctifying grace, and consequently in due time to the body. Second, darkness in the intellect. Third, malice — an inclination to evil — in the will. Fourth, sensuality (disordered desires) in the concupiscible appetite. And fifth, irritability and aggression in the irascible appetite. their correlation follows:
 
Death to the soul – Death of the body (heart) – Death occurs when the soul, the life principle of the body, is separated from the body, as the heart is the seat of the soul.
 
Darkness in the intellect (and will) – the right hand, the hand of spirit – spiritual darkness, The will grasps at things by reaching out for them in desire.
 
Malice and evil – the left hand, the sinister hand where our will is malice, a proclivity to real evil, to rebellion
 
Sensuality of desire – the left foot, earth bound, it is the foot that sets off down the wrong path of pleasure and sin.
 
Irritability and aggression – the right foot of strength where man’s irascible appetite is our aggressiveness and proclivity to anger.

Manteca Masonic lodge vandalized

From the Manteca Bulletin

Vandals broke into the [Manteca] Masonic Lodge in the 200 block of North Powers Avenue sometime over the past weekend trashing the interior of the building and causing an estimated $7,000 in damage.

Destroyed in the break in was an antique organ donated by the family of the late Bill Eichner for his past service. The organ was “smashed beyond all repair”

The break-in was believed to have happened either Friday night or Saturday night. The clock mounted on the wall had been damaged with its hands stopped at 12:05, [W.M.] Shaughnessy added. Also destroyed in the vandalism were emblems representing the DeMolay for boys and the Order of Rainbow Girls that were kept in the building.

The report says of the lodge that it was constructed in 1957 but the organization there dates back to the cities formation in 1913.

Anyone with information is encouraged to contact the Manteca Police Department at 209.456.8100

second degree, freemasonry, fellowcraft

Masonic Symbolism on the Winding Staircase

A Lecture on the Second Degree of Freemasonry

2nd degree fellowcraft tracing board art

On our way to the Sanctum Sanctorum, the newly made Mason undertakes a passage through what is commonly called the Middle Chamber.  The reference into the middle way is through the temple of Solomon, and the pathway to the Holy of Holies, the adytum in which the Holy Ark of the covenant resides at the the Kodesh Hakodashim, or the place in which deity dwells.  In that journey through the middle space, the Second degree brother is introduced to some of the more seemingly secular influenced aspects of the fraternity that begin to take on a double, or symbolic, meaning.  On their surface, the basic notions of these things are obvious, but not until you start to look at them closely, at their deeper meanings, that we start to see their relationships to other more esoteric ideas.  This is similar to religious traditions where withing one religious text there can be multiple layers of meaning, and multiple ways of interpretation which can lead to an allegorical, a moral, or a mystical meaning.

Indeed, as the degree is symbolically in King Solomon’s Temple, so to can it be seen as a symbolic metaphor to our own internal path, what Joseph Campbell calls the hero quest, and where you “leave the world that you you’re in and go into a depth or into a distance or up to a height.”[1]

Masonic symbols, tracing board, second degree, 2 degree

This is not to assume that the Masonic degrees have a similar relevancy to sacred or spiritual texts, though some could argue that their significance is almost as powerful to some observants.  It is a system of morality that strives to make good men better, which runs nearly in parallel with the many Volumes of the Sacred Law which seeks similar outcomes to achieve as it outlines and instructs its path to elevation. Whether its salvation or spiritual awakening the holy books seek to instruct its adherents to live better lives through their faith, the same that Freemasonry strives to through its practice – to make those good men better. In that process of making the good man a candidate for the degrees is made an entered apprentice, symbolically as he ascends Jacob’s ladder.  Once at the top, he is presented a series of three groups of symbols which are set before him to become a Second Degree mason so as they may observe and contemplate them in their path of progression, their hero’s quest, to the third degree.

The story of the degree, from Duncan’s Masonic Ritual and Monitor*, picks up after the passage between the twin pillars of the degree with the conductor delivering this instruction:

Brother, we will pursue our journey.  The next thing that attracts our attention is the winding stairs which lead to the Middle Chamber of King Solomon’s Temple, consisting of three, five, and seven steps.

The first three allude to the three principal stages of human life, namely, youth, manhood, and old age. In youth, as Entered Apprentices, we ought industriously to occupy our minds in the attainment of useful knowledge; in manhood, as Fellow Crafts, we should apply our knowledge to the discharge of our respective duties to God, our neighbors, and ourselves; so that in old age, as Master Masons, we may enjoy the happy reflections consequent on a well-spent life, and die in the hope of a glorious immortality.

They also allude to the three principal supports in Masonry, namely, Wisdom, Strength. and Beauty; for it is necessary that there should be wisdom to contrive, strength to support, and beauty to adorn all great and important undertakings.

They further allude to the three principal officers of the Lodge, viz.: Master, and Senior and Junior Wardens.

Let’s pause here and consider what some of the deeper meanings of these first steps infer.  The first segment is fairly straight forward; with narrative telling us that the three steps allude to the three stages of human life – Youth, Manhood, and Old Age.

Youth is defined as:
Young persons, collectively.
A young person; especially, a young man.
The quality or state of being young; youthfulness; juvenility.
The part of life that succeeds to childhood; the period of existence preceding maturity or age; the whole early part of life, from childhood, or, sometimes, from infancy, to manhood.

This is a pretty straight forward idea, especially as it says to us that “we ought industriously to occupy our minds in the attainment of useful knowledge”, but how does this apply to an older initiate, someone who is no longer in his youth.  Is it a wistful thought to what was achieved when younger and in still in school?  Taken on a deeper level, it could allude to the idea of the degree itself, the First degree being synonymous to mean that in the first, the candidate comes to the lodge as a youth (despite his chronological or physical age) with a clean slate of perception and a clean pallet of interpretation.  In a sense, he comes as blank slate to its teachings or to the ideas before him.  The degree being his introduction from exterior life to interior life which ushers him both into the fraternity and into the concept of the undertaking.  Pike, in the first degree lecture in Morals and Dogma, calls this the focusing of the aspirants “unregulated force” – the channel by which they constrain their previously raw, infantile state, into that of a focused and youthful aspirant no matter their age.

Next, the candidate enters into his Manhood, more literally the 2nd degree, of which the ceremony says of it “we should apply our knowledge to the discharge of our respective duties to God, our neighbors, and ourselves” which is a really active process to live by.  We, in essence, are to achieve much by way of our doing, essentially, the work of our daily life towards our deity in worship and practice, our community in which we live and reside, but more specifically as we apply it to ourselves in continuing to apply what we’ve learned in our youth to this state of existence.

The Free Dictionary defines Manhood as:
1. The state or time of being an adult male human.
2. The composite of qualities, such as courage, determination, and vigor, often thought to be appropriate to a man.
3. Adult males considered as a group; men.
4. The state of being human.

In the third entry, we can take much from it beyond it simply being our middle state of being.  It is in fact our ability to BE in the first place, our SELF in daily practice.  Interesting as this is, the second degree in which our further education takes place is not only about the practice of our youth but also our ability to learn and apply that education to our life.

Campbell says of the age progression that “As a child, you are brought up in a world of discipline, of obedience, and you are dependant on others.  All this has to be transcended when you come to maturity, so that you can live not in dependency but with self-responsible authority.”[2] This is, in essence, the heart of the three degree progression and the fundamental of the three steps – he becoming a man (or woman, respecting your discipline)!

Old age is a bit more of a troubling and complex issue.  So often in modern society we look at old age as a point of retirement where work and physical activity dramatically changes or diminishes.  In this description, the idea of old age holds true in that the degree says of old age that in it “we may enjoy the happy reflections consequent on a well-spent life, and die in the hope of a glorious immortality”

There are several interesting meanings we can take from this especially that it is in the degrees that these physical changes are metaphorically said to take place which can become a literal interpretation, and that once attained the Master Mason can live through them – literally to reflect on the life well spent.  What’s troubling here is that the major portion of the work of the lodge is spent in the third degree and a caution must be considered so as to not see the work of the Master Mason as just one of reflection and of casual rest lest no work, as described in Manhood, be completed.

Old Age is essentially defined as ones age nearing or passing the average life span of human beings, and thus at the end of the human life cycle.  In the U.S. this is considered to be 78 years old giving a distinct impression as to when one should then become a True Master.  It really is at a twilight of life period, one of great age and maturity where little change and much reflection takes place.  This gives us an interesting perspective on the meaning as it implies a near end of physical life period of time which squares with the degrees lesson as the period of reflection of a life well spent.  We become the Master of our all, ready to pass our knowledge on to the next generation.

With this vantage, we can take pause to deeply consider that our daily working of the degrees, intrinsically, could (or should) be conducted in the 2nd state, our manhood in which we conversely learn and grow.

Symbolism of the Second Degree

Cirlot, in his Dictionary of Symbols, makes an interesting point in that the idea of progression in the stages of age is not unique to Masonry.  Besides the stages themselves, the number three (3) is a representation of synthesis and unites the “solution of conflict posed by dualism.” In other words, the third object brings about balance for the first two opposing states.  Think of the balance of three dots, one stacked above two.

From this point, the degree breaks off to correlate these first steps with the three principal pillars of the lodge as Wisdom, Strength and Beauty which also has an interesting Kabalistic point of reference in the three pillars that make up the structure of the tree of life.  Keep in mind, the orientation assumes the viewer reverse the structure to mirror ones own standing rather than simply reflect the observer.

Wisdom, the left hand pillar of mercy, is an active pillar and representative of alchemical fire, which is the principal of spirituality, often called the pillar of Jachin.  It is a masculine pillar, and relates to our mental energy, our loving kindness, and our creative inspiration as we traverse it up the Kabbalaistic tree through the Sephirot.

Strength is the right hand pillar and takes the form of severity, shaped into the alchemical symbol of water.  It can represent darkness, but it is a passive symbol that is feminine in nature and called the pillar of Boaz.  Upon it we find the points of our thoughts and ideas, our feelings and emotions, and the physicality of our physical experience, our sensations, each an aspect of its Cabalistic progression.

"mercurial transformation"

Beauty, then, takes on the role of synthesis of the two, the pillar of mildness; it is upon this pillar that the novitiate is transformed through his progressive states as he progresses.  The central pillar of Beauty is representative of Jehovah, the Tetragrammaton which represents deity itself upon which our crown of being resides balanced through feeling and emotion from our foundation of justice and mercy, all of which springs from our link to the everyday world.

These aspects of the Kabbalah are not specific attributes of the study in the blue lodge, rather elements of deeper esoteric study, found more specifically in the degrees of the Scottish Rite.  Because of the pillars, and their deeper symbolic meaning, it does, however, necessitate looking at them deeper to see the relationship between them as the blue lodge degrees seem to have parallels in the study of the Kabbalah – a happy accident at some time past or with purpose to link the ideas together.  Wisdom, Strength, and Beauty are specific aspects of the lower three degrees and emphasized here in the first three steps into the middle chamber, necessitating their deeper esoteric study to fully grasp their broader importance.

As the degree instructs – Wisdom is to contrive, Strength is to support, and Beauty is to adorn all great and important undertakings – which are the fundamentals of the three pillars in the Kabbalaistic study.

Conversely, as the degree states, these three pillars “allude to the three principal officers of the Lodge, viz.: Master, and Senior and Junior Wardens.” and can be interpreted as such in both a micro (in lodge) fashion and in a broader macro tradition of Masonry itself – in this Kabbalaistic formulation.  When the alchemical aspects of wisdom and strength are combined we can see the 6 pointed star appears, the symbol of transformation, often depicted in the conjoining of the square and compass in which Masons are instructed to square their actions and circumscribe their passions, which also corresponds to the link between the Saints Johns – the Baptist as the principal of alchemical water, and the Evangelist as the symbol of alchemical fire, both of whom have much deeper esoteric connections in Masonry. Also, the figures of the lodge leadership have a deeper connection as you begin to look at their alchemical connections too, when you look at their relationship to the Sun and moon, and the aspirant candidate as the solution of conflict, as Cirlot described, and as defined in the first degree – the three sphere aspect to balance the two of conflict.

From these short first few tentative steps, we can see that there is a wealth of Masonic symbols at hand, but we are only one third into our progression.  Our next step takes us deeper into the middle chamber to its central position where we encounter an interesting juxtaposition of the physical world to our very human aspect of being through our senses.

For now, reflect a time on these first three steps and consider what comes next upon the path.

Read the series:
Part 1 – Masonic Symbolism on the Winding Staircase 
Part 2 – Symbolism on the Winding Staircase – 5 steps upon the stair
Part 3 – Symbolism on the Winding Staircase – Seven the Magic Number


[1] Campbell, Joseph, “The Power of Myth”, p. 129
[2]ibid* Duncan’s Ritual Monitor is the most universal aspect of the degrees and widely available in public circulation so as to get a glimpse of the Masonic degrees. Its publication, originating in 1866 and has been has been republished many times since. It includes the three blue lodge degrees of the Ancient York Rite, and four additional advanced degrees of the York Rite.

Out with the old

…and in the with the new!

Just wanted to toss a few things into the aether with the close of 2010.

The first is I wanted to mention a pod cast interview I gave to the Occult of Personality pod cast. The recording was from earlier in 010′, but it was a good conversation with a brother about, what else, Freemasonry. I’d recommend checking out the extra content as I know there is some of the more esoteric good-stuff inside.

You can find and listen to or down load the show from the Occult of Personality website.

Also, I wanted to give a quick nod to the latest Cohen Brothers film True Grit, in theaters now with Jeff Bridges. If you haven’t seen it, I recommend you do.  Its a good film with a neat Masonic connection, that should of almost made the sub title to the film “The Revenge of the Masons Daughter”.

On other fronts, the Bibliotheca Philosophica Hermetica in Amsterdam, the premier Hermetic Library in the Netherlands, it seems is not to be as the Ministry of Culture of the Netherlands has transferred the core collection of the library to the National Library in The Hague. Talks about the fate of the collection as a whole are ongoing. From the OVN

And, I’ve gotten a few questions about the Masonic Central pod cast, and unfortunately, I don’t have many answers. The temporary hiatus taken in April seems to of stretched much longer than expected with out a target for when it will resume. With that said, there has been some consideration of doing something a but more on the esoteric side that stretches beyond the confines of Masonry, a Salon Subrosa, but as of this writing, it is still taking shape. Like the old billboards read, WATCH THIS SPACE.

And, if your anywhere near Los Angeles (or Hollywood to be more precise), I recommend checking out a the Steven Daily “Covenant” showing at La Luz De Jesus (opening January 7th). The art, so I hear, is Masonicly inspired and is being called “…the visual manifestation into the secretive and ultimately dark world of the Freemasons.” Not sure how dark is will be,but the art looks pretty interesting and yet another glimpse of the Fraternity as it begins melting into the broader material culture of Americana. You can read about the artist here (with a glimpse into the show) and see the work in the show following its opening at the La Luz website.

There was lots more that happened in 2010, things already well documented and discussed.  Its time to refocus forward – onward and upward.

I have high hopes for 2011, and starting off with positive optimism is a good thing. Now, lets make some strides and start the momentum.

Fiat LVX.

The Value of Myth

If it doesn’t relate, then don’t celebrate.

Io Saturnalia, Good Yule, Cheery Solstice, Happy Holidays, Happy Ashura, Enlightened Bodhi Day, Good Boxing Day, Joyful Kwanzaa, Merry Christmas.

What ever your myth or belief, be it a joyful and happy season of celebration. Speaking of myth, have you heard about the dueling atheist and Catholic billboards that adorn the opposite ends of the Lincoln Tunnel in New York?

Erected by the Atheist Americans and The Catholic League respectively, two dueling factions – those who believe and those who don’t, have been dukeing it out over the souls of New York residents or at least dukeing out the idea of myth.

The fight is over the reality of the birth of Christ, or in a more general sense, the truth behind Christian theology itself. Erected by the American Atheists – the sign reads You KNOW it’s a Myth. This Season, Celebrate REASON!

If the sign isn’t a simple enough statement their reason for erecting it can be found on their website which says:

Statistics show that nearly 50 million Americans are atheists. Some use names like freethinker, agnostic or humanist to describe or modify their position, but atheism (the absence of a belief in a deity) is broad, and encompasses all those terms. If you don’t have an active belief in a god, you’re an atheist. It’s a very good thing.

Millions of atheists are closeted, choosing to go along to get along, and feigning religion to their friends, family, and coworkers. American Atheists understands the pressure to fit in, but we maintain that for people to love you, they must know the real you.

An interesting inclusion in this list is the Humanists, which is where much of Freemasonry can trace its ideals back to – especially in the equality of man, the democracy of the lodge, and the more esoteric ideas.

Leon Zeldis, in a paper ENGLAND AROUND 1717 – The foundation of the first Grand Lodge in context, published at Pietre-Stones, says:

The Masonic lodge was a refuge of peace and tranquility at a time of political uncertainty, when the memory of religious warfare was fresh in the memory of all men, when the first discoveries and inventions were transforming the economy, and opening new perspectives of progress, when the hope that rationality and humanism would banish from the hearts of men the evils of fanaticism and intolerance. This was the fertile ground on which early speculative Freemasonry germinated and grew, spreading its branches throughout the western world.

This is not to say that the Humanism of the late Renaissance was the same as today, but its difficult to say that they are much different. Their similarity was in the study of Scholasticism which focused on the preparation of men to be doctors, lawyers or professional theologians, and was taught from approved textbooks in logic, natural philosophy, medicine, law and theology. Perhaps, even, in the study of Reason itself.

At the time of the Renaissance, it was a lesson for churchmen and Popes to study these new ideas which, even at that time led to the challenging of old beliefs.

Back in modern day, the Catholic League erected their own sign in response that reads:

You Know It’s Real: This Season Celebrate Jesus.

Originally, the competing sign was erected as a rebuttal or response to the Atheists sign, but with a more specific argument, truly the reason to celebrate Christmas, the Christ’s Mass to celebrate the birth of Jesus.

Some onlookers, quoted in the New York Post commented that the rebuttal was unnecessary, that its a “it’s tit for tat, [which] defeats the spirit of Christmas”

Perhaps which side of the fence you come down on about the signs depends on your own personal beliefs, which are a very hard things to argue against. What stuck me about it was the need that we each have for Myth, whether its the season or reason.

Its an obvious omission to any who have read the Christmas story that fresh mountain pine trees and sparkly glass ornaments were absent in the telling of the nativity. Gifts of frankincense, myrrh, and gold were present, but they are a far cry away from the modern day giving of an iPad, an LCD HD TV, or a brand new and Bow-Tied Lexus.

So obviously the holiday didn’t originally celebrate in the manner we do today.  The first use of the Cristes mæsse (Christ Mass) wasn’t recorded until 1038, a thousand years after the birth of Christ – well before the giving of the latest Call of Duty Black Ops game.

So there must be some other reason for our focus of celebration, most likely our celebration of the myth.

Joseph Campbell, in his book The Power of Myth, says:

“The individual has to find an aspect of myth that relates to his own life. Myth basically serves four functions.

1. The Mystical Function – The wonder of the universe, the wonder of the self, and the awe before the mystery.

2. Cosmological Dimension – the dimension of science showing the shape of the universe but in a way that the mystery shines through

3. Sociological – The supporting and validating of a social order.

4. Pedagogical Function – how to live a human lifetime under any circumstances.

So, even if it challenges the reason of some, the need and value of Myth is every bit important as it is to question them and ask yourself how they relate to your own sensibilities.

Campbell goes on to say:

“The story that we have in the West, so far as it is basedon the Bible, is based on a view of the universe that belongs to the first millennium B.C.  It does not accord withour concept either of the universe or of the dignity of man.  It belongs entirely somewhere else.”

This seems to be where the American Atheists are leaning, but get lost in the weeds of just disconting everything that fails their dogma test (missing the dogmatic-ness of their own proposition)

Campbell goes on to offer his idea of multicultural acceptance describing its Humanistic leaning as being “trans-theological.”  saying further “it is of an undefinable, inconceivable mystery, thought of as a power, that is the source and end and supporting ground of all life and being.”  Said another way, the myth transcends the source and takes on a more significant role.

This strikes me as the difference between Faith and Religion, the practice should follow the belief, not the other way around. We often celebrate a holiday or event without knowing its precise origin or purpose. What matters is how it relates to us today, what it means to us in the now.

If it dosen’t relate, then don’t celebrate.

If the myth of the event does not excite the mystical in you, then celebrate the mundane.

If your not of a religious bend, then pick another reason to celebrate the season. And, if that’s not good enough, then don’t try to wreck it, or shape it, for others.

This is where I believe the American Atheist’s  sign misses the mark.

Rather than condemn the beliefs of others – why not appeal to the 50 million atheists they claim affinity with to provide them an alternative to what they see as unreasonable celebration of Myth with their own unique celebration of Reason.

Happy Holidays – what ever your degree of leaning in your traditions.

Jury Sides with Grand Lodge in West Virginia

grand lodge of west virginiaFrom the Charleston Gazette, it seems that a jury has sided with the Grand Lodge of West Virginia.

The Original story begins:

CHARLESTON, W.Va. — A Kanawha County jury sided Wednesday with the Grand Lodge of the West Virginia branch of the Masons against a former grand master who sued after he was expelled from the group, claiming the organization had violated its own rules.

The jury declined to award Frank J. Haas, an administrative law judge from Wellsburg, any damages, even though Kanawha Circuit Judge Carrie Webster ruled that the Masons breached its contract with Haas.

The jury also decided that the state’s Grand Lodge and past Grand Masters Charles F. Coleman II and Charles L. Montgomery had not defamed Haas, placed him in a false light, or committed outrageous conduct toward Haas, who was also a past grand master.

Bob Allen, Haas’ attorney, said after the verdict was announced that Haas was very disappointed, but accepted the jury’s decision.

Haas, who served as the state’s grand master from October 2005 to October 2006, said that during his tenure, he tried to make West Virginia Masonry more inclusive in terms of nationality, race, disability, age and religion. He said he wanted to bring the organization’s policies more in line with federal and state public policy.

Haas’ progressive agenda, which came to be known as the Wheeling Reforms, passed at the Masons’ annual communication that year in Wheeling. The vote — in which some members, according to custom, had full votes and some had quarter votes — resulted in a tie, with Haas casting the tie-breaking vote himself.

Days later, Coleman, who succeeded Haas as grand master, issued an edict setting aside Haas’ agenda, citing voting irregularities that he and others had witnessed.

You can read the full published story (Wayback Archive) here.

Additional reading
Lest We Forget.

West Virginia Court Rules That It Has The Power To Force Freemasonry To Follow Its Own Rules

Message from Haas, post trial – Masonic Crusade – Archive

Past PH Grand Master of Masons New York murdered.

From the NationNews, Barbados, comes this story of an elderly man stabbed to death.

Preliminary investigations into the death of 90-year-old Fred Parris have ruled out robbery, and police sources have indicated the Stanmore Crescent, Black Rock, St Michael senior citizen received several stab wounds about the body, including to the neck, stomach and back.

Parris’ body was found about 5:30 a.m. lying in a small track leading to the popular beach. He was dressed in a short bathing pants and shirt.

Nicholas Harrison, one of Parris’ nephews, said he could see no other motive for his uncle’s killing, since he (Parris) was carrying no personal possessions when he met his death.

Perris, his family says, swam there every day except for Sundays, a day he reserved for church.

Parris was an accomplished man as he was the son of the first black captain of police in Barbados, he went on to become the first Barbadian to be named Grand Master of Prince Hall Masons of New York State in 1995 where he also served as a director of the Harlem Hospital.

Perris, the story reads, is survived by three children.

Read more at Nation News, and Barbados Today.

The key to academic success – Spirituality!

This story is something that a lot of groups should pay attention to as the relationships of religious/spiritual interests and academia have grown cold in many places.

Of particular note is that as this piece comes out of UCLA, one of the first 12 structures of the community of Westwood, where the school resides, was a Masonic clubhouse built to serve UCLA students and alumni (which it did for 40 years), and is now called the Geffen Playhouse.

Los Angeles – Researchers from UCLA’s Spirituality in Higher Education project have found that spiritual growth in college students enhances academic outcomes such as scholastic performance, psychological well-being, leadership development and satisfaction with college. Cultivating the Spirit: How College Can Enhance Students’ Inner Lives, written by Alexander W. Astin, Helen S. Astin and Jennifer A. Lindholm, is the first national longitudinal study of students’ spiritual growth. The book’s research represents a national study of college students’ search for meaning and purpose.

For example, compared to students whose equanimity declines during college, those whose equanimity increases have a 50% better chance of earning at least a B+ average. Similarly, students whose Equanimity increases during college, compared to those whose Equanimity declines, are nearly three times more likely to end up being “very satisfied” with their college experience.

“We believe that the findings provide a powerful argument that higher education should attend more to students’ spiritual development,” stated co-author Alexander Astin. “Spiritual development is not only an important part of the college experience in its own right, but also promotes other positive outcomes of college.”

The seven-year research study examined how students’ religious and spiritual views change during the college years and the role that college plays in facilitating the development of their spiritual and religious qualities. The study surveyed 112,000 freshmen as they enrolled in 236 colleges and universities and then followed up with 14,527 of these students as they completed their junior year at 136 colleges.

Other findings include:

  • Religious engagement among students declines somewhat during college, but their spirituality shows substantial growth. Students become more caring, more tolerant and more connected with others as well as more actively engaged in a spiritual quest.
  • College activities contribute to students’ spiritual growth. Some of these–study abroad, interdisciplinary studies, interracial interaction, and service learning–appear to be effective because they expose students to new and diverse people, cultures and ideas.
  • Spiritual development is enhanced if students engage in “inner work” through activities such as meditation or self-reflection, or if their professors actively encourage them to explore questions of meaning and purpose. Spiritual development is impeded when students engage in activities that distract them from campus life opportunities–activities such as watching television and playing video games.
  • Spiritual qualities showing increases during college include: spiritual quest, equanimity, ethic of caring and ecumenical worldview.
  • Faculty effects on students’ spiritual development include: direct encouragement, reflective writing and journaling, collaborative group projects and contemplative practices in class.
  • Majors that positively affect spiritual development include: fine arts, health professions, biological sciences and social sciences. Majors that negatively affect spiritual development include: engineering, mathematics, physical science and other technical fields.
  • Other positive influences on spiritual growth include: meditation/contemplation, service learning, charitable giving, interdisciplinary courses, study abroad programs, interracial interaction, leadership training and student organizations.
  • Negative influences on spiritual growth include: watching TV, playing video games and frequent drinking/partying.

The seven-year study detailed in Cultivating the Spirit was funded through two generous grants from the John Templeton Foundation. The surveys were conducted as part of the Higher Education Research Institute’s Cooperative Institutional Research Program, the nation’s oldest and largest study of higher education.

You can find the Book, Cultivating the Spirit: How College Can Enhance Students’ Inner Lives, on Amazon.

For more information visit Spirituality in Higher Education, and the Cultivating the Spirit website.

The Akatsuki mission to Lucifer, the light bringer

Japan is sending a probe to Lucifer.

Well, not the Biblical Lucifer, but the Roman one, the celestial body that heralds the rising and falling Sun in the sky, and they plan to get there aboard the Venus Climate Orbiter – AKATSUKI.

In more esoteric terms, especially to any Scottish Rite Mason of the 19th or higher degree, the idea of Lucifer is a much much more.

Pike saying in Morals and Dogma:

The Apocalypse is, to those who receive the nineteenth Degree, the Apotheosis of that Sublime Faith which aspires to God alone, and despises all the pomps and works of Lucifer. LUCIFER, the Light-bearer! Strange and mysterious name to give to the Spirit of Darkness! Lucifer, the Son of the Morning! Is it he who bears the Light, and with its splendors intolerable blinds feeble, sensual, or selfish Souls? Doubt it not! for traditions are full of Divine Revelations and Inspirations: and Inspiration is not of one Age nor of one Creed. Plato and Philo, also, were inspired.
Grand Pontiff – 19th Degree, Scottish Rite Freemasonry

For all those NOT stuck on the quote from Pike above, I wanted to share a story that taps that part of us from our path in the second degree – which is the study of astrology, better reffered to as astronomy.

In a few days (December 7th) the Japanese Venus Climate Orbiter “AKATSUKI” will begin to enter the Venus orbit to begin study on Earth’s sister planet.

Venus Climate Orbiter Mission Graphic

From the mission website:

This project’s main purpose is to elucidate the mysteries of the Venusian atmosphere.

You can see a terrific video on the project below, or if your feeling creative, you can make a paper-craft of the Akatsuki orbiter.

If your an early riser, and happen to have a clear sky, take a look up into the sky for a glimpse of the “evil light bringer”, the son of the morning Venus, before the orbiter gets there and starts beaming back images.

For the best times and how to find Venus without blinding yourself in the sun, check out Stardate.org’s December Stargazing Info for December.

For those who are still scratching your heads over the Lucifer/Satan/Light Bringer question and want to dig deeper into the history of it, all we need do is look at how the two became so intimately associated, even in such that Pike carried the mistranslation.

Lucifer is a Latin word meaning “light-bearer” (from lux, lucis, “light”, and ferre, “to bear, bring”), a Roman astrological term for the “Morning Star”, the planet Venus. The word Lucifer was the direct translation of the Septuagint Greek heosphoros, (“dawn-bearer”); (cf. Greek phosphoros, “light-bearer”) and the Hebrew Helel, (“Bright one”) used by Jerome in the Vulgate, having mythologically the same meaning as Prometheus who brought fire to humanity.

It wasn’t until later that Christian writers and translators made him into the bad guy and put horns and lakes of fire around him. It was Saint Jerome in a 4th century Vulgate(translation) that associated the two in a translation of a passage from Isaiah in which he substituted Lucifer for Satan. The passage, in the King James Version reads:

Isaiah 14:12-16
12How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!
13For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north:
14I will ascend above the heights of the clouds; I will be like the most High.
15Yet thou shalt be brought down to hell, to the sides of the pit.
16They that see thee shall narrowly look upon thee, and consider thee, saying, Is this the man that made the earth to tremble, that did shake kingdoms;

In later translations, the use of Lucifer is dropped all together, which you can see here at the Bible Gateway.

 Saint Jerome in his Study
Albrecht Dürer – Saint Jerome in his Study

The reason Jerome used the term Lucifer stems from his translation of the original Hebrew text הילל בן־שׁחר which is Heylel ben Shachar, which in turn he translated into “lucifer qui mane oriebaris” or more aptly in English “morning star that used to rise early”. The word Lucifer, in Roman times as Jerome was firmly entrenched, was the name they gave to the early morning and evening star we commonly call Venus today. (an interesting read on the translation lives on the website Riding the Beast , but the Wikipedia entry for Lucifer is a good one too).

Hell, pardon the pun, even Pike picked up on Christian view of Lucifer in saying that

“Masons of the nineteenth Degree see the apocalypse (insert revelations) as “the Apotheosis of that Sublime Faith which aspires to God alone, and despises all the pomps and works of Lucifer.”

Two poems that look at this starry idea of Lucifer seem also to retain the mistranslation from antiquity, the first from the nefarious Aleister Crowley himself in his Hymn to Lucifer

Ware, nor of good nor ill, what aim hath act?
Without its climax, death, what savour hath
Life? an impeccable machine, exact
He paces an inane and pointless path
To glut brute appetites, his sole content
How tedious were he fit to comprehend
Himself! More, this our noble element
Of fire in nature, love in spirit, unkenned
Life hath no spring, no axle, and no end.

His body a bloody-ruby radiant
With noble passion, sun-souled Lucifer
Swept through the dawn colossal, swift aslant
On Eden’s imbecile perimeter.
He blessed nonentity with every curse
And spiced with sorrow the dull soul of sense,
Breathed life into the sterile universe,
With Love and Knowledge drove out innocence
The Key of Joy is disobedience.

And from the Victorian Era novelest and poet George Meredith in his poem Lucifer in Starlight.

On a starred night Prince Lucifer uprose.
Tired of his dark dominion swung the fiend
Above the rolling ball in cloud part screened,
Where sinners hugged their spectre of repose.
Poor prey to his hot fit of pride were those.
And now upon his western wing he leaned,
Now his huge bulk o’er Afric’s sands careened,
Now the black planet shadowed Arctic snows.
Soaring through wider zones that pricked his scars
With memory of the old revolt from Awe,
He reached a middle height, and at the stars,
Which are the brain of heaven, he looked, and sank.
Around the ancient track marched, rank on rank,
The army of unalterable law.

Some other more data specific facts about Venus:

  • Average distance from the Sun: 108.2 million kilometers.
  • Size (equatorial radius): 6,052 kilometers
  • Mass (compared to that of the Earth): 0.815 times
  • Average density: 5.24 g/cm³
  • Revolution period: 224.7 days
  • Rotation period: 243.02 days

Some interesting tid bits on Venus:

The astronomical symbol for Venus is the same as that used in biology for the female sex: a circle with a small cross beneath. The Venus symbol also represents femininity, and in ancient alchemy stood for the metal copper. Alchemists constructed the symbol from a circle (representing matter) above a cross (representing spirit).

The website the Hallow Planet has some interesting ideas on the atmosphere of Venus worth reading too.

And some ancient history about Venus from Wikipedia:

One of the brightest objects in the sky, Venus has been known since prehistoric times and has had a significant impact on human culture from the earliest days. It is described in Babylonian cuneiformic texts such as the Venus tablet of Ammisaduqa, which relates observations that possibly date from 1600 BC. The Babylonians named the planet Ishtar (Sumerian Inanna), the personification of womanhood, and goddess of love. The Ancient Egyptians believed Venus to be two separate bodies and knew the morning star as Tioumoutiri and the evening star as Ouaiti. Likewise believing Venus to be two bodies, the Ancient Greeks called the morning star Φωσφόρος, Phosphoros (Latinized Phosphorus), the “Bringer of Light” or Εωσφόρος, Eosphoros (Latinized Eosphorus), the “Bringer of Dawn”. The evening star they called Hesperos (Latinized Hesperus) (Ἓσπερος, the star of the evening), but by Hellenistic times, they realized the two were the same planet. Hesperos would be translated into Latin as Vesper and Phosphoros as Lucifer (“Light Bearer”), a poetic term later used to refer to the fallen angel cast out of heaven. The Romans would later name the planet in honor of their goddess of love, Venus, whereas the Greeks used the name of her Greek counterpart, Aphrodite (Phoenician Astarte).

To the Hebrews it was known as Noga (“shining”), Helel (“bright”), Ayeleth-ha-Shakhar (“deer of the dawn”) and Kochav-ha-‘Erev (“star of the evening”). Venus was important to the Maya civilization, who developed a religious calendar based in part upon its motions, and held the motions of Venus to determine the propitious time for events such as war. The Maasai people named the planet Kileken, and have an oral tradition about it called The Orphan Boy. In western astrology, derived from its historical connotation with goddesses of femininity and love, Venus is held to influence those aspects of human life. In Indian Vedic astrology, Venus is known as Shukra, meaning “clear, pure” or “brightness, clearness” in Sanskrit. One of the nine Navagraha, it is held to affect wealth, pleasure and reproduction; it was the son of Bhrgu and Ushana, preceptor of the Daityas, and guru of the Asuras. Early Chinese astronomers called the planet Tai-pe, or the “beautiful white one”. Modern Chinese, Korean, Japanese and Vietnamese cultures refer to the planet literally as the metal star, based on the Five elements. Lakotan spirituality refers to Venus as the daybreak star, and associates it with the last stage of life and wisdom.

So look for some new photos of the mysteriously veiled planet and perhaps we can learn some insight on the light bringer which for so long has held as the sinister Lucifer in the sky.

square and compass, freemasonry, S&C, freemason information

The Song of Saint John

From Masonic Odes and Poems
by Rob Morris LL. D.
1864

How blest is the home
Where the Brotherhood come!
How charming the time and occasion!
The love that was born,
In the heart of Saint John,
Now warms up the heart of each Mason.

It is you, Sir, and you,
Friendly Brothers and true,
No matter what may be your station-
On the level our way,
We are equal to-day,
For I, Sirs, with you, am a Mason!

This love that was born
In the heart of St. John,
Is the bond of a charming connexion;
Through good, and through ill.
It abides with us still,
And makes us thank God we’re a Mason.

When in the Lodge met,
And the officers set,
‘Tis of duty and pleasure the season,
Ah! gladly is given
To the Father in Heaven,
The praises devout of each Mason.

When labor is done,
And the Brotherhood gone,
Do you think that our secrets we blazon ?
No ! no, ’tis the joy
Of our mystic employ,
That we tell them to none but a Mason.

For ’tis this we do learn.
From our patron St. John,
The pride of this charming occasion,
That the tongue that conceals.
And never reveals.
Is THE VERT BEST THING FOR a Mason!

Then Lady and Sir,
While we stoutly aver.
In our Secrets we’ll never work treason.
The rules we profess,
Are the same that did grace
Our patron St. John, the Freemason.

And while to his name,
We may boldly lay claim.
To his graces we’ll cling till death’s season,
And then to the bourne.
Where his spirit has gone,
We’ll hie us like every good Mason.